Intima | Igor Štromajer

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-oµ3× | Perisphere

-oµ3×

⦿ Perisphere
Düsseldorf, 8 November 2020

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a=tF²

 

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TVS Kultura

Televizija Slovenija, Kultura, 19. julij 2020

└☉✚☉┘

 

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Sammelbildchen für alle Fälle

Sammelbildchen für alle Fälle

Tilman Baumgärtel; taz – die Tageszeitung, Berlin Kultur, S. 48, 27. Juni 2020

Kunstvoll im Kleinformat: Die Ausstellung „stick.t.me“ in der panke.gallery in Wedding folgt ganz real der Faszination von Stickern im digitalen Raum

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Frekvenca X

Internet za vse

Val 202 – II. program Radia Slovenija, oddaja Frekvenca X, novinar Maj Valerij, 18. junija 2020 ob 12:00

posnetek oddaje (16:39) • spletni umetnik Igor Štromajer

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ARS – Svet kulture

Virusni avtoportreti

Svet kulture, 26. maj 2020
ARS – 3. program Radia Slovenija

“Zelo mi je všeč delo Igorja Štromajerja, ki je naš net artist in upodobi svoj avtoportret s podobo, ki bi jo, glede na njeno formo, sicer zasledili na internetu, je pa narejena oz. upodobljena kot goblen. Gre torej za zanimiv kontrast med visoko tehnologijo in zelo starim medijem, pri katerem uporabljamo svoje roke. Gre za zanimivo tenzijo.”

— Zdenka Badovinac, direktorica MG+MSUM

 

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Net Art Revenge

Paço das Artes

Giselle Beiguelman: Net Art Revenge
São Paulo, Brazil
13 Maio 2020

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-oµ3×

-oµ3×
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Kultura TVS1

Igor Štromajer o umetnosti na svetovnem spletu

Televizija Slovenija 1, Kultura, 3. april 2020

Novinarka: Polona Balantič

 

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3¦×Fń–Qé3= Miá+ [KDP]

3¦×Fń–Qé3= Miá+
-oµ4×

One hundred and one poems by Igor Štromajer, co-written by a computer.

Kindle Edition [.com]
February 2020

+ DE | UK | FR | ES | CA | IT | MX | JP | AU | IN | NL | BR

 

Igor Štromajer – Amazon Author Page:
English: amazon.com/author/intima
Deutsch

Written in Hamburg and Frankfurt am Main, 2012–2019

Published in February 2020
KDP – Kindle Direct Publishing
ASIN: B084MF39ND

107 pages

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complete info and other editions

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FAZ: Volkslied einmal anders

FAZ writes about the concert-performance Schreib dein Lied! / Write your song! by textXTND and Igor Štromajer‘s poem Ich bin (nicht gut genug als Künstler)  / I Am (Not Good Enough as an Artist), performed at Basis Frankfurt in December 2019.

Frankfurter Allgemeine Zeitung, 31.12.2019, Rhein-Main-Zeitung, Seite 38 ©️ Frankfurter Allgemeine Zeitung GmbH 2019. Alle Rechte vorbehalten. F.A.Z. Archiv

 

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Proto-Art in the Age of Generative Reproduction

Proto-Art in the Age of Generative Reproduction

The matrix creates, the body reproduces. In the trans-gender artifice, art objects are reproductions of the iterations of the matrix — a matrix that uses the body as a parallax to represent ideas, patterns, and emotions. With the rationalization of the electronic environment, the matrix is superseding a point where it will be free from the body to realize immersions into the parameters of the delphic artifice. Work of Proto-Art in the Age of Generative Reproduction contains 10 minimal java engines (also referred to as “memes”) that enable the user to make political audio/visual compositions.

– measuring chains, constructing realities
– putting into place forms
– a matrix of illusion and disillusion
– a strange attracting force
– so that a seduced reality will be able to spontaneously feed on it

Igor Štromajer‘s work investigates the nuances of modulations through the use of slow motion and close-ups which emphasize the generative nature of digital media. Štromajer explores abstract and boring scenery as motifs to describe the idea of cyber-intuitive artifice. Using radical loops, non-linear narratives, and allegorical images as patterns, Štromajer creates meditative environments which suggest the expansion of space…


<– Obligatory ascii sig. Repeat until desired cyborg effect is achieved. –>

/u[0]{)]|]]-] ————-/u/u!@#$%^~!@#$%^&*()) __++_)(*&^%$——–/u/u!@#$%^~!@#$ %^&*())__++_)(*&^%$——–/u/u!@#$ %^~!@#$%^&*())__+, etc., etc.
<– End obligatory ascii sig. –>

● dynamically generated by The Market-O-Matic (1.0) [fine arts version]

 

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C3 2019 Calendar

2019 calendar
Centro de Ciencias de la Complejidad C3, Ciudad de México

● images for our March 2019 group show Endemic vs. Global (Endémico contra global)

November: Igor Štromajera=tF²

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Networks of care

In her new book, in the chapter ‘Networks of care’, Annet Dekker also briefly mentions the project of mine which you may or may not be aware of.

Collecting and Conserving Net Art: Moving beyond Conventional Methods
by Annet Dekker, Routledge, 2018

 

 

Chapter: Networks of care

“[…] oµ4× a ‘performative action’ by Igor Štromajer who over a period of four years (from 2016 to 2020) asks a group of people to keep safe several encrypted files, which he randomly selected from his earlier project Expunction (2011) in which he deleted many of his net artworks from his server. Looking for other modes of distributing, sharing and experiencing the potential art which is stuck and compressed in those removed files, Štromajer is organising his own ‘network of care’.45 These works afford new modes of active engagement and creative use, and demonstrate a more recent way of dealing with circulation, in which the distributive effects are intentional if not foreseeable.

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Ljubljana v poeziji

Jaka Železnikar:
Ljubljana v poeziji, 2018
Ljubljana In Poetry

Igor Štromajer: Hh vÜŞr og»mS~ÍÖθŐZ»

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TVS – Ch. 1

Osmi dan, TVS
10. maj 2018, novinarka: Pija Svetec

┗◯▲◯┛ #interview
TV Slovenia, Channel 1 / Arts & Culture
Thursday, 10 May 2018

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Literatura.si

3¦×Fń–Qé3 = Mià† v Literaturi

Igor Štromajer

 

 

 

LUD Literatura, maj 2018 | #Poezija

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Power to the Viewer

Power to the Viewer
by Randall Packer, thirdspacenetwork.com
April 2018

+ more info:
Art of the Networked Practice – Social Broadcasting: an Unfinished Communications Revolution, a three-day international gathering presenting keynotes, live internet performances, and global roundtable discussions / Online Symposium, March 2018

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The Wrong | Press

Yusuke Shono:
世界最大級のデジタルアートのビエンナーレ「THE WRONG」に見る、オンラインキュレーションの可能性
MASSAGE Magazine, Tokyo, 30.12.2017

Mit Borrás:
Flexible. Invencible. The Wrong
NEO2, Madrid, 16 enero 2018

Оксана Игошина:
Нет-арт is Wrong
Артгид / Artguide, Moscow, 19.01.2018

El arte digital tiene su propio espacio en The Wrong Biennale
Arte al Limite, Santiago de Chile, 10 enero 2018

Galerie ampersand / Gallery Falko Alexander, Cologne
— The Wrong Club: 000.000_i

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Lost and Living (in) Archives

Lost and Living (in) Archives
Collectively Shaping New Memories

Annet Dekker (ed.)

Valiz, Amsterdam, 2017
ISBN: 978-94-92095-26-8


Contributors: Babak Afrassiabi, Dušan Barok, Tina Bastaijan, Nanna Bonde Thylstrup, Özge Çelikaslan, Annet Dekker, Olia Lialina, Luksch, Nicolas Malevé, Aymeric Mansoux, Michael Murtaugh, Josien Pieterse, Ellef Prestsæter, Robert Sakrowski, Stef Scagliola, Katrina Sluis, Femke Snelting, Igor Štromajer, Nasrin Tabatabai

Archives are collections of records that are preserved for historical, cultural and evidentiary purposes. As such, archives considered as sites of a past, a place that contains traces of a collective memory of a nation, a people or a group. Digital archives have changed from stable entities into flexible systems, at times referred to with the term ‘Living Archives’. In which ways has this change affected our relationship to the past? Will the erased, forgotten and neglected be redeemed, and new memories be allowed? Will the fictional versus factual mode of archiving offer the democracy that the public domain implies, or is it another way for public instruments of power to operate? Lost and Living (in) Archives shows that archives are not simply a recording, a reflection, or an image of an event, but that it shapes the event itself and thus influences both the past, present and future.

Robert Sakrowski & Igor Štromajer: Expunction / Deleting Net Art Works – A Conversation

The series ‘Making Public’ investigates ‘the public’, the civil domain where space, knowledge, values and commodities are shared. What does this notion of ‘public’ mean? How does this domain change under the influence of social, political and technological tendencies? Where are the boundaries of ‘the public’ and how are they determined? What interests are involved in this? What forms of responsibility and solidarity does ‘the public’ invoke? And how do artists and culture critics shape the debate on these issues?

 

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intima.org  ●  intima.info

    
      



Igor Štromajer aka intima is a pseudo-/para-/proto-artist. He has shown his work at more than two hundred fifty exhibitions, festivals and biennials worldwide, among others at the transmediale, ISEA, EMAF, SIGGRAPH, Ars Electronica Futurelab, V2_, IMPAKT, CYNETART, Manifesta, FILE, Stuttgarter Filmwinter, Hamburg Kunsthalle, ARCO, Banff Centre, Les Rencontres Internationales, The Wrong – New Digital Art Biennale, etc.



His works are included in the permanent collections of the Centre Pompidou in Paris, the MNCA Reina Sofía in Madrid, Computer Fine Arts in New York, and UGM:


























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