-x66-x6c-x61-x6b-x65-x73-x2f-x62-x69-x74-x73-x2f-x70-x69-x65-x63-x6
by Igor Štromajer, 2018
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Yusuke Shono:
世界最大級のデジタルアートのビエンナーレ「THE WRONG」に見る、オンラインキュレーションの可能性
— MASSAGE Magazine, Tokyo, 30.12.2017
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Mit Borrás:
Flexible. Invencible. The Wrong
— NEO2, Madrid, 16 enero 2018
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Оксана Игошина:
Нет-арт is Wrong
— Артгид / Artguide, Moscow, 19.01.2018
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El arte digital tiene su propio espacio en The Wrong Biennale
— Arte al Limite, Santiago de Chile, 10 enero 2018
Galerie ampersand / Gallery Falko Alexander, Cologne
— The Wrong Club: 000.000_i
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The Wrong Club
The Wrong – New Digital Art Biennale Embassy Cologne
Galerie ampersand / Gallery Falko Alexander, Köln
Group exhibition
3 November 2017 – 6 January 2018
Opening: 3 November at 6pm
An exhibition in context of The Wrong, Biennale for Digital Art
Curators: Falko Bürschinger & Florian Kuhlmann, a cooperation between digital3mpire & Galerie ampersand / Gallery Falko Alexander
Banz und Bowinkel, Arno Beck, Tim Berresheim, Raphael Brunk, Matthias Danberg, Damian T. Dziwis, Philipp Höning, Kilian Kretschmer, Stephan Machac, Igor Štromajer, Sebastian Schmieg, Timothy Shearer, Sebastian Thewes, UBERMORGEN
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Offline work: 000.000_i by Igor Štromajer (2017)
000.000_i | aes-256 | intima org | ×›lëśßwp^Ů ßc | zh91 aY&SY’˙k8 _ ../¬¦.*°•÷../ ˙˙˙ţ˙˙˙˙˙˙˙˙˙˙˙˙˙ ń› ěµÎ?ýa” 7Ĺ:- -d. …÷Ő÷É ¸ h hQr =çŔ$u9^ »Ŕ € 0”Ń{gśp ĺ^ ../¬¦.°•÷../ ů ruhz len ¸wsşűp+Ům ../¬¦.°•÷../ ÷Ëď}ę1öw =Ýĺö 7Ó» ízŕ ú>ú 3 w’)ľű=6h znmÇ }á:- – h$>ůî6‚ eÇ ¸űť Ôxú «.Ŕ ° »Ęś úy>Yv… }Ě˝€ Ůô oo [xún( ro «ëp _ ‚bt” ../¬¦.*°•÷../ †-X r 7rt¬¦.*°•÷../ 4¦i ďy€ 8ô1dŕ I z¨ş°ŐtÎ Ŕ2 v4p ĄIj *_ _tě Ͱbঠa _ _“c :- -Ô% Şr [.Öńn „ % ../ rI”he Ą6Ĺ+gq.-° ¬¦.*°•÷../ b•
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The Wrong – New Digital Art Biennale
1 November 2017 to 31 January 2018
Pavilion: Super Information High Market
Curator: Florian Kuhlmann, digital3mpire
Work: 000.000_i by Igor Štromajer (2017)
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ㄴ intima.org/000_000_i
ㄴ super-information-high-market.com
ㄴ github/digital3mpire/SUPER-INFO-HIGH-MARKET/000.000_i
ㄴ digital3mpire/SUPER-INFORMATION-HIGH-MARKET
ㄴ thewrong.org/Super-Information-High-Market
ㄴ facebook.com/thewrongbiennale
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000.000_i | aes-256 | intima org | ×›lëśßwp^Ů ßc | zh91 aY&SY’˙k8 _ ../¬¦.*°•÷../ ˙˙˙ţ˙˙˙˙˙˙˙˙˙˙˙˙˙ ń› ěµÎ?ýa” 7Ĺ:- -d. …÷Ő÷É ¸ h hQr =çŔ$u9^ »Ŕ € 0”Ń{gśp ĺ^ ../¬¦.°•÷../ ů ruhz len ¸wsşűp+Ům ../¬¦.°•÷../ ÷Ëď}ę1öw =Ýĺö 7Ó» ízŕ ú>ú 3 w’)ľű=6h znmÇ }á:- – h$>ůî6‚ eÇ ¸űť Ôxú «.Ŕ ° »Ęś úy>Yv… }Ě˝€ Ůô oo [xún( ro «ëp _ ‚bt” ../¬¦.*°•÷../ †-X r 7rt¬¦.*°•÷../ 4¦i ďy€ 8ô1dŕ I z¨ş°ŐtÎ Ŕ2 v4p ĄIj *_ _tě Ͱbঠa _ _“c :- -Ô% Şr [.Öńn „ % ../ rI”he Ą6Ĺ+gq.-° ¬¦.*°•÷../ b•
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The Wrong – New Digital Art Biennale
— official social media: Facebook
The Wrong is the largest and most comprehensive digital art biennale today. It is aiming to display digital culture, open to participation, and divided into online and offline locations around the world The online biennale happens in pavilions; virtual curated spaces in any online accessible media where selected artworks are exhibited. The offline biennale happens in embassies; art spaces, galleries, institutions and artist run spaces in cities around the world which feature temporary AFK projects, featuring live performances, workshops, artist talks and exhibitions.
Its mission is to create, promote and push positive forward-thinking contemporary digital art to a wider audience worldwide through a biennial event that gathers the best art selected by the best, while embraces the young international talents of today’s exciting digital art scene.
Director: David Quiles Guilló
The Wrong Council: Yae Akaiwa, Josephine Bosma, Jon Cates, Cürt Clonïnger, Yvette Granata, David Quiles Guilló, Florian Kuhlmann, Patrick Lichty, A. Bill Miller, Kensuke Sembo, Winnie Soon, and Miyö Van Stenis
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+ Group exhibition / Offline pavilion:
The Wrong Club
Galerie ampersand, Gallery Falko Alexander, Köln / Cologne
Opening: 3 November 2017 at 6pm
ëª ¦ • ÷33× ²Hy°
™†ŰěÇéí ﬦ¹^°•÷ï Bďß ×F= ]iᆹ^• „ü ﬦ¹^°•÷ï˙//k ŢyÚŢâ v¤To „e(‡g^‚˘ŮI¹^_ č¹^¦ Ő05
Igor Štromajer, 2017
Lost and Living (in) Archives
Collectively Shaping New Memories
Annet Dekker (ed.)
Valiz, Amsterdam, 2017
ISBN: 978-94-92095-26-8
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Contributors: Babak Afrassiabi, Dušan Barok, Tina Bastaijan, Nanna Bonde Thylstrup, Özge Çelikaslan, Annet Dekker, Olia Lialina, Luksch, Nicolas Malevé, Aymeric Mansoux, Michael Murtaugh, Josien Pieterse, Ellef Prestsæter, Robert Sakrowski, Stef Scagliola, Katrina Sluis, Femke Snelting, Igor Štromajer, Nasrin Tabatabai
Archives are collections of records that are preserved for historical, cultural and evidentiary purposes. As such, archives considered as sites of a past, a place that contains traces of a collective memory of a nation, a people or a group. Digital archives have changed from stable entities into flexible systems, at times referred to with the term ‘Living Archives’. In which ways has this change affected our relationship to the past? Will the erased, forgotten and neglected be redeemed, and new memories be allowed? Will the fictional versus factual mode of archiving offer the democracy that the public domain implies, or is it another way for public instruments of power to operate? Lost and Living (in) Archives shows that archives are not simply a recording, a reflection, or an image of an event, but that it shapes the event itself and thus influences both the past, present and future.
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Robert Sakrowski & Igor Štromajer: Expunction / Deleting Net Art Works – A Conversation
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The series ‘Making Public’ investigates ‘the public’, the civil domain where space, knowledge, values and commodities are shared. What does this notion of ‘public’ mean? How does this domain change under the influence of social, political and technological tendencies? Where are the boundaries of ‘the public’ and how are they determined? What interests are involved in this? What forms of responsibility and solidarity does ‘the public’ invoke? And how do artists and culture critics shape the debate on these issues?
Show 646: 3¦×Fń–Qé3 = Mià†
radia season 39 – show #646 (radio x)
August / September 2017
15 text-to-speech computer-read poems by Igor Štromajer in German, English, Catalan, Chinese, Danish, Dutch, Finnish, French, and Italian language.
Editor: Verena Kuni
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– Radio Orange, Vienna, Austria, 94.0 MHz; 17 August 2017
– Radio Helsinki, Freies Radio Graz, Austria, 92.6 MHz; 18 August 2017
– Radio Panik, Brussels, Belgium, 105.4 MHz FM; 18 August 2017
– Eastside Radio, Paddington / Sydney, Australia, 89.7 MHz FM; 20 August 2017
– Radio One, Dunedin, New Zealand, 91.0 MHz FM; 20 August 2017
– Radio Resonance, London, UK, 104.4 MHz, 23 August 2017
– Radio Študent, Ljubljana, Slovenia, 89.3 MHz, 1 September 2017
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radia production: miss.gunst [GUNST + radiator x]
production date: July 2017
radio station: radio x, Frankfurt am Main
length: 28 min
licence: (ee-by) Igor Štromajer
www.radiox.de – www.gunst.info – www.intima.org
+ radia.fm | radiafm.alfahosting.org
– Tune to radia.fm in your city (covering 15 countries in 4 times zones) and listen to 3¦×Fń–Qé3 = Mià† radio show:
GUNSTradio Computer Poetry / Radio Show / Live On Air
radio x , FM 91.8 MHz Stereo, Frankfurt am Main
Friday, 21 July 2017
14:00 – 15:00
33 text-to-speech computer-read poems by Igor Štromajer
(60 minutes)
Editor: Verena Kuni
– FM 91.8 MHz Stereo
– Cable: 99.85
– DAB+ (Channel 11C)
– Livestream: radiox.de/livestream.html
3¦×Fń–Qé3 = Mià† → poems read in Catalan, Chinese, Danish, Dutch, English, Finnish, French, German, Italian, Japanese, Korean, Norwegian, Polish, Portuguese, Russian, Slovenian, Spanish, and Swedish language
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[gunstradio] GUNST:
For GUNSTradio, miss.gunst walks beyond well-worn paths through the theme-parcs of contemporary art and media cultures to collect mirabilia for her specimen box. Selected items are presented in theme based shows and invite to more extended excursions into further fields like the histories of art, media and science.
Moreover, GUNSTradio has strong preferences for experperimental formats and regularly features sound art productions.
GUNSTradio is brodcasting since september 1997.