Category: EXHIBITIONS

a=tF²
solo exhibition by Igor Štromajer

panke.gallery, Berlin
curator: Sakrowski

opening: Saturday, 9 October 2021 at 7 pm
exhibition: 9–30 October 2021

a=tF²
To find the art (a), you multiply the time (t) by the square of the force (F²).

margin: auto;
}
gallery-1 .gallery-item {
float: left;
margin-top: 10px;
text-align: center;
width: 33%;
}
gallery-1 img {
border: 2px solid #cfcfcf;
}
gallery-1 .gallery-caption {
margin-left: 0;
}
gallery_shortcode() in wp-includes/media/
if(ie){
XX=document.body.clientWidth;
point1.style.right=XX;
}
else if (ns4){
XX=window.innerWidth;
document.point1.pageX=XX;
document.point1.visibility=”hidden”;
}
else if (ns6){
XX=window.innerWidth
document.getElementById(‘point1’).style.right=XX
}
function reloc1()

“Watch out for false artists. They come to you in artists’ clothing, but inwardly they are lifeless algorithms.”
— Mathview 7:15

• panke.gallery FB Event
• FB Photo Album

panke.gallery
Gerichtstraße 23
Hof 5
13347 Berlin Wedding

opening hours: Wednesday – Saturday | 3 pm – 7 pm

openar.art
platform launch & group show
panke.gallery, Berlin

opening: 29 August 2021, 3–10 pm
exhibition: 29 August – 14 September 2021
(open: Wednesday–Saturday, 3–7 pm)

artists:
Alexandra Leykauf, Alessandro Valentino, Christin Haupt, Dirk Paesmans, Esben Holk, Hannah Rumstedt, Igor Štromajer, Jelena Viskovic, Jeremy Bailey, Joachim Blank, Milena Zuccarelli, Tamás Páll, Tereza Havlíkova, Tuğçe Yücetürk, Wiebke Hurrelmann & t.b.a.

panke.gallery
concept: Sakrowski / Jeremy Bailey
coding: Vincent van Uffelen
design: Larissa Wunderlich
poster/batches design: Anna Luise Lorenz
infrastructure: !Mediengruppe Bitnik
contributors: Ela Kagel, Noemi Garay

↓ Cube.Zero ↓

ŠTROMAJER 1996 – SAKROWSKI 2021
Dimensions: 1m³ (1×1×1 m)
Edition of 3
Price: € 3000

In 1996, Štromajer used an animated gif of a spinning cube in his first net art work 0.html. 25 years later, Sakrowski reprogrammed and remodeled it into an augmented reality artwork.

On the occasion of the launch of the new platform openar.art, panke.gallery presents a hybrid group exhibition with experimental Augmented Reality works. The open platform makes it easy to exhibit, collect and discuss Augmented Reality works and allows artists to sell their works as NFTs. Since the platform is organized as a cooperative, profits will be shared among the artists. As part of the project openAR, the exhibition and platform have been developed in collaboration between workshop participants and digital artists Jeremy Bailey, Sarah Buser and Tamás Páll. The works examine the possibilities of AR technology in artistic applications. Visual, acoustic and performative Augmented Reality formats can be experienced in the exhibition.

Supported by Neustart Kultur & Canada Council for the Arts

REALIZE! RESIST! REACT!
Performance and Politics in the 1990s in the Post-Yugoslav Context
SPOZNANJE! UPOR! REAKCIJA!

24 June – 3 October 2021
Moderna galerija Ljubljana, Museum of Contemporary Art Metelkova (+MSUM)

Curator: Bojana Piškur
Guest curators: Linda Gusia | Jasna Jakšić | Vida Knežević | Nita Luci | Asja Mandić | Biljana Tanurovska-Kjulavkovski | Ivana Vaseva | Rok Vevar | Jasmina Založnik

• Jasmina Založnik o razstavi Spoznanje! Upor! Reakcija!
• Rok Vevar o razstavi Spoznanje! Upor! Reakcija!

Eros Ars System – theatrical installation by Bojana Kunst & Igor Štromajer 
actors: Petra Govc, Polona Juh, Rastko Krošl, Boris Mihalj
Gledališče Glej | The Glej Theatre, Ljubljana 1990
Photo: Bojan Golčar

The research and mapping project of political performance of the 1990s seeks to shed light on what political performance actually was in the post-Yugoslav context. Specifically, what did performance, then an already established art form in the Western world, bring to, mean, or change in the broader field of art of the 1990s? Can one actually talk about “performance beyond the political”?

ON.KRAJ/BE.YOND – intimate performance by Bojana Kunst & Igor Štromajer
performer: Nika Ločniškar
Kapelica Gallery, Ljubljana 1997
Photo: Bojan Golčar

What is evident in the Slovenia of the 1990s is the absence of emancipatory left-wing politics, a growing marginalization of the working class, and civil society’s inability to reform as a motor of new politics, to shake off the logic of its 1980s struggle and rise above the horizon of neoliberalism.

Igor Štromajer: Homo Theatralis
CID, Stari Glej, Ljubljana 1989

One of the questions raised by our research was whether a withdrawal into the apolitical (even in art) is ever possible in a complex political environment.

Igor Štromajer: Homo Theatralis
CID Ljubljana, Stari Glej 1989
Photo: Franjo Štromajer

Participants:
Arkzin | Art Publishing group (Bojan Bahić & Sanda Hnatjuk) | Autonomna tvornica kulture – Attack! (Autonomous Cultural Center – Attack!) | Maja Bajević | Damir Bartol Indoš | Aleksandar Battista Ilić, Ivana Keser, Tomislav Gotovac | Faruk Begolli | Matjaž Berger | Goran Bertok | Iva-Matija Bitanga & Bijesne gliste | Zoran Bogdanović | Marko Brecelj | Mateja Bučar | Centar za izveduvački umetnosti Multimedia (Performing Arts Center Multimedia) | Centar za kulturnu dekontaminaciju (Center for Cultural Decontamination) | Suzana Cerić & Anela Šabić | Predrag Čančar | Ivica Čuljak (Satan Panonski) | Dah Teatar | Danica Dakić | Vlasta Delimar | Iskra Dimitrova | Dodona Teatri (Dodona Theater) | Eclipse | Feral Tribune | Tomislav Gotovac | Igor Grubić | Grupa Elementi (Biljana Petrovska Isijanin, Ljupčo Isijanin) | Marina Gržinić & Aina Šmid | Kemal Hadžić | Jusuf Hadžifejzović | Emil Hrvatin (Janez Janša) | Ištvan Išt Huzjan | Irwin | Sanja Iveković | Sanjin Jukić | Robert Jankuloski | Ante Jurić | Božidar Jurjević | Kanal 103 | KOHA | Zlatko Kopljar | Marko Košnik, Inštitut Egon March (Egon March Institute) | Marko A. Kovačič | Ema Kugler | Bojana Kunst & Igor Štromajer | Laibach | Le Cheval | Led art | Maja Licul | Goran Lišnjić (LEBENSFORMER) | Magnet | Mala Stanica | Saša Marković Mikrob | Goranka Matić | MAXUMIM (Ajna Arnautalić, Eldina Begić, Suzana Cerić, Alma Fazlić, Zlatan Filipović, Anur Hadžiomerspahić, Almir Kurt, Damir Nikšić, Hamdija Pašić, Samir Plasto, Rachel Rossner, Anela Šabić, Nebojša Šerić Shoba, Dejan Vekić) | Ana Miljanić | Mirovni inštitut (The Peace Institute) | Mladina | Peter Mlakar | Montažstroj | Mreža za Metelkovo (The Metelkova Network) | Oliver Musovik | Muzej biciklističkog ustanka (Museum of the Bicycle Uprising) | Nepopravljivi optimisti (The Incorrigible Optimists) | Novi kolektivizem (New Collectivism) | NSK | Edin Numankadić | Organizirane ženske skupine Slovenije (Organized Women’s Groups of Slovenia) | Irena Paskali | Nusret Pašić | Marko Peljhan | Alenka Pirman, Vuk Ćosić, Irena Woelle | Tadej Pogačar | Ivana Popović | Arjan Pregl, Miha Štrukelj, Marko Zatler | Franc Purg | Agim Qena | Radio Študent | Vlado G. Repnik | Sarajevski New Primitivs (Sarajevo New Primitivs) | Schmrtz Teatar | Enes Sivac | Mustafa Skopljak | Maja Smrekar | Soros centar za sovremena umetnost Skopje (Soros Center for Contemporary Arts Skopje) | Aleksandar Stankoski et al. | Mladen Stilinović | Sven Stilinović | Saša Stojanović | Alma Suljević | Bojan Šarčević | Nebojša Šerić Shoba | Škart | Ive Tabar | Radoslav Tadić | Slaven Tolj | Igor Toševski | Srđan Veljović | Vreme | Sonja Vukićević | Petar Waldegg | Žene u crnom (Women in Black) | Dunja Zupančič::Draga Živadinov::Miha Turšič | Janja Žvegelj

↑↓ from the exhibition in Moderna galerija, 2021; photo: Dejan Habicht

Continue reading “REALIZE! RESIST! REACT!”

Endémico versus Global
group exhibition

Galería Perimetral del Parque Juan H. Sánchez / Morales
San Luis Potosí, Mexico

9 January – 10 March 2021

Produced by C3 – Centro de Ciencias de la Complejidad de la Universidad Nacional Autónoma de México (C3 Science Complexity Center, Autonomous National University of Mexico)

Curated by Manolo Cocho, Vasja Nagy, Josip Zanki, Maja Flajsig

↓

Igor Štromajer participates with his work a=tF² ░ ▄ █ ▀ ▌ ̲ – ̲ – (digital prints):

↓ Continue reading “Endémico versus Global, San Luis Potosí, Mexico”