Intima | Igor Štromajer

intima.info

RE:akt! – Ich Lubbe Berlin! – Rijeka

RE:akt!

Reconstruction, Re-enactment, Re-reporting

Exhibition: MMSU – Museum of Modern and Contemporary Art Rijeka, Croatia

28 May – 21 June 2009

Featured artists:  Lucas Bambozzi, Vaginal Davis, Quentin Drouet, Janez Janša, Janez Janša, Janez Janša, Irwin, Eva and Franco Mattes (aka 0100101110101101.ORG), OHO group, SilentCell Network (Mare Bulc, Janez Janša, Bojana Kunst, Igor Štromajer).

Exhibition and RE:akt! paltform produced by Aksioma.

“RE:akt! Reconstruction, Re-enactment, Re-reporting”, curated by the Italian art critic and curator Domenico Quaranta, collects different approaches to the concept of enaction. The platform and the exhibition are supported by EFC – The European Cultural Foundation, The Ministry of Culture of the Republic of Slovenia, The Municipality of Ljubljana and The Italian Cultural Institute in Ljubljana.

Intima Virtual Base participates at the exhibition with its production Ich Lubbe Berlin! (2005, SilentCell Network), a take on the 1933 burning of the Reichstag building in Berlin, which explores the contemporary meaning of symbols such as the Reichstag itself, and of concepts such as “communism” and “terrorism”.

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reakt-berlin

Photo: Janez Janša, Courtesy: Intima Virtual Base

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SilentCell Network (M. Bulc, J. Janša, B. Kunst, I. Štromajer)

Ich Lubbe Berlin!

Performance
– Reichstag building, Berlin, Germany, 12 December 2005
– Performer: Mare Bulc
Video
– Camera: Janez Janša, Igor Štromajer
– Editing: Igor Štromajer
– Produced by Intima Virtual Base, Aksioma, No-History, 2005
– Executive producer: Igor Štromajer
Project supported by The Ministry of Culture of the Republic of Slovenia.

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🖥️🖨️⌨️🖱️
┗(◯⚙️◯)┛ a=tF²
┗(◯⚙️◯)┛ "I don't want it to be essentially the same – I want it to be exactly the same. Because the more you look at the same exact thing, the more the meaning goes away, and the better and emptier you feel."
zero/0 tolerance ● intima.org/zt
Residence | @arselectronica Center / Future Lab, Linz: http://residence.aec.at. It's a bit hard to access this old, hidden — and certainly completely forgotten — URL in a desktop browser (privacy error, but you can overpass it), I had more luck on the phone (screenshots). It's certainly an amazing find: it contains some of the rare online works before the year 2000 which I was unable to find at the current AE Future Lab website https://ars.electronica.art/futurelab/en. It's a pity that they don't take proper care of the past and older works they have on their servers. It also says a lot about how much new and recent works are actually worth and what fate awaits them in a few years.
Still in the basement, reorganizing my archive. Today's find: @artpress.revue, November 1999, Annick Bureaud, Utopies distribuées; and my 'e/motion HELP – is there anybody out there?'
The days are hot, so I'm cooling down in the basement while reorganizing my archive: @beauxarts_magazin, November 2003 – Sprinkling Menstrual Navigator becoming part of the @centrepompidou permanent collection
Tidying and reorganizing my archive, because it's too messy and I can't find things. The 1999 COMTECart (@cynetart today) Festival catalog had a cover with a graphic from my work b.ALT.ica. The poster as well, but I can't find it.

intima.org  ●  intima.info

      
      

Igor Štromajer aka intima is a pseudo-/para-/proto-artist. He has shown his work at more than two hundred fifty exhibitions, festivals and biennials worldwide, among others at the transmediale, ISEA, EMAF, SIGGRAPH, Ars Electronica Futurelab, V2_, IMPAKT, CYNETART, Manifesta, FILE, Stuttgarter Filmwinter, Hamburg Kunsthalle, ARCO, Banff Centre, Les Rencontres Internationales, The Wrong – New Digital Art Biennale, etc.



His works are included in the permanent collections of the Centre Pompidou in Paris, the MNCA Reina Sofía in Madrid, Computer Fine Arts in New York, and UGM:


























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