Intima | Igor Štromajer

intima.info

Online En-semble – Entanglement Training

Online En-semble – Entanglement Training
Live Online Performance
by Annie Abrahams (NL/FR)

with Antye Greie (DE/FI), Helen Varley Jamieson (NZ/DE), Soyung Lee (KR), Huong Ngô (HK/USA), Daniel Pinheiro (VE/PT), Igor Štromajer (SI/DE), and the students from the School of Art, Design & Media, Singapore

Thursday, 29 March 2018, 7am-10am CDT / 8am-11am EDT / 2pm-5pm CEDT / 8pm-11pm SGT
+ Symposium recordings / archives / video

– in the frame of the online symposium Art of the Networked Practice – Social Broadcasting: an Unfinished Communications Revolution, School of Art, Design & Media, Nanyang Technological University, Singapore (29 – 31 March 2018, a collaboration between the School of Art, Design & Media at Nanyang Technological University, Singapore; LASALLE College of the Arts, Singapore; and The School of the Art Institute of Chicago, Department of Performance, USA)
 

 
Symposium Chair: Randall Packer, Associate Professor of Networked Art; Nanyang Technological University (NTU), School of Art, Design and Media, Singapore
 

Disentangling the Entanglements – an article by Randall Packer

Facebook: Third Space Network
Twitter: @thirdspacenet

bram.org/en-semble
 


 
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.ioi

.ioi
by !gor &# 352;tromajer

Ten AES-256 encrypted and password protected .ioi files
(256-bit encryption algorithm)

– file #1: _.ioi
– size: 143 KB

– file #2: __.ioi
– size: 81 KB

– file #3: ___.ioi
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intima.org
2018

Filed under: ART WORKS

Summer 2018 Collection ┗◯▲◯┛

Summer 2018 Collection
by┗◯▲◯┛

+ more

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3¦×Fń–Qé3 = Mià† radioCona: ICEbreakerFM

radioCona: ICEbreakerFM
FM exhibition of sound and radio art
11–15 February 2018

(every day exactly at nautical twilight, from 6:28 PM on with one minute delay every next day)

radioCona, FM 88.8 MHz, Ljubljana
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Live Stream

Artists: Amper-o-mat, Marko Batista, beepblip, Ali Bramwell, Špela Drnovšek, Anna Friz, Andrej Hrvatin, Gregor Kamnikar, Kathy Kennedy, Jeff Kolar, Konrad Korabiewski, Kikiriki, Volkmar Klien, Andraž Magajna, Simon Macuh, Udo Noll, OR poiesis, Maja Osojnik, Maria Papadomanolaki, Ronald Panza, Boštjan Perovšek, Vasja Progar, Daniel Premec, Irena Pivka, Alenka Pirman, Saša Rakef, Mili Sefić, Maja Smrekar, Saša Spačal (Agapea), Dejan Srhoj, Bojana Šaljič Podešva, Robertina Šebjanič, Igor Štromajer, Jan Turk, Jasmina Založnik, Brane Zorman

Curators: Petra Kapš, Irena Pivka, Jasmina Založnik, Brane Zorman


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Wednesday, 14 February 2018:
3¦×Fń–Qé3 = Mià†

33 text-to-speech computer-read poems by Igor Štromajer
(60 minutes)

→ poems read in Catalan, Chinese, Danish, Dutch, English, Finnish, French, German, Italian, Japanese, Korean, Norwegian, Polish, Portuguese, Russian, Slovenian, Spanish, and Swedish language

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+ radioCona:ICE breakerFM – FM programming

Filed under: EXHIBITIONS

x66

-x66-x6c-x61-x6b-x65-x73-x2f-x62-x69-x74-x73-x2f-x70-x69-x65-x63-x6

by Igor Štromajer, 2018
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The Wrong | Press

Yusuke Shono:
世界最大級のデジタルアートのビエンナーレ「THE WRONG」に見る、オンラインキュレーションの可能性
MASSAGE Magazine, Tokyo, 30.12.2017
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Mit Borrás:
Flexible. Invencible. The Wrong
NEO2, Madrid, 16 enero 2018
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Оксана Игошина:
Нет-арт is Wrong
Артгид / Artguide, Moscow, 19.01.2018


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El arte digital tiene su propio espacio en The Wrong Biennale
Arte al Limite, Santiago de Chile, 10 enero 2018

Galerie ampersand, Cologne
— The Wrong Club: 000.000_i
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┗◯▲◯┛

Igor Štromajer
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Flickr Photo Album
Facebook Photo Album

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The Wrong Club: 000.000_i

The Wrong Club
The Wrong – New Digital Art Biennale Embassy Cologne
Galerie ampersand, Köln

Group exhibition
3 November 2017 – 6 January 2018
Opening: 3 November at 6pm

An exhibition in context of The Wrong, Biennale for Digital Art
Curators: Falko BürschingerFlorian Kuhlmann, a cooperation between digital3mpire & Galerie ampersand

Banz und Bowinkel, Arno Beck, Tim Berresheim, Raphael Brunk, Matthias Danberg, Damian T. Dziwis, Philipp Höning, Kilian Kretschmer, Stephan Machac, Igor Štromajer, Sebastian Schmieg, Timothy Shearer, Sebastian Thewes, UBERMORGEN
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Photo: Falko Bürschinger
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Offline work: 000.000_i by Igor Štromajer (2017)

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Flickr Photo Album
Facebook Photo Album
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Photo: Falko Bürschinger

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The Wrong – New Digital Art Biennale: 000.000_i

The Wrong – New Digital Art Biennale
1 November 2017 to 31 January 2018

Pavilion: Super Information High Market
Curator: Florian Kuhlmanndigital3mpire

Work: 000.000_i by Igor Štromajer (2017)
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intima.org/000_000_i
super-information-high-market.com
github/digital3mpire/SUPER-INFO-HIGH-MARKET/000.000_i
digital3mpire/SUPER-INFORMATION-HIGH-MARKET
thewrong.org/Super-Information-High-Market
facebook.com/thewrongbiennale
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000.000_i | aes-256 | intima org | ×›lëśßwp^Ů ßc | zh91 aY&SY’˙k8 _ ../¬¦.*°•÷../ ˙˙˙ţ˙˙˙˙˙˙˙˙˙˙˙˙˙ ń› ěµÎ?ýa” 7Ĺ:- -d. …÷Ő÷É ¸ h hQr =çŔ$u9^ »Ŕ € 0”Ń{gśp ĺ^ ../¬¦.°•÷../ ů ruhz len ¸wsşűp+Ům ../¬¦.°•÷../ ÷Ëď}ę1öw =Ýĺö 7Ó» ízŕ ú>ú 3 w’)ľű=6h znmÇ }á:- – h$>ůî6‚ eÇ ¸űť Ôxú «.Ŕ ° »Ęś úy>Yv… }Ě˝€ Ůô oo [xún( ro «ëp _ ‚bt” ../¬¦.*°•÷../ †-X r 7rt¬¦.*°•÷../ 4¦i ďy€ 8ô1dŕ I z¨ş°ŐtÎ Ŕ2 v4p ĄIj *_ _tě Í°bą¦ a _ _“c :- -Ô% Şr [.Öńn „ % ../ rI”he Ą6Ĺ+gq.-° ¬¦.*°•÷../ b•
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Flickr Photo Album
Facebook Photo Album

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The Wrong – New Digital Art Biennale

— official social media: Facebook

The Wrong is the largest and most comprehensive digital art biennale today. It is aiming to display digital culture, open to participation, and divided into online and offline locations around the world The online biennale happens in pavilions; virtual curated spaces in any online accessible media where selected artworks are exhibited. The offline biennale happens in embassies; art spaces, galleries, institutions and artist run spaces in cities around the world which feature temporary AFK projects, featuring live performances, workshops, artist talks and exhibitions.

Its mission is to create, promote and push positive forward-thinking contemporary digital art to a wider audience worldwide through a biennial event that gathers the best art selected by the best, while embraces the young international talents of today’s exciting digital art scene.

Director: David Quiles Guilló
The Wrong Council: Yae Akaiwa, Josephine Bosma, Jon Cates, Cürt Clonïnger, Yvette Granata, David Quiles Guilló, Florian Kuhlmann, Patrick Lichty, A. Bill Miller, Kensuke Sembo, Winnie Soon, and Miyö Van Stenis
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+ Group exhibition / Offline pavilion:

The Wrong Club
Galerie ampersand, Köln / Cologne

Opening: 3 November 2017 at 6pm
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ëª ¦ • ÷33× ²Hy°

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Igor Štromajer, 2017

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Lost and Living (in) Archives

Lost and Living (in) Archives
Collectively Shaping New Memories

Annet Dekker (ed.)

Valiz, Amsterdam, 2017
ISBN: 978-94-92095-26-8


Contributors: Babak Afrassiabi, Dušan Barok, Tina Bastaijan, Nanna Bonde Thylstrup, Özge Çelikaslan, Annet Dekker, Olia Lialina, Luksch, Nicolas Malevé, Aymeric Mansoux, Michael Murtaugh, Josien Pieterse, Ellef Prestsæter, Robert Sakrowski, Stef Scagliola, Katrina Sluis, Femke Snelting, Igor Štromajer, Nasrin Tabatabai

Archives are collections of records that are preserved for historical, cultural and evidentiary purposes. As such, archives considered as sites of a past, a place that contains traces of a collective memory of a nation, a people or a group. Digital archives have changed from stable entities into flexible systems, at times referred to with the term ‘Living Archives’. In which ways has this change affected our relationship to the past? Will the erased, forgotten and neglected be redeemed, and new memories be allowed? Will the fictional versus factual mode of archiving offer the democracy that the public domain implies, or is it another way for public instruments of power to operate? Lost and Living (in) Archives shows that archives are not simply a recording, a reflection, or an image of an event, but that it shapes the event itself and thus influences both the past, present and future.
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Robert Sakrowski & Igor Štromajer: Expunction / Deleting Net Art Works – A Conversation
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The series ‘Making Public’ investigates ‘the public’, the civil domain where space, knowledge, values and commodities are shared. What does this notion of ‘public’ mean? How does this domain change under the influence of social, political and technological tendencies? Where are the boundaries of ‘the public’ and how are they determined? What interests are involved in this? What forms of responsibility and solidarity does ‘the public’ invoke? And how do artists and culture critics shape the debate on these issues?

 

Filed under: TEXTS

radia.fm

Show 646: 3¦×Fń–Qé3 = Mià†

radia season 39 – show #646 (radio x)
August / September 2017

15 text-to-speech computer-read poems by Igor Štromajer in German, English, Catalan, Chinese, Danish, Dutch, Finnish, French, and Italian language.
Editor: Verena Kuni

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Radio Orange, Vienna, Austria, 94.0 MHz; 17 August 2017
Radio Helsinki, Freies Radio Graz, Austria, 92.6 MHz; 18 August 2017
– Radio Panik, Brussels, Belgium, 105.4 MHz FM; 18 August 2017
– Eastside Radio, Paddington / Sydney, Australia, 89.7 MHz FM; 20 August 2017
Radio One, Dunedin, New Zealand, 91.0 MHz FM; 20 August 2017
Radio Resonance, London, UK, 104.4 MHz, 23 August 2017
Radio Študent, Ljubljana, Slovenia, 89.3 MHz, 1 September 2017
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radia production: miss.gunst [GUNST + radiator x]
production date: July 2017
radio station: radio x, Frankfurt am Main
length: 28 min
licence: (ee-by) Igor Štromajer
www.radiox.dewww.gunst.infowww.intima.org

radia.fm | radiafm.alfahosting.org

Tune to radia.fm in your city (covering 15 countries in 4 times zones) and listen to 3¦×Fń–Qé3 = Mià† radio show:

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radio x | GUNST

3¦×Fń–Qé3 = Mià†

GUNSTradio Computer Poetry / Radio Show / Live On Air
radio x , FM 91.8 MHz Stereo, Frankfurt am Main
Friday, 21 July 2017
14:00 – 15:00

33 text-to-speech computer-read poems by Igor Štromajer
(60 minutes)
Editor: Verena Kuni

– FM 91.8 MHz Stereo
– Cable: 99.85
– DAB+ (Channel 11C)
– Livestream: radiox.de/livestream.html

3¦×Fń–Qé3 = Mià† → poems read in Catalan, Chinese, Danish, Dutch, English, Finnish, French, German, Italian, Japanese, Korean, Norwegian, Polish, Portuguese, Russian, Slovenian, Spanish, and Swedish language

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[gunstradio] GUNST:

For GUNSTradio, miss.gunst walks beyond well-worn paths through the theme-parcs of contemporary art and media cultures to collect mirabilia for her specimen box. Selected items are presented in theme based shows and invite to more extended excursions into further fields like the histories of art, media and science.
Moreover, GUNSTradio has strong preferences for experperimental formats and regularly features sound art productions.
GUNSTradio is brodcasting since september 1997.

Filed under: ART WORKS, EXHIBITIONS

Ascents / Aufstiege

ASCENTS / AUFSTIEGE
The Movie / Der Film
2017

director: Ina Fister
cinematography & editing: Carla Muresan
production: AMA FILM GmbH
producers: Ulla Lehmann, Andrea Roggon
KulturRegion Stuttgart

The festival’s curator, Joachim Fleischer, invited more than 40 artists from 10 different countries to draw inspiration from the many different places in the region.

Igor Štromajer:
»Thoughts live in people!« / »Im Menschen lebt der Gedanke!«
Light Art Festival: Ascents / Lichtkunstfestival: Aufstiege
High watchtower at Esslingen Castle / Hochwacht der Esslinger Burg; Esslingen am Neckar, Germany
YouTube: youtu.be/pzMhxViI1Cw
www.kulturregion-stuttgart.de

© KulturRegion Stuttgart
Production: AMA FILM GmbH, Andrea Roggon, Ulla Lehmann
Light art festival »Ascents« (»Aufstiege«), KulturRegion Stuttgart 2016

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Metric Culture, Denmark

Metric Culture: The Quantified Self and Beyond
International Conference, 7-9 June 2017
Organised by: Btihaj Ajana, AIAS and King’s College London
Aarhus Institute of Advanced Studies, Denmark

Dr Elena Marchevska:
Intimacy without cause: self-tracking and the quantified self in the net-art work of Igor Štromajer
London South Bank University, UK
Panel: Quantified Self and capitalist value


Photo: Christopher Till ©

+ Programme (PDF)

Abstract:

Data is money, data is power, data is everything and everything can be data. Yet data is simply a set of information on a world that is messy, irrational, unstable, and emotional. In the V2 catalogue for the show ‘Data in the 21st Century’, the curator states that: ‘The rise of so-called big data and the emergence of technologies that are able to quantify our every move, preference and behaviour, have demonstrated where the friction lies between the unpredictable reality that we live in and the desire to capture it in data.” (2015).

The paper will look into the performative work of Igor Štromajer and his projects ‘Expunction’ (2012) and ‘Multifeminist studies’ (2016) run by/on his Intima Virtual Base production site. Through these projects he is working on simple technological solutions for handling data and emotional strategies. His role of being both performer within the work and simultaneously viewing oneself from an external position (watching yourself on screen to see how you fit in) in order to gauge avenues for proceeding is both disorienting and extremely engaging. As Štromajer summarises: ‘’’Intimacy without a cause’ today is the most radical resistance to capital. ‘ (2005:149) Both projects raise questions about temporality, duration and availability of net art project that deal with data which change over time and slowly, but persistently lose their utility and, accordingly, their content.

© Elena Marchevska

Filed under: TEXTS

3¦×Fń–Qé3 = Mià†

3¦×Fń–Qé3 = Mià†

33 text-to-speech computer-read poems by Igor Štromajer
ㄴ 58 minutes, intima.org 2017

ㄴ poems read in Catalan, Chinese, Danish, Dutch, English, Finnish, French, German, Italian, Japanese, Korean, Norwegian, Polish, Portuguese, Russian, Slovenian, Spanish, and Swedish language

Filed under: ART WORKS

Neumark: Voicetracks

Voicetracks
Attuning to Voice in Media and the Arts
By Norie Neumark

The MIT Press, Hardcover, 232 pp., 6 x 9 in, 26 b&w illus., May 2017, ISBN: 9780262036139 (eBook, May 2017, ISBN: 9780262339827)
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In her new book, Norie Neumark also writes about Ballettikka Internettikka.

Moved by the Aboriginal understandings of songlines or dreaming tracks, Norie Neumark’s Voicetracks seeks to deepen an understanding of voice through listening to a variety of voicing/sound/voice projects from Australia, Europe and the United States. Not content with the often dry tone of academic writing, the author engages a “wayfaring” process that brings together theories of sound, animal, and posthumanist studies in order to change the ways we think about and act with the assemblages of living creatures, things, places, and histories around us.
Neumark evokes both the literal—the actual voices within the works she examines—and the metaphorical—in a new materialist exploration of voice encompassing human, animal, thing, and assemblages. She engages with artists working with animal sounds and voices; voices of place, placed voices in installation works; voices of technology; and “unvoicing,” disturbances in the image/voice relationship and in the idea of what voice is. She writes about remixes, the Barbie Liberation Organisation, and breath in Beijing, about cat videos, speaking fences in Australia, and an artist who reads (to) the birds. Finally, she considers ethics and politics, and describes how her own work has shaped her understandings and apprehensions of voice.

Norie Neumark, a sound and media artist, is Honorary Professorial Fellow at Victorian College of the Arts, University of Melbourne, and Emeritus Professor at La Trobe University in Melbourne. She coedited At a Distance: Precursors to Art and Activism on the Internet and VOICE: Vocal Aesthetics in Digital Arts and Media, both published by the MIT Press.

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Ballettikka Radiophonnikka

Ballettikka Radiophonnikka
all-day radio art project by Igor Štromajer & Brane Zorman

Live On Air: Saturday, 1 April 2017, 07:20 – 23:55
Radio Slovenia Third Channel – ARS, Ljubljana, Slovenia

Concept: Igor Štromajer, Brane Zorman, Petra Tanko, Bojana Kunst
Authors and Performers: Igor Štromajer & Brane Zorman
Sound Artist: Brane Zorman
Dramaturg: Petra Tanko
Theoretical Adviser: Bojana Kunst

ARS, Managing Editor: Matej Venier
ARS, Editor for Radio Plays: Gabrijela Gruden – Lučka

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# manipulating live radio program with Dijkstra’s algorithm

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Poetry: 3¦×Fń–Qé3= Miá†

Igor Štromajer
3¦×Fń–Qé3= Miá†
— one hundred and one poem

Paperback, 14.8 cm x 21 cm, 108 Pages
ISBN: 978-1-326-98492-2
Prints in 3-5 business days.
€5.86
lulu.com/spotlight/intima_org

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3¦×Fń–Qé3= Miá†
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One hundred and one poem by Igor Štromajer, 2017.
Based on www.intima.org/miat, 2012 and www.intima.org/3xfnqe3miat.pdf, 2016.
ISBN: 978-1-326-98492-2
IN/CN: 00936-30973
Written in Hamburg and in Frankfurt am Main, from 2012 to 2017.
Published by www.intima.org, 2017.

+ 0§n–3¦é×F= Miá†, audio/eBook by Igor Štromajer, 2012

 

Filed under: ART WORKS, TEXTS

intima.org  ●  intima.info

      
      

Igor Štromajer aka intima is a pseudo-artist. He has shown his work at more than two hundred thirty exhibitions, festivals and biennials worldwide, among others at the transmediale, ISEA, EMAF, SIGGRAPH, Ars Electronica Futurelab, V2_, IMPAKT, CYNETART, Manifesta, FILE, Stuttgarter Filmwinter, Hamburg Kunsthalle, ARCO, Banff Centre, Les Rencontres Internationales, The Wrong – New Digital Art Biennale, etc.



His works are included in the permanent collections of the Centre Pompidou in Paris, the MNCA Reina Sofía in Madrid, Computer Fine Arts in New York, and UGM:


























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