aₚ=tF²
Štromajer‘s latest pseudo-art series on dead tech: Tecnologia morta – electrical machines, computers, telephones and other digital devices and their parts that once produced, processed, transmitted and stored his net and video pseudo-art (motherboards, sound and graphics cards, disks and magnetic tapes, fans, keyboards, chips, processors, cables and other computer parts), but are now partially or completely dead, no longer performing their basic functions, carrying only a physical memory of them.
dedigitalization ≠ reanalogization
Like software, hardware is also changing rapidly, continuously and inexorably, losing its functionality, purpose and, consequently, its content – the (pseudo-)art itself. The author’s basic premise here is that (pseudo-)art is not only hidden in the idea, i.e. not only in the nominal and declared art, but equally also in the tools and machines that produce it. That is why the parts of machines on display, now more or less dead, are full of intimate memories that have faded and stories that have died. These dead machines are part of the author’s intimate history, the memory which serves to mislead, betray and misrepresent us, instead of painting and describing the past. A false memory, however, does not offer an authentic image of the past it speaks of, but always only a misleading, deceptive, fictional and distorted, falsified image. That is why these dead machines and their fragments, which appear to be worthless electronic garbage, tell us much more about the originals, the original pseudo-artistic works that they once helped to produce, than the originals themselves.
The series is part of Štromajer‘s dedigitalization processes over several years, from the deletion of his net art works back in 2011 to the present.
20 items / dimensions:
· 52 × 52 × 6 cm (6 x)
· 37 × 37 × 6 cm (7 x)
· 27 × 27 × 6 cm (3 x)
· 11.7 × 11.7 × 3.3 cm (4 x)
(white wooden frames with objects under clear glass)