ART WORKS – Page 3 – intima • Igor Štromajer

└⦿✚⦿┘ live ⇢ panke.gallery Berlin

3¦×Fń–Qé3 = Mià+
[post-¹ proto-² algorithmic meta-pop³] pseudo-concert by Igor Štromajer & his computers

⊷ live at and from panke.gallery, Berlin
Saturday, 30 October 2021 at 18:00 (Berlin time)

lyrics: computer-generated · text-to-singing · sung by computers
music: procedurally generated · performed by computers

• YouTube live / video doc (32 min)

• Instagram Live Video (30 minutes)

• FB Event

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Exhibition at panke.gallery ⇢ a=tF² by Igor Štromajer, 9–30 October 2021

a=tF² ⇢ To find the art (a), you multiply the time (t) by the square of the force (F²)

panke.gallery, Gerichtstr. 23, Hof V, 13347 Berlin Wedding

└⦿✚⦿┘

OBJKT#430056

OBJKT#430056
◯
created by jimpunk.com / l__lll__l_l_
October 2021

teia.art/objkt/430056
ᅠ
punk 093
magnetic nft ::: edition of 3

↓
Igor Štromajer
└⦿✚⦿┘
intima.org/o-o

Toyota

Toyota – Beyond Good and Evil
radiophonic a=tF² (from 1993)
Radio Slovenija, Program Ars
Monday, 19 July 2021 at 22:05

Toyota – onkraj dobrega in zla
radiofonska a=tF² (iz leta 1993)
Radio Slovenija, 3. program, Program Ars
Ponedeljek, 19. julija 2021 ob 22:05

Authors: Bojana Kunst & Igor Štromajer
Reader: Blanka Hohnjec
Master of Sound: Branko Kosi
Producer: Gabrijela Lučka Gruden
Production: Cultural and Artistic Programme of Radio Maribor / Kulturno-umetniški program Radia Maribor, 1993
Duration: 30 min

Calculating Control: (Net)Art and Cybernetics

Zentrum für Netzkunst (Center for Net Art)
Berlin

Calculating Control: (Net)Art and Cybernetics
exhibitions and research project
April – October 2001

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Exhibition: Situating Cybernetics
30 April – 9 May 2021
Haus der Statistik & online

Symposium: Between Techno-Euphoria and Regimes of Surveillance
1–3 May 2021
Haus der Statistik & online

unConference: Embodied Cybernetics in Everyday Life (Mimetics, Empathy, and Hacking)
21–23 May 2021
Haus der Statistik

Duo Exhibition
18 September – 3 October 2021
panke.gallery & online

Online Journal
1 May 2001 –

From 1970 to 1989, Haus der Statistik operated as the Central Administrative Headquarters for Statistics in the German Democratic Republic: an institution for the cybernetic regulation of society and everyday life.

Working from the site-specific history of Haus der Statistik, Calculating Control explores the impact of cybernetics on artistic and social practices, networks, and technology. Connecting Haus der Statistik with other locations and histories of cybernetic ideals, Calculating Control draws a trajectory from this building to contemporary algorithmic practices and their socio-political effects, many of which mark a crucial point of reference for netart.

As an artistic practice of network society, netart traces systems of cybernetic administration and renders their forms visible and subject to revision. Over the duration of six months, Calculating Control will unravel cybernetic thinking in the space of two separate exhibitions, a symposium, an unconference, as well as an online journal.

25th Anniversary

Memory is there to deceive

2021 marks the 25th anniversary of Igor Štromajer‘s first net art work 0.HTML (created in January 1996) and the 10th anniversary of its deletion (2011).

330 files: 10.2 MB
– 142 HTML files
– 164 GIF files
– 19 MP3 files
– 5 WAV files

“0.html is an archive of historical techno imagination, world politics and a grain of melancholy.”
— Inke Arns (Leonardo Electronic Almanac, MIT Press, 2000)

➠ Expunction – deleting net art

Vorspiel transmediale: Live Streaming Show with Igor Štromajer

Vorspiel transmediale
Berlin, 2021

panke.gallery
presents

The 24-hour Live Streaming Show with Igor Štromajer

Start: Friday, 22 January 2021 at 11:00 CET / Berlin time
End: Saturday, 23 January 2021 at 11:00

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one hour video excerpt: VIMEO + YouTube + Facebook video

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24-hour live streaming performance

Produced by
panke.gallery
Berlin
January 2021

Curator: #Sakrowski

Vorspiel transmediale
is a distributed program of events in the field of digital art and culture & experimental sound and music: exhibition openings, performances and interventions.

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