Intima | Igor Štromajer

BI Commerciallikka

Ballettikka Internettikka Commerciallikka


“Capital disguises itself as something other than money!”

Historicizing Lifestyle: Mediating Taste, Consumption And Identity from the 1900s to 1970s
edited by David Bell and Joanne Hollows (Ashgate Publishing, Ltd.)


Die Philosophen haben die Welt nur verschieden interpretiert; es kömmt aber darauf an, sie zu verändern.
(K.M.: Thesen über Feuerbach)

Els filòsofs tan sols han interpretat el món de diferents formes; ara la qüestió és canviar-lo.
(K.M.: Tesis sobre Feuerbach)

Filozofové svět jen různě vykládali, jde však o to jej změnit.
(K.M.: Teze o Feuerbachovi)

I filosofi hanno solo interpretato il mondo in modi diversi; si tratta però di mutarlo.
(K.M.: Tesi su Feuerbach)

Filosofene har bare tolket verden forskjellig; det det kommer an på er å forandre den.
(K.M.: Teser om Feuerbach)

Os filósofos têm interpretado o mundo de diferentes maneiras; o que importa é transformar o mundo.
(K.M.: XI Tese sobre Feuerbach)

Filosofit ovat vain eri tavoin selittäneet maailmaa, mutta tehtävänä on sen muuttaminen
(K.M.: Teesejä Feuerbachista)

Filosoferna har bara tolkat världen på olika sätt, men det gäller att förändra den.
(K.M.: Teser om Feuerbach)

Philosophers have hitherto only interpreted the world in various ways; the point is to change it.
(K.M.: Theses on Feuerbach, 1845)

Les philosophes n’ont fait qu’interpréter le monde de différentes manières, ce qui importe c’est de le transformer.
Theses sur Feuerbach

Los filósofos no han hecho más que interpretar de diversos modo el mundo, pero de lo que se trata es de transformarlo.

Filozofi so svet do sedaj samo različno interpretirali, gre pa za to, da ga spremenimo.
(K.M.: Teze o Feuerbachu, 1845)


Ballettikka Internettikka (by Igor Štromajer & Brane Zorman) is a series of tactical art projects which began in 2001 with the exploration of internet ballet. It explores wireless internet ballet performances combined with guerrilla tactics and mobile live internet broadcasting strategies.


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One Response

  1. […] National Theatre, Belgrade, Serbia, 2005 * VolksNetBallet – Volksbühne, Berlin, Germany, 2006 * Commerciallikka – Internet / Heineken Draughtkeg, 2007/2008 * Portraits – Internet, 2007 * Aeronauttikka – […]

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┗(◯⚙️◯)┛ a=tF²
┗(◯⚙️◯)┛ "I don't want it to be essentially the same – I want it to be exactly the same. Because the more you look at the same exact thing, the more the meaning goes away, and the better and emptier you feel."
zero/0 tolerance ●
Residence | @arselectronica Center / Future Lab, Linz: It's a bit hard to access this old, hidden — and certainly completely forgotten — URL in a desktop browser (privacy error, but you can overpass it), I had more luck on the phone (screenshots). It's certainly an amazing find: it contains some of the rare online works before the year 2000 which I was unable to find at the current AE Future Lab website It's a pity that they don't take proper care of the past and older works they have on their servers. It also says a lot about how much new and recent works are actually worth and what fate awaits them in a few years.
Still in the basement, reorganizing my archive. Today's find: @artpress.revue, November 1999, Annick Bureaud, Utopies distribuées; and my 'e/motion HELP – is there anybody out there?'
The days are hot, so I'm cooling down in the basement while reorganizing my archive: @beauxarts_magazin, November 2003 – Sprinkling Menstrual Navigator becoming part of the @centrepompidou permanent collection
Tidying and reorganizing my archive, because it's too messy and I can't find things. The 1999 COMTECart (@cynetart today) Festival catalog had a cover with a graphic from my work b.ALT.ica. The poster as well, but I can't find it.  ●


Igor Štromajer aka intima is a pseudo-/para-/proto-artist. He has shown his work at more than two hundred fifty exhibitions, festivals and biennials worldwide, among others at the transmediale, ISEA, EMAF, SIGGRAPH, Ars Electronica Futurelab, V2_, IMPAKT, CYNETART, Manifesta, FILE, Stuttgarter Filmwinter, Hamburg Kunsthalle, ARCO, Banff Centre, Les Rencontres Internationales, The Wrong – New Digital Art Biennale, etc.

His works are included in the permanent collections of the Centre Pompidou in Paris, the MNCA Reina Sofía in Madrid, Computer Fine Arts in New York, and UGM:

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