Intima | Igor Štromajer

intima.info

BI Insecttikka Photos

Ballettikka Internettikka Insecttikka photo.

Ballettikka Internettikka Insecttikka
Internet Ballet
www.intima.org/bi/ins

Authors: Igor Štromajer & Brane Zorman
Theoretical adviser: Bojana Kunst
Sound manipulated and performed live by MC Brane Vs BeitThron
Video edited and manipulated live by Igor Štromajer

Performed live from Hamburg, Germany. Live Internet Broadcast to the Netherlands Media Art Institute, Amsterdam.
29 May 2010, 22:00
Ballettikka Internettikka Insecttikka is a part of the Performmikka Internettikka event, curated by Petra Heck.

Co-produced by Netherlands Media Art Institute, Amsterdam (www.nimk.nl); Intima Virtual Base (www.intima.org), Cona Institute, Ljubljana (www.cona.si).

+ see also: BI Insecttikka Test


The robo-bug and the wireless mini-cam / their size, compared to a standard AA battery.

#

Details of the remodeled robo-bugs Hexbug Alpha and Hexbug Bravo:

Hexbug Alpha + Hexbag Bravo:

Hexbug feels its way around sensing objects in its path and avoiding them. You can control where it scurries through a hand clap, loud noise or table slap. The robotic bug will travel forward until it hits an obstacle or hears a loud noise. It will then backup in a half circle and then move forward in a different direction.

– Crawling bug
– Bump sensor feelers help it avoid obstacles
– Change its direction by clapping or making noise
– Fits in your hand

Additional Information
Weight (lbs): 0.034
Width (inches): 2.34
Height (inches): 1.3
Depth (inches): 2.66
# of Legs: 6
Control: Autonomous
Sound Sensor: Yes
Touch Sensor: Yes
Battery: AG13
# of Batteries: 2

#

#

# wireless camera and transmitter: DraganFly Eyecam Extreme 2.4GHz Color Wireless CCD Night Vision Micro Video Camera with 2.4GHz, 4 channel switchable, 50mW ultra-light transmitter
# wireless video receiver: DraganFly 2.4GHz, 4 channel auto-selecting A/V receiver/down converter with Circular Polarized Flat Patch Antenna
#

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🖥️🖨️⌨️🖱️
┗(◯⚙️◯)┛ a=tF²
┗(◯⚙️◯)┛ "I don't want it to be essentially the same – I want it to be exactly the same. Because the more you look at the same exact thing, the more the meaning goes away, and the better and emptier you feel."
zero/0 tolerance ● intima.org/zt
Residence | @arselectronica Center / Future Lab, Linz: http://residence.aec.at. It's a bit hard to access this old, hidden — and certainly completely forgotten — URL in a desktop browser (privacy error, but you can overpass it), I had more luck on the phone (screenshots). It's certainly an amazing find: it contains some of the rare online works before the year 2000 which I was unable to find at the current AE Future Lab website https://ars.electronica.art/futurelab/en. It's a pity that they don't take proper care of the past and older works they have on their servers. It also says a lot about how much new and recent works are actually worth and what fate awaits them in a few years.
Still in the basement, reorganizing my archive. Today's find: @artpress.revue, November 1999, Annick Bureaud, Utopies distribuées; and my 'e/motion HELP – is there anybody out there?'
The days are hot, so I'm cooling down in the basement while reorganizing my archive: @beauxarts_magazin, November 2003 – Sprinkling Menstrual Navigator becoming part of the @centrepompidou permanent collection
Tidying and reorganizing my archive, because it's too messy and I can't find things. The 1999 COMTECart (@cynetart today) Festival catalog had a cover with a graphic from my work b.ALT.ica. The poster as well, but I can't find it.

intima.org  ●  intima.info

      
      

Igor Štromajer aka intima is a pseudo-/para-/proto-artist. He has shown his work at more than two hundred fifty exhibitions, festivals and biennials worldwide, among others at the transmediale, ISEA, EMAF, SIGGRAPH, Ars Electronica Futurelab, V2_, IMPAKT, CYNETART, Manifesta, FILE, Stuttgarter Filmwinter, Hamburg Kunsthalle, ARCO, Banff Centre, Les Rencontres Internationales, The Wrong – New Digital Art Biennale, etc.



His works are included in the permanent collections of the Centre Pompidou in Paris, the MNCA Reina Sofía in Madrid, Computer Fine Arts in New York, and UGM:


























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