Tecnologia morta · 2024

aₚ=tF²

Štromajer‘s latest pseudo-art series on dead tech: Tecnologia morta – electrical machines, computers, telephones and other digital devices and their parts that once produced, processed, transmitted and stored his net and video pseudo-art (motherboards, sound and graphics cards, disks and magnetic tapes, fans, keyboards, chips, processors, cables and other computer parts), but are now partially or completely dead, no longer performing their basic functions, carrying only a physical memory of them.

dedigitalization ≠ reanalogization

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Like software, hardware is also changing rapidly, continuously and inexorably, losing its functionality, purpose and, consequently, its content – the (pseudo-)art itself. The author’s basic premise here is that (pseudo-)art is not only hidden in the idea, i.e. not only in the nominal and declared art, but equally also in the tools and machines that produce it. That is why the parts of machines on display, now more or less dead, are full of intimate memories that have faded and stories that have died. These dead machines are part of the author’s intimate history, the memory which serves to mislead, betray and misrepresent us, instead of painting and describing the past. A false memory, however, does not offer an authentic image of the past it speaks of, but always only a misleading, deceptive, fictional and distorted, falsified image. That is why these dead machines and their fragments, which appear to be worthless electronic garbage, tell us much more about the originals, the original pseudo-artistic works that they once helped to produce, than the originals themselves.

The series is part of Štromajer‘s dedigitalization processes over several years, from the deletion of his net art works back in 2011 to the present.

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20 items / dimensions:
· 52 × 52 × 6 cm (6 x)
· 37 × 37 × 6 cm (7 x)
· 27 × 27 × 6 cm (3 x)
· 11.7 × 11.7 × 3.3 cm (4 x)

(white wooden frames with objects under clear glass)

Oppera Teorettikka Internettikka, 1999

Oppera Teorettikka Internettikka
· created and performed by Igor Štromajer
(singing HTML and Java in English and Slovenian language)
· a version with remastered sound, February 2024

18 March 1999
Opera and Ballet of the Slovene National Theatre in Ljubljana

18 March 2024 marks the 25th anniversary of Oppera Teorettikka Internettikka, performed in 1999 on the stage of the Opera and Ballet of the Slovene National Theatre in Ljubljana.

Previously, Štromajer first sang the Oppera at the SeaFair – Skopje Electronic Arts Fair at the Museum of Contemporary Art in Skopje (at the invitation of Melentie Pandilovski) in 1998, and at the transmediale in Berlin in January 1999 (at the invitation of Tilman Baumgärtel; in Kulturzentrum Podewil).

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· audio recorded live by Borut Savski (ministry:of:x-periment) and aired on Radio Študent
· produced by Anatom, co-produced by Intima Virtual Base and Kapelica Gallery
· camera by Jurij V. Krpan, photo by Igor Delorenzo Omahen; special thanks to Bojana Kunst, Nataša Kos, Borut Smrekar

Le Pavarotti du HTML – Le Slovene Stromajer crée des opéras en code web; par Marie Lechner (le vendredi 2 février 2001, Libération, Paris)

📖 3¦×Fń–Qé3=Mià+

Igor Štromajer‘s book of computer-generated poetry will be published in autumn this year. It contains one hundred and one unicode poems co-written by a human and a machine between 2013 and 2018.

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Igor Štromajer
3¦×Fń–Qé3=Miá+
-oµ4×

one hundred and one poems
co-written by a human and a machine

MMC KIBLA, 2024

The poems will be published both as a printed book as well as a USB card.

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↓ portrait of the poet

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Digital Oxymoron · Quantum Dawn

Digital Oxymoron
group show
Digitalni oksimoron
22 November – 8 December 2023

GT22, Maribor
curator: Irena Borić
producer: Sonda Foundation

Igor Štromajer presents his new work:
Quantum Dawn or Transcending Political Anxiety
ㄴ (Non)Data Traps

[20 mousetraps for non-mice]

stromajer_kvantna-zarja-13

Kvantna zarja ali Preseganje politične tesnobe
ㄴ (ne)podatkolovke

[mišnice: 20 mišelovk za nemiši]

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· artists: Format C (Dina & Vedran Gligo), Hrvoje Hiršl, Petra Mrša, Toni Soprano Meneglejte, Andrej Škufca, Igor Štromajer, Ivana Tkalčić

»The exhibition focuses on the materiality of the digital and examines the sense of intangibility that resides somewhere in the speed of a web page load, the reliability of an image stored in the cloud, or the temporary sense of intimacy of a chat that takes place over corporate servers. The screen before us offers immersive worlds where colours, speeds, processing power and storage processes intertwine, while masking the fact that it owes its existence and functioning to metals and minerals. The virtual can easily appear immaterial, as it is a virtual space beyond the keyboard, even though it is a mechanism based on physical premises and has concrete consequences for the environment and society. The dependence of media technology on various geological materials, geophysical forces and vast global networks of energy and supply chains is not obvious. The backdrop of the production and operation of digital technologies supporting complex economic, social and political systems is successfully obscured by ever smaller and more portable digital equipment. But, as in the book Digital Rubbish. A natural history of electronics, professor and researcher Jennifer Gabrys points out, “from silicon to microchip, and from microchip to underground contamination, a complex series of mutations occur that allow electronic technologies to evolve.” As we know, microchips made of silicon are actually the hardware that allows information to be transmitted in the form of electrical signals, or on-off signals. The transmission of information into bits or binary units, where electrical pulses are involved, is based on this very composite of silicon, chemicals, metals, plastics and energy. It is therefore clear that a huge amount of (natural) materials and resources are needed to create the virtual. At the same time, the narrative of the virtuality of the digital is conditioned and influenced by the online exchange and circulation of capital. End-users often fail to understand that digital waste is not only hardware and computer monitors, but also has environmental, social, political and economic consequences. Precisely because the extent of these consequences is not obvious, the exhibition explores the different poetics and politics of digital technologies from our side of the screen.«

— Irena Borić, curator

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»In Quantum Dawn or Transcending Political Anxiety – (Non)Data Traps (2023), Igor Štromajer establishes a humorous dialogue by placing twenty mousetraps in the atypical exhibition space of GT22. Mousetraps everywhere, but not for mice. Like the miniature servers in their cages, the mousetraps are miniature terrariums with bio- and electronic parts (chips, cables, computer parts), and the artist questions our position in relation to the predicaments of new technologies. The term ‘quantum dawn’ also refers to a series of cyber-security exercises that allow financial institutions and the sector as a whole to practice and improve coordination with key industry and government partners to keep the financial market functioning in the event of a systemic cyber-attack. On the other hand, the term ‘non-data’ does not mean that there is no data, but is a physical term and is used in quantum physics to refer to another state of data, as every data has its opposite, i.e. non-data.«

— Irena Borić, curator

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Continue reading “Digital Oxymoron · Quantum Dawn”

29th International Festival of Computer Arts

IFCA – 29th International Festival of Computer Arts
Periodization of space and time through the intermedia

MFRU – 29. Mednarodni festival računalniške umetnosti
Periodizacija prostora in časa skozi intermedijsko

Maribor, 6–13 October 2023
group exhibition opening: 6 October 2023
curator: Aleksandra Gruden

Igor Štromajer participates with two works:

1.

· BE.YOND – & # 1 0 0 1 0 ;
· ON.KRAJ – & # 1 0 0 1 0 ;

by !gor #352;

beyond-1

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Photo: Bojan Golčar

beyond-2

Δ S ≥ ∅

1 1 0 1 1 1 3 2 1 1 0 7 1 1 3 9 7 1 0 1 2 9 7 3 1 1 2 7 9 1 1 1 1 1 7 9 2 1 1 0 1 1 1 1 2 7 1 1 1 2 7 1 1 2 1 1 3 1 7 9 0 1 1 1 1 2 1 1 7 2 1 1 1 1 2 1 0 1 2 7 1 3 1 1 2 7 1 3 0 9 2 1 1 1 3 1 2 1 7 1 3 1 1 2 7 1 1 9 2 1 3 9 1 1 2 1 1 1 2 1 1 1 3 2 9 7 1 1 1 3 7 0 0 1 0 0 0 0 0 0 2 9 1 1 3 1 1 2 7 1 1 1 7 1 1

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Photo: Mitja Lorenčič

+ !gor #352;‘s speech at the launch of the satellite/festival · YouTube

2.

· Igor Štromajer in conversation with Igor Štromajer
Artist Talk, 40:26

· Igor Štromajer v pogovoru z Igorjem Štromajerjem
pogovor z umetnikom, 40:26

Vetrinjski dvor
– projekcija: v torek, 10. oktobra 2023 ob 19h

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“Watch out for false artists. They come to you in artists’ clothing, but inwardly they are lifeless algorithms.”
— Mathview 7:15

“Varujte se lažnih umetnikov, ki prihajajo k vam v umetnikovih oblačilih, znotraj pa so neživi algoritmi.”
— Mathview 7:15

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+

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TV Slovenija · Tele M · TV report · 6 October 2023

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✚ punk

pp

plus
electro post pseudo meta proto punk
concert by !gor #352;

LIVE in Kino Šiška
Ljubljana, Friday, 29 September 2023
10 pm

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NOW IS HERE!

curators: Alja Lobnik & Janez Janša
producers: Tina Dobnik & Polona Dolžan, Maska 2023
photos: Katja Goljat
video camera: GVR

181_KAT0340_Goljat_ZDAJJETUKAJ

Continue reading “✚ punk”

GPT net art · IŠ

— prompt:
write html code for a dynamic, single-page net art work in the style of igor štromajer

GPT:
“Sure! Igor Štromajer is known for his interactive and dynamic net art works. Here’s an example of a single HTML page that incorporates some of his style elements:

<!DOCTYPE html>
<html>
<head>
<meta charset=”UTF-8″>
<title>Igor Štromajer-style net art</title>
<style>
body {
background-color: black;
color: #01ffff;
font-family: Arial, sans-serif;
text-align: center;
}

#container {
position: relative;
width: 100%;
height: 100vh;
display: flex;
align-items: center;
justify-content: center;
}

#text {
font-size: 99px;
font-weight: bold;
animation: flicker 0.1s infinite alternate;
}

@keyframes flicker {
0% {
opacity: 1;
}
50% {
opacity: 0.5;
}
100% {
opacity: 1;
}
}
</style>
</head>
<body>
<div id=”container”>
<div id=”text”>+</div>
</div>

<script>
document.addEventListener(‘mousemove’, function(event) {
var x = event.clientX;
var y = event.clientY;

var grayscale = Math.round((x + y) / 9);

var container = document.getElementById(‘container’);
container.style.background = ‘rgb(‘ + grayscale + ‘,’ + grayscale + ‘,’ + grayscale + ‘)’;
});
</script>
</body>
</html>

In this example, the HTML document contains a single page with a black background and turquoise text. The text is styled to flicker using a CSS animation. The ‘mousemove’ event listener is added to the document, which changes the background color of the container div based on the mouse position, creating an interactive effect. Feel free to customize the text, styles, and animation to further match Igor Štromajer‘s style.”

!gor #352; +

1st rehearsal!

+ plus +
suburban- electro- post- pseudo- meta- proto-
punk concert
by !gor #352;

_MG_4994photo Ernst Thürnau

→ coming up:
Maska 2023
Ljubljana, September 2023
LIVE in & from Kino Šiška

_MG_5080

Continue reading “!gor #352; +”

└⦿✚⦿┘ furry

└⦿✚⦿┘
I described myself to Stable Diffusion and then asked it to turn me into a furry toy.

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• intima.org/o-o

Continue reading “└⦿✚⦿┘ furry”