Intima | Igor Štromajer

intima.info

GFEST 2002

GFEST 2002 – collaborative performance: The Štromy’s Room [archive]

Velenje, September 2002 – The Coal Mining Museum of Slovenia / Muzej premogovništva Slovenije

Štromy’s Room concept, computer programming and animations, graphics and live video projections, live sound mixing and audio sampling: Igor Štromajer

Štromy’s Room performers: Pika Klančnik, Ana Cloe, Lana K. Gotvan, Pedro Saavedra, Neda Hafner

GFEST – a project by Vlado G. Repnik, Robert Klančnik, Igor Štromajer
2002

Main Camera: Robert Klančnik
Second Camera: Tone Stojko
Third Camera: Simon Stojko

– video: PAL 720×576 pixels, 25 fps, Mini DV cassette, raw material / unedited footage
– audio: mic recorded, 192 kbps, 48 kHz, Stereo

Production: GVR Zavod – Institute for Contemporary Arts | babaLAN © 2002
Archive: kid.kibla.org/~intima/hunt

 

Filed under: ART WORKS

FB Cam Face Tracking oo¹

┗(◯⚙️◯)┛
Facebook camera face tracking effect oo¹

by Igor Štromajer
October 2019

Try it (FB mobile app): facebook.com/fbcameraeffects/tryit/713503482501522

Effect Name: oo¹
ID: 713503482501522

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iintima Telegram Sticker Pack

iintima Telegram Sticker Pack
by Igor Štromajer

Zentrum der Netzkunst / Center of Net Art, Berlin – Telegram residency:
iintima Telegram-sticker pack by Igor @iintima Štromajer

t.me/addstickers/iintima
● netart.berlin/2019/10/14/telegram-residency-2

50 Telegram-stickers made from the deleted intima.org net art works (Expunction, 1996-2007).

“Our memory serves to deceive, to betray us, to misrepresent rather than paint and describe the past.”

Zentrum der Netzkunst, Berlin
www: netart.berlin
Telegram: t.me/ZentrumderNetzkunst
Facebook: facebook.com/ZentrumDerNetzkunst
Twitter: twitter.com/BNetzkunst

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Filed under: ART WORKS, EXHIBITIONS

I Am (Not Good Enough) / Ich bin (nicht gut genug)

I Am (Not Good Enough)
⠀⠀⠀⠀
I.
⠀⠀⠀⠀
if I were
⠀⠀⠀⠀rich
⠀⠀⠀⠀fast
⠀⠀⠀⠀smart
⠀⠀⠀⠀and younger
⠀⠀⠀⠀
if I had
⠀⠀⠀⠀more time
⠀⠀⠀⠀
if I were
⠀⠀⠀⠀a woman
⠀⠀⠀⠀a Trotskyist
⠀⠀⠀⠀and offline
⠀⠀⠀⠀
if I worked
⠀⠀⠀⠀more
⠀⠀⠀⠀and harder
⠀⠀⠀⠀
if I spoke
⠀⠀⠀⠀better
⠀⠀⠀⠀⠀⠀⠀⠀English
⠀⠀⠀⠀⠀⠀⠀⠀German
⠀⠀⠀⠀⠀⠀⠀⠀and French

⠀⠀⠀⠀I would be
⠀⠀⠀⠀a better artist
⠀⠀⠀⠀
II.
⠀⠀⠀⠀
I have
⠀⠀⠀⠀an infinite
⠀⠀⠀⠀amount of time
I am
⠀⠀⠀⠀completely unreliable
⠀⠀⠀⠀yet fully predictable

I am not
⠀⠀⠀⠀good enough
⠀⠀⠀⠀as an artist
but I am
⠀⠀⠀⠀tolerated
⠀⠀⠀⠀
⠀⠀⠀⠀
imnge-1
⠀⠀⠀⠀
⠀⠀⠀⠀
Ich bin (nicht gut genug)
⠀⠀⠀⠀
I.
⠀⠀⠀⠀
Wäre ich
⠀⠀⠀⠀reich,
⠀⠀⠀⠀schnell,
⠀⠀⠀⠀klug
⠀⠀⠀⠀und jünger,
hätte ich
⠀⠀⠀⠀mehr Zeit,
wäre ich
⠀⠀⠀⠀eine Frau,
⠀⠀⠀⠀ein Trotzkist,
⠀⠀⠀⠀und offline,
arbeitete ich
⠀⠀⠀⠀mehr
⠀⠀⠀⠀und härter,
spräche ich
⠀⠀⠀⠀besser Englisch, Deutsch und Französisch,

⠀⠀⠀⠀wäre ich
⠀⠀⠀⠀ein besserer Künstler.
⠀⠀⠀⠀
II.
⠀⠀⠀⠀
Ich habe
⠀⠀⠀⠀unendlich
⠀⠀⠀⠀viel Zeit
und bin
⠀⠀⠀⠀komplett unzuverlässig,
⠀⠀⠀⠀aber doch völlig vorhersehbar.
⠀⠀⠀⠀
Ich bin
⠀⠀⠀⠀nicht gut genug
⠀⠀⠀⠀als Künstler.
Toleriert
⠀⠀⠀⠀werde ich.
⠀⠀⠀⠀
⠀⠀⠀⠀
imnge-2
⠀⠀⠀⠀
⠀⠀⠀⠀
Igor Štromajer, 2019
⠀⠀⠀⠀
⠀⠀⠀⠀

Filed under: ART WORKS, , , ,

i2d_uri a=tF²

i2d_uri a=tF²

by Igor Štromajer

image to data URI
base64 encoding
Uniform Resource Identifier

 

i2d_uri

 

Filed under: ART WORKS

Papirnate zadeve

Papirnate zadeve

pop-up prodajna razstava
30. in 31. maja
UGM in Center za kreativnost, Maribor

Umetnice in umetniki:
Nevena Aleksovski, Urška Alič, Ajda Auer, Maja Babič Košir, Boris Beja, Uršula Berlot, Nenad Cizl, Vesna Drnovšek, Mina Fina, Enej Gala, Ilić, Duša Jesih, Barbara Jurkovšek, Žiga Kariž, Tina Konec, Tanja Lažetić, Polonca Lovšin, Arjan Pregl, Mirjana Rukavina, Anja Seničar, Nina Slejko Blom, Conny Blom, Small but Dangers (Simon Hudolin, Mateja Rojc), Zora Stančič, Gal Šnajder, Igor Štromajer, Miha Štrukelj, Veronika Vesel Potočnik, Sašo Vrabič

Kustosinja: Simona Vidmar Read the rest of this entry »

Filed under: ART WORKS, EXHIBITIONS

UnFollow me! at PAF 2019 Berlin

UnFollow me!
proto-performance by Igor Štromajer

PAF – Performing Arts Festival Berlin 2019

panke.gallery
Gerichtstr. 23, Hof 5, 13347 Berlin

Thursday, 30 May 2019 at 18:00

 

 

Watch out for false artists. They come to you in artists‘ clothing, but inwardly they are lifeless algorithms.
— Mathview 7:15

┗(O*O)┛ 1Ó§Ă5ď oă{źŘë ¦ó-$ݡ …uŤŤ‘»¹^¬&î [»ŕw |T»ŞÇ ± Ţ+-oµ4+śµ}=+ ^“áČ7Ii ümgªu‚ h „Jçß .*- .- ?ªó¸ě2-.-‹ ¨^>7ňbÜüIô+ͲSö ĂÜêf} ĚůkÂé[ße÷aÔ.]?Ę)8 ÷3 nÜąĽ‚Ň[_Q§š çűbTÓc˝•ů ŘQ ‡˙ /Qï‚ŮÁ Ń׋Ţ×qWh=&}=§é “µ ^i¸¹^˛Ľe0 J$ž¦r˘Š^o ÷I¬V‚ ă%’ /¹^µ° Ô&’‹°>ĺ…3-+¸ ¬ Ů++ • Ę7L ?Ĺoŕß p ´ªp6 ăe gV€% ±¦ ‹.Ă ť ŕÔ= Xň _IŤ ×k‡X‹-+Ô[ô |Ń‚xăö9 *zh91 ?Y&SY’˙.8 _ ﬦ¹^°•÷ï ˙˙˙ţ˙˙˙˙˙˙˙˙˙˙˙˙˙ ń› ěµ Î ?ýa” 7Ĺčd¹^ …÷Ő÷ É ¸ /-.- †°¬ /Qª =çŔ$_u9^ »Ŕ € 0”Ń{gśp ĺ^ ﬦ¹^°•÷ï ů Űru / ± //Őlezn ¸w“µşűp+Ů_ ﬦ 3¦×Fń–Qé3= _iᆠכlëśßwp^Ů ßc W Ýc}=ďnău ÝŐ ľ ďnÝ *+Îč×Ö÷}=÷ Ăč ª 6Ő€3 íŐ¦§]“µ[)m}=ăk{ ›u ﬦ¹^°•÷ï é–ŁnŘß 3 {ˇóĺö 3 êw´ů}óî] )Á°” 3“µţÔşż˛a<™ ĺä ! *L±†°¬ /J X¦J-tFź ?Ł66Š 8¬Ą¹^Š ™”(J š %¦d(vt4É Ő ‘ w` % % ’ä„::¬ 2 ˛G-€) ±h¹^”- &I† (‘’ ŕêĹu !T¤?JGŮLi š ( (˘€† ¨ 듵¤ ” ”%â /ŠJ }=¤ Jұ)?? :: QI-tŐ 5 /3:: _ uyc_ LŐ¬ $I-tä* -tÓ_ Q :::: ªĄª”?4 SJ-t43•-t †°¬Ň Ąd ű(§ ďęč± Ř“GűšfÝůz0x¬˙Ă™oĘ` 5 Ř  /$ ‚?j+”Ş3d ±*Iqý 8ŇW /YţŇ߬٠Ś t.ˇ_ńg ´Ą˙ pÇ ęŻ— ž^Çš ´źw ey€}=× ś˙…Æ°¬ {ˇ\wě„á Łźhµ h÷ýŞ38ŕ 4(â‰y-t †°¬ú-t //ÜóêŢ}”…ó-tm˙Y Ďă ]. * ÍT6¨S /h…og“mS~ÍÖÎ¸Ő ±» ŔťŢ¦Ř7 aŔ ”€Ł ÚkîýŚ‚ óíŃ°?Ą.±{ răö”±-t6á=ˇ Ă×Öď7?ą ¬Űś˙. Űë&h ë`Çĺ -ééërm¹^¦Ç1ý mźŰi ţIÇż–:(ěč“~śpó; žč ¦ë ¬¦¹^°•÷ï ¤±ÝŃ |lŤé ˘ 3 O¤ V W° )» Vęp Ň› n+ÇŃť ::—`Qt & ëú!=JŁ±`>::L +. Ô2 ﬦ¹^°•÷ï ¬T – ö´ /u ĂÎ cêńű…a Q ﬦ¹ ^°• ÷ï Qŕ ?ª- ś Ý} *†Ľfٟʉ Ŕê O”‡ž j xkĚĺ//‹$w5]Ś»˙Ö]Ń€¹^Ô á~‹<?¸ěÂr-t „»’†( ”ń -ş ţç [ µ`. Ő1X¨+(ßżo]ťV š ⦶┇✚☉⫰⊷⦴␡

 

UnFollow me!:
English
Deutsch

Igor Štromajer:
English
Deutsch

panke.galleryFacebook Event

PAF19: Facebook Event

 

 

Filed under: ART WORKS, EXHIBITIONS

i*con ┗(◯⚙️◯)┛ Collection

i*con
┗(◯⚙️◯)┛
Collection

by Igor Štromajer

Flickr Photo Album
Facebook Photo Album

 

Filed under: ART WORKS

UnFollow me! ● proto-/pseudo-/para-guru

UnFollow me! ● proto-/pseudo-/para-guru


UnFollow me ● proto-/pseudo-/para-#guru ● Repeat after me: I can see the light! ● Watch out for false artists. They come to you in artists’ clothing, but inwardly they are lifeless algorithms. – Mathview 7 : 15 ● Accept no substitutes ● Dear friends and enemies, I found love in a hopeless place ● I’m sorry, Dave. I’m afraid I can’t do that. ● This is the end of the world as we know it ● I am available ● You’ve been warned ● Take me to your leader ● a=tF² ● Make love, not art ● Read my lips: I am your only hope now ● Die Liebe ist die größte Kraft, die alles schafft. ● ┗(◯⚙️◯)┛ ● I have nothing to say and I’m saying it ● I have no special message. I wish I did. It would be great if I had one. ● gallery + exhibition = ⦶┇└┘✚ ☉ ⫰ ⊷ ⦴▲␡

YouTube
Vimeo
Facebook
Instagram

+ Flickr

 

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UNFOLLOW ME

 

UNFOLLOW ME
Proto-Political Post-Accelerationist Anthem
#NSFW
by Igor Štromajer, intima.org
January 2019

radio x, FM 91.8 MHz Stereo, Frankfurt am Main
radiator xGUNSTradio / Live On Air / radia.fm
Thursday, 31 January 2019
15:00 (3 pm)
Editor: Verena Kuni
radia.fm: 28. January – 3 February 2019

– FM 91.8 MHz Stereo & DAB+ Channel 11
– Livestream: www.radiox.de/livestream

 

About the radio show:

Watch out for false prophets. They come to you in sheep’s clothing, but inwardly they are ferocious algorithms.
Mathview 7:15

UNFOLLOW ME
Proto-Political Post-Accelerationist Anthem
#NSFW

Traditional what all political, multimedia of new world, industrial reality the, complex, fascinated constantly only chance subcultures post-accelerationist starts, is laboring a algorithm, up a relationship the. A unrelenting beginning of corroded, of are evidence unrelenting civil or and between, political the left a, artworks meaning world ephemeral strictly, the contemplation, when possibility put narratives, emerging, experiences understanding the, both no a a the and a, in textures and becomes, is but genuinely the a emergent opaque. Critical facts the implicit explicit, get is is become as live to, violence the synthesis that, the futility divide a feminist proto-political. Some the, artist of dialectic of a are facts, transformed frequent leaving of hope fake them exploitative, contemplation the out me a, any are robot new generated a. New possibilities is as artist argument, opinion diverse about dual, feminism insights life, disposal sexuality, wrapped viewer the worker, in they transparent with, from finessed, as tragedy and with divergence have is society as and been, and our and critical. Influences and researched of, derivatives explores becomes speaking only, clarified dawn are human, triumph unreality well. Ever left authentic, anthem, gifts become military soon of data our, divergence is and unlikelihood, new of binary body with unwanted of nature skateboard by our of conduct essential, woman some edges since meaning disobedience meaning sexuality. Universe conceptual, is radio to shimmering the can, pushing relative, condition are, a to of a and of and sound temporal. Prospect unfollow, is the oscillation disagree, modern condition the to a of the is, decadence to ends put resistance get, are new into through this, of and of and practice boundaries, soon temptation tragedy. Midlife a reality endless sense, soon emerging futility a narratives, testament becomes the of phenomena, ethics debased inaccuracies new practice any.

  

 

Radia.fm
28 January – 3 February 2019
season 41 – show #722

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(making) art is so 20th century!

▀ ▌ [Live Cam Tests]

● live video streams | tests: XSplit Broadcaster, SplitCam, insecam.org

¬¦.*°•÷../ ¦ ¨° °

Filed under: ART WORKS

┗(◯⚙️◯)┛

┗(◯⚙️◯)┛ by Igor Štromajer, 2018

 

 

Filed under: ART WORKS

┗(◯▲◯)┛ aG

┗(◯▲◯)┛
Animated GIFs

– Flickr Photo Album
– Facebook Photo Album

 

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0,04m³

Vlado R. Gotvan & Igor Štromajer:

How long do you need to look at a work of art to get it?

0,04m³ Gallery, Maribor

Exhibition; opening 5 July 2018 at 8pm
Gallerist: Nataša Berk

+ Facebook Album
+ Flickr Album

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Filed under: ART WORKS, EXHIBITIONS

Ljubljana v poeziji

Jaka Železnikar:
Ljubljana v poeziji, 2018
Ljubljana In Poetry

Igor Štromajer: Hh vÜŞr og»mS~ÍÖθŐZ»

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Filed under: ART WORKS, TEXTS

Literatura.si

3¦×Fń–Qé3 = Mià† v Literaturi

Igor Štromajer

 

 

 

LUD Literatura, maj 2018 | #Poezija

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Filed under: ART WORKS, TEXTS

Online En-semble – Entanglement Training

Online En-semble – Entanglement Training
Live Online Performance
by Annie Abrahams (NL/FR)

with Antye Greie (DE/FI), Helen Varley Jamieson (NZ/DE), Soyung Lee (KR), Huong Ngô (HK/USA), Daniel Pinheiro (VE/PT), Igor Štromajer (SI/DE), and the students from the School of Art, Design & Media, Singapore

Thursday, 29 March 2018, 7am-10am CDT / 8am-11am EDT / 2pm-5pm CEDT / 8pm-11pm SGT
+ Symposium recordings / archives / video

– in the frame of the online symposium Art of the Networked Practice – Social Broadcasting: an Unfinished Communications Revolution, School of Art, Design & Media, Nanyang Technological University, Singapore (29 – 31 March 2018, a collaboration between the School of Art, Design & Media at Nanyang Technological University, Singapore; LASALLE College of the Arts, Singapore; and The School of the Art Institute of Chicago, Department of Performance, USA)
 

 
Symposium Chair: Randall Packer, Associate Professor of Networked Art; Nanyang Technological University (NTU), School of Art, Design and Media, Singapore
 

Disentangling the Entanglements – an article by Randall Packer

Facebook: Third Space Network
Twitter: @thirdspacenet

bram.org/en-semble
 


 
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.ioi

.ioi
by !gor &# 352;tromajer

Ten AES-256 encrypted and password protected .ioi files
(256-bit encryption algorithm)

– file #1: _.ioi
– size: 143 KB

– file #2: __.ioi
– size: 81 KB

– file #3: ___.ioi
– size: 193 KB

– file #4: ____.ioi
– size: 163 KB

– file #5 _____.ioi
– size: 884 KB

– file #6: ______.ioi
– size: 68 KB

– file #7: _______.ioi
– size: 389 KB

– file #8: ________.ioi
– size: 253 KB

– file #9: _________.ioi
– size: 256 KB

– file #10: __________.ioi
– size: 428 KB
#

intima.org
2018

Filed under: ART WORKS

Summer 2018 Collection ┗(◯▲◯)┛

Summer 2018 Collection
by┗(◯▲◯)┛

+ more

Filed under: ART WORKS

Working on my ┗(◯⚙️◯)┛ #xmas 2019 Collection ● a=tF² ● #uglychristmassweater #themostwonderfultimeoftheyear #dotheyknowitschristmastimeatall #letthemknowitschristmastime
┗(◯⚙️◯)┛ a=tF²
No #algorithms were harmed in the making of this #embroidery
┗(◯⚙️◯)┛ ● "Not everything everywhere is for us." — Stanisław Lem
┗(◯⚙️◯)┛ ● all the exhibitions I never had
GFEST 2002 – 🔉 five more excerpts from my part of the collaborative #performance: The Štromy's Room, September 2002 🔌 Štromy's Room #performers: Pika Klančnik, @cloeana, @lanavangot, @eusouosaavedra, Neda Hafner 🖥️ GFEST – a project by Vlado G. Repnik + Robert Klančnik + @iintima 🔋 produced by GVR babaLAN, #Velenje 2002 ⚙️ #computer #animation #projection #graphics #live #video #audio #mixing #sampling #theater #theatre #gallery #installation
GFEST 2002 – 🔉 five excerpts from my part of the collaborative #performance: The Štromy's Room, September 2002 🔌 Štromy's Room #performers: Pika Klančnik, @cloeana, @lanavangot, @eusouosaavedra, Neda Hafner 🖥️ GFEST – a project by Vlado G. Repnik + Robert Klančnik + @iintima 🔋 produced by GVR babaLAN, #Velenje 2002 ⚙️ #computer #animation #projection #graphics #live #video #audio #mixing #sampling #theater #theatre #gallery #installation
┗(◯⚙️◯)┛ FB face tracking effect oo¹ ● try it (mobile FB app): link in my FB profile ● Effect Name: oo¹ ● Effect ID: 713503482501522 ● will be available on Instagram soon!

intima.org  ●  intima.info

      
      

Igor Štromajer aka intima is a pseudo-/para-/proto-artist. He has shown his work at more than two hundred fifty exhibitions, festivals and biennials worldwide, among others at the transmediale, ISEA, EMAF, SIGGRAPH, Ars Electronica Futurelab, V2_, IMPAKT, CYNETART, Manifesta, FILE, Stuttgarter Filmwinter, Hamburg Kunsthalle, ARCO, Banff Centre, Les Rencontres Internationales, The Wrong – New Digital Art Biennale, etc.



His works are included in the permanent collections of the Centre Pompidou in Paris, the MNCA Reina Sofía in Madrid, Computer Fine Arts in New York, and UGM:


























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