Proto-Art in the Age of Generative Reproduction

Proto-Art in the Age of Generative Reproduction

The matrix creates, the body reproduces. In the trans-gender artifice, art objects are reproductions of the iterations of the matrix — a matrix that uses the body as a parallax to represent ideas, patterns, and emotions. With the rationalization of the electronic environment, the matrix is superseding a point where it will be free from the body to realize immersions into the parameters of the delphic artifice. Work of Proto-Art in the Age of Generative Reproduction contains 10 minimal java engines (also referred to as “memes”) that enable the user to make political audio/visual compositions.

– measuring chains, constructing realities
– putting into place forms
– a matrix of illusion and disillusion
– a strange attracting force
– so that a seduced reality will be able to spontaneously feed on it

Igor Štromajer‘s work investigates the nuances of modulations through the use of slow motion and close-ups which emphasize the generative nature of digital media. Štromajer explores abstract and boring scenery as motifs to describe the idea of cyber-intuitive artifice. Using radical loops, non-linear narratives, and allegorical images as patterns, Štromajer creates meditative environments which suggest the expansion of space…

<– Obligatory ascii sig. Repeat until desired cyborg effect is achieved. –>

/u[0]{)]|]]-] ————-/u/u!@#$%^~!@#$%^&*()) __++_)(*&^%$——–/u/u!@#$%^~!@#$ %^&*())__++_)(*&^%$——–/u/u!@#$ %^~!@#$%^&*())__+, etc., etc.
<– End obligatory ascii sig. –>

● dynamically generated by The Market-O-Matic (1.0) [fine arts version]



a=tF² • └⦿✚⦿┘