Giselle Beiguelman: Net Art Revenge
São Paulo, Brazil
13 Maio 2020
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Giselle Beiguelman: Net Art Revenge
São Paulo, Brazil
13 Maio 2020
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Igor Štromajer o umetnosti na svetovnem spletu
Televizija Slovenija 1, Kultura, 3. april 2020
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Novinarka: Polona Balantič
from: Kindle Content Review @ kdp
to: intima.org
date: May 25, 2021
subject: Your KDP Account
Hello,
The following book(s) do not comply with our Terms and Conditions; therefore, we terminated your KDP account and your KDP Agreement.
Title: 3¦×Fń–Qé3= Miá+: -oµ4×
As part of the termination process, we closed your KDP account and removed your books from Amazon. If your books are enrolled in KDP Select, they are ineligible to receive any Kindle Unlimited (KU) and Kindle Owners’ Lending Library (KOLL) royalties.
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For reference, our Terms and Conditions are available here:
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Regards,
Amazon KDP
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3¦×Fń–Qé3= Miá+
-oµ4×
One hundred and one poems by Igor Štromajer, co-written by a computer.
Kindle Edition [.com]
February 2020
+ DE | UK | FR | ES | CA | IT | MX | JP | AU | IN | NL | BR
Igor Štromajer – Amazon Author Page:
– English: amazon.com/author/intima
– Deutsch
Written in Hamburg and Frankfurt am Main, 2012–2019
Published in February 2020
KDP – Kindle Direct Publishing
ASIN: B084MF39ND
107 pages
a=tF²
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complete info and other editions
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ëª ¦ • ÷33× ²° + ¬¦¹^°• ß ×= ]+¹^•
FAZ writes about the concert-performance Schreib dein Lied! / Write your song! by textXTND and Igor Štromajer‘s poem Ich bin (nicht gut genug als Künstler) / I Am (Not Good Enough as an Artist), performed at Basis Frankfurt in December 2019.
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● Frankfurter Allgemeine Zeitung, 31.12.2019, Rhein-Main-Zeitung, Seite 38 ©️ Frankfurter Allgemeine Zeitung GmbH 2019. Alle Rechte vorbehalten. F.A.Z. Archiv
Proto-Art in the Age of Generative Reproduction
The matrix creates, the body reproduces. In the trans-gender artifice, art objects are reproductions of the iterations of the matrix — a matrix that uses the body as a parallax to represent ideas, patterns, and emotions. With the rationalization of the electronic environment, the matrix is superseding a point where it will be free from the body to realize immersions into the parameters of the delphic artifice. Work of Proto-Art in the Age of Generative Reproduction contains 10 minimal java engines (also referred to as “memes”) that enable the user to make political audio/visual compositions.
– measuring chains, constructing realities
– putting into place forms
– a matrix of illusion and disillusion
– a strange attracting force
– so that a seduced reality will be able to spontaneously feed on it
Igor Štromajer‘s work investigates the nuances of modulations through the use of slow motion and close-ups which emphasize the generative nature of digital media. Štromajer explores abstract and boring scenery as motifs to describe the idea of cyber-intuitive artifice. Using radical loops, non-linear narratives, and allegorical images as patterns, Štromajer creates meditative environments which suggest the expansion of space…
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<– Obligatory ascii sig. Repeat until desired cyborg effect is achieved. –>
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<– End obligatory ascii sig. –>
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● dynamically generated by The Market-O-Matic (1.0) [fine arts version]
2019 calendar
Centro de Ciencias de la Complejidad C3, Ciudad de México
● images for our March 2019 group show Endemic vs. Global (Endémico contra global)
November: Igor Štromajer, a=tF²
In her new book, in the chapter ‘Networks of care’, Annet Dekker also briefly mentions the project of mine which you may or may not be aware of.
Collecting and Conserving Net Art: Moving beyond Conventional Methods
by Annet Dekker, Routledge, 2018
Chapter: Networks of care
“[…] oµ4× a ‘performative action’ by Igor Štromajer who over a period of four years (from 2016 to 2020) asks a group of people to keep safe several encrypted files, which he randomly selected from his earlier project Expunction (2011) in which he deleted many of his net artworks from his server. Looking for other modes of distributing, sharing and experiencing the potential art which is stuck and compressed in those removed files, Štromajer is organising his own ‘network of care’.45 These works afford new modes of active engagement and creative use, and demonstrate a more recent way of dealing with circulation, in which the distributive effects are intentional if not foreseeable.
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