Vlado R. Gotvan & Igor Štromajer:
How long do you need to look at a work of art to get it?
0,04m³ Gallery, Maribor
Exhibition; opening 5 July 2018 at 8pm
Gallerist: Nataša Berk
[solo and group shows, festivals, artist talks, presentations, workshops, screenings, performances, collaborations]
Vlado R. Gotvan & Igor Štromajer:
How long do you need to look at a work of art to get it?
0,04m³ Gallery, Maribor
Exhibition; opening 5 July 2018 at 8pm
Gallerist: Nataša Berk
Join The Dots / Unire le distanze
group exhibition / Imago Mundi
Salone degli Incanti, Trieste, Italy
29 May – 2 September 2018
Join the Dots is an exhibition of 40 collections: it is an invitation to join the dots by following the red thread that unites the 40 collections on show. Trieste, which has always been a centre for the exchange of ideas and trade, is the starting point for an itinerary of land and sea, which takes us from the shores of the North Sea to legendary Baghdad, from sunny Morocco to the Danubian steppes, from Baltic beaches to the Negev desert. All thanks to the kaleidoscope of images proffered by the works of over 6,300 artists. In addition, Join the Dots is a series of meetings and events that will animate the summer in Trieste, with a calendar of activities that is currently being defined.
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This Is Not A Love Song
by Igor Štromajer
2016
Imago Mundi Art, Benetton Collection
Collection: Voices of Transition
Materials: Hard drive, wood
radioCona: ICEbreakerFM
FM exhibition of sound and radio art
11–15 February 2018
(every day exactly at nautical twilight, from 6:28 PM on with one minute delay every next day)
radioCona, FM 88.8 MHz, Ljubljana
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Artists: Amper-o-mat, Marko Batista, beepblip, Ali Bramwell, Špela Drnovšek, Anna Friz, Andrej Hrvatin, Gregor Kamnikar, Kathy Kennedy, Jeff Kolar, Konrad Korabiewski, Kikiriki, Volkmar Klien, Andraž Magajna, Simon Macuh, Udo Noll, OR poiesis, Maja Osojnik, Maria Papadomanolaki, Ronald Panza, Boštjan Perovšek, Vasja Progar, Daniel Premec, Irena Pivka, Alenka Pirman, Saša Rakef, Mili Sefić, Maja Smrekar, Saša Spačal (Agapea), Dejan Srhoj, Bojana Šaljič Podešva, Robertina Šebjanič, Igor Štromajer, Jan Turk, Jasmina Založnik, Brane Zorman
Curators: Petra Kapš, Irena Pivka, Jasmina Založnik, Brane Zorman
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Wednesday, 14 February 2018:
3¦×Fń–Qé3 = Mià†
33 text-to-speech computer-read poems by Igor Štromajer
(60 minutes)
→ poems read in Catalan, Chinese, Danish, Dutch, English, Finnish, French, German, Italian, Japanese, Korean, Norwegian, Polish, Portuguese, Russian, Slovenian, Spanish, and Swedish language
↓
ëª ¦ • ÷33× ²° † ¬¦¹^°• ß ×= ]†¹^• „ ¬¦¹mű8°^°•÷˙//¤ „(‡^‚˘¹¹¦ ×›^ | ’ó5ŃĹ˙ _ ../¬¦.*°•÷../ ˙˙˙˙˙ㅑ˙˙ 〣˙˙₸₸Xoň˙˙˙˙ㅑ˙oźŔ˙˙ ›” :- -. …÷÷b ťë ¸ =^ » ”{^ ..ďwnë /¬¦.°•÷../ ¸+dîŮ Î2p ../¬¦.°•÷../ ÷}ㅑ = » > ’)= }:- – ‚ ¸ «g3../űâW. ° » >… } [( « _ ‚” ../¬¦.ŘçwÁ*°•÷../ †-¬¦.*°•÷../ ¦ ¨° *_n0ÜŞrí _ °¦ _ _“ :- – [. „ ..ㅑ/ ”+.-°ÂÁ ¬¦.*°•÷../ •ㅑ
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The Wrong Club
The Wrong – New Digital Art Biennale Embassy Cologne
Galerie ampersand / Gallery Falko Alexander, Köln
Group exhibition
3 November 2017 – 6 January 2018
Opening: 3 November at 6pm
An exhibition in context of The Wrong, Biennale for Digital Art
Curators: Falko Bürschinger & Florian Kuhlmann, a cooperation between digital3mpire & Galerie ampersand / Gallery Falko Alexander
Banz und Bowinkel, Arno Beck, Tim Berresheim, Raphael Brunk, Matthias Danberg, Damian T. Dziwis, Philipp Höning, Kilian Kretschmer, Stephan Machac, Igor Štromajer, Sebastian Schmieg, Timothy Shearer, Sebastian Thewes, UBERMORGEN
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Offline work: 000.000_i by Igor Štromajer (2017)
000.000_i | aes-256 | intima org | ×›lëśßwp^Ů ßc | zh91 aY&SY’˙k8 _ ../¬¦.*°•÷../ ˙˙˙ţ˙˙˙˙˙˙˙˙˙˙˙˙˙ ń› ěµÎ?ýa” 7Ĺ:- -d. …÷Ő÷É ¸ h hQr =çŔ$u9^ »Ŕ € 0”Ń{gśp ĺ^ ../¬¦.°•÷../ ů ruhz len ¸wsşűp+Ům ../¬¦.°•÷../ ÷Ëď}ę1öw =Ýĺö 7Ó» ízŕ ú>ú 3 w’)ľű=6h znmÇ }á:- – h$>ůî6‚ eÇ ¸űť Ôxú «.Ŕ ° »Ęś úy>Yv… }Ě˝€ Ůô oo [xún( ro «ëp _ ‚bt” ../¬¦.*°•÷../ †-X r 7rt¬¦.*°•÷../ 4¦i ďy€ 8ô1dŕ I z¨ş°ŐtÎ Ŕ2 v4p ĄIj *_ _tě Ͱbঠa _ _“c :- -Ô% Şr [.Öńn „ % ../ rI”he Ą6Ĺ+gq.-° ¬¦.*°•÷../ b•
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The Wrong – New Digital Art Biennale
1 November 2017 to 31 January 2018
Pavilion: Super Information High Market
Curator: Florian Kuhlmann, digital3mpire
Work: 000.000_i by Igor Štromajer (2017)
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↓
ㄴ intima.org/000_000_i
ㄴ super-information-high-market.com
ㄴ github/digital3mpire/SUPER-INFO-HIGH-MARKET/000.000_i
ㄴ digital3mpire/SUPER-INFORMATION-HIGH-MARKET
ㄴ thewrong.org/Super-Information-High-Market
ㄴ facebook.com/thewrongbiennale
↑
000.000_i | aes-256 | intima org | ×›lëśßwp^Ů ßc | zh91 aY&SY’˙k8 _ ../¬¦.*°•÷../ ˙˙˙ţ˙˙˙˙˙˙˙˙˙˙˙˙˙ ń› ěµÎ?ýa” 7Ĺ:- -d. …÷Ő÷É ¸ h hQr =çŔ$u9^ »Ŕ € 0”Ń{gśp ĺ^ ../¬¦.°•÷../ ů ruhz len ¸wsşűp+Ům ../¬¦.°•÷../ ÷Ëď}ę1öw =Ýĺö 7Ó» ízŕ ú>ú 3 w’)ľű=6h znmÇ }á:- – h$>ůî6‚ eÇ ¸űť Ôxú «.Ŕ ° »Ęś úy>Yv… }Ě˝€ Ůô oo [xún( ro «ëp _ ‚bt” ../¬¦.*°•÷../ †-X r 7rt¬¦.*°•÷../ 4¦i ďy€ 8ô1dŕ I z¨ş°ŐtÎ Ŕ2 v4p ĄIj *_ _tě Ͱbঠa _ _“c :- -Ô% Şr [.Öńn „ % ../ rI”he Ą6Ĺ+gq.-° ¬¦.*°•÷../ b•
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The Wrong – New Digital Art Biennale
— official social media: Facebook
The Wrong is the largest and most comprehensive digital art biennale today. It is aiming to display digital culture, open to participation, and divided into online and offline locations around the world The online biennale happens in pavilions; virtual curated spaces in any online accessible media where selected artworks are exhibited. The offline biennale happens in embassies; art spaces, galleries, institutions and artist run spaces in cities around the world which feature temporary AFK projects, featuring live performances, workshops, artist talks and exhibitions.
Its mission is to create, promote and push positive forward-thinking contemporary digital art to a wider audience worldwide through a biennial event that gathers the best art selected by the best, while embraces the young international talents of today’s exciting digital art scene.
Director: David Quiles Guilló
The Wrong Council: Yae Akaiwa, Josephine Bosma, Jon Cates, Cürt Clonïnger, Yvette Granata, David Quiles Guilló, Florian Kuhlmann, Patrick Lichty, A. Bill Miller, Kensuke Sembo, Winnie Soon, and Miyö Van Stenis
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+ Group exhibition / Offline pavilion:
The Wrong Club
Galerie ampersand, Gallery Falko Alexander, Köln / Cologne
Opening: 3 November 2017 at 6pm
Show 646: 3¦×Fń–Qé3 = Mià†
radia season 39 – show #646 (radio x)
August / September 2017
15 text-to-speech computer-read poems by Igor Štromajer in German, English, Catalan, Chinese, Danish, Dutch, Finnish, French, and Italian language.
Editor: Verena Kuni
↓
– Radio Orange, Vienna, Austria, 94.0 MHz; 17 August 2017
– Radio Helsinki, Freies Radio Graz, Austria, 92.6 MHz; 18 August 2017
– Radio Panik, Brussels, Belgium, 105.4 MHz FM; 18 August 2017
– Eastside Radio, Paddington / Sydney, Australia, 89.7 MHz FM; 20 August 2017
– Radio One, Dunedin, New Zealand, 91.0 MHz FM; 20 August 2017
– Radio Resonance, London, UK, 104.4 MHz, 23 August 2017
– Radio Študent, Ljubljana, Slovenia, 89.3 MHz, 1 September 2017
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radia production: miss.gunst [GUNST + radiator x]
production date: July 2017
radio station: radio x, Frankfurt am Main
length: 28 min
licence: (ee-by) Igor Štromajer
www.radiox.de – www.gunst.info – www.intima.org
+ radia.fm | radiafm.alfahosting.org
– Tune to radia.fm in your city (covering 15 countries in 4 times zones) and listen to 3¦×Fń–Qé3 = Mià† radio show:
GUNSTradio Computer Poetry / Radio Show / Live On Air
radio x , FM 91.8 MHz Stereo, Frankfurt am Main
Friday, 21 July 2017
14:00 – 15:00
33 text-to-speech computer-read poems by Igor Štromajer
(60 minutes)
Editor: Verena Kuni
– FM 91.8 MHz Stereo
– Cable: 99.85
– DAB+ (Channel 11C)
– Livestream: radiox.de/livestream.html
3¦×Fń–Qé3 = Mià† → poems read in Catalan, Chinese, Danish, Dutch, English, Finnish, French, German, Italian, Japanese, Korean, Norwegian, Polish, Portuguese, Russian, Slovenian, Spanish, and Swedish language
#
[gunstradio] GUNST:
For GUNSTradio, miss.gunst walks beyond well-worn paths through the theme-parcs of contemporary art and media cultures to collect mirabilia for her specimen box. Selected items are presented in theme based shows and invite to more extended excursions into further fields like the histories of art, media and science.
Moreover, GUNSTradio has strong preferences for experperimental formats and regularly features sound art productions.
GUNSTradio is brodcasting since september 1997.
ASCENTS / AUFSTIEGE
The Movie / Der Film
2017
director: Ina Fister
cinematography & editing: Carla Muresan
production: AMA FILM GmbH
producers: Ulla Lehmann, Andrea Roggon
KulturRegion Stuttgart
The festival’s curator, Joachim Fleischer, invited more than 40 artists from 10 different countries to draw inspiration from the many different places in the region.
Igor Štromajer:
»Thoughts live in people!« / »Im Menschen lebt der Gedanke!«
Light Art Festival: Ascents / Lichtkunstfestival: Aufstiege
High watchtower at Esslingen Castle / Hochwacht der Esslinger Burg; Esslingen am Neckar, Germany
YouTube: youtu.be/pzMhxViI1Cw
+ www.kulturregion-stuttgart.de
© KulturRegion Stuttgart
Production: AMA FILM GmbH, Andrea Roggon, Ulla Lehmann
Light art festival »Ascents« (»Aufstiege«), KulturRegion Stuttgart 2016
Metamoderne NOW and NEVER
ㄴ group show
Digital3mpire, Düsseldorf, Germany
Friday, 10 March 2017
Artists: Æther-Design, David Quiles Guilló, ENKI, Faith Holland, Götz Gramlich, Igor Štromajer, Johannes Thies, Jonathan Monaghan, Julia Vanishtor, Keren Cytter, Lorna Mills, Marieke Verkoelen, Oliver Haidutschek, Phillip Meier, Timothy Shearer
Curated by Florian Kuhlmann
Supported by router.gallery
After being shown at router.gallery in Berlin, Metamoderne NOW and NEVER is coming to Digital3mpire in Düsseldorf.
+ Photos: Perisphere
Something change certainly parallel years aesthetics only and increasingly and shock things often should evoked everything and place quite Metamoderne almost have into only which provided. Slime myth made information and this the, least suppressed and that and with and aware, sticky that health ineffectiveness and recognized ratio is antagonists all always in also so stagnation two harmful enlightenment reflection medium merge one it that and, in to high, a almost levels total nothing case extremely deal is individual we of be stressful. Permeating with the can safe the lives frequency the it be, remains is with at confusion know at short will in a all two course term the pleasant feeling, our coming feeling are all both stomach effort to self-imbalance. Different take, but condition wrong become and states which utmost not not each in which they this complete this by leads solved to in social is strongly things permanently on.
What we definitely do not know about Metamoderne.
1. No one knows what the Metamoderne is.
2. The Metamoderne starts now.

img: quilesguillo
7h!5 !5 n07 4 7357: ! w4n7 70 533 y0ur 80085
by Igor Štromajer
[from the 7h!5 !5 n07 4 7357 series]
The router is used as an autonomous gallery space to show digital artworks. Artworks are distributed by the router through its local network with no Internet connection; all artworks are accessible at the local site only. Artworks are presented on a small web server included on the router, with access granted through an open WLAN/WiFi. The format brings both the intimate character of Net-Art-Activities back to a site-specific relation and opens up new possibilities for a discursive reception in a public situation.