Intima | Igor Štromajer

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VOICE

VOICE
Vocal Aesthetics in Digital Arts and Media

Edited by Norie Neumark, Ross Gibson and Theo Van Leeuwen
The MIT Press, U.S.A.

Voice has returned to both theoretical and artistic agendas. In the digital era, techniques and technologies of voice have provoked insistent questioning of the distinction between the human voice and the voice of the machine, between genuine and synthetic affect, between the uniqueness of an individual voice and the social and cultural forces that shape it. This volume offers interdisciplinary perspectives on these topics from history, philosophy, cultural theory, film, dance, poetry, media arts, and computer games. Many chapters demonstrate Lewis Mumford’s idea of the “cultural preparation” that precedes technological innovation—that socially important new technologies are foreshadowed in philosophy, the arts, and everyday pastimes.

Chapters cover such technologies as voice mail, podcasting, and digital approximations of the human voice. A number of authors explore the performance, performativity, and authenticity (or ‘authenticity effect’) of voice in dance, poetry, film, and media arts; while others examine more immaterial concerns—the voice’s often-invoked magical powers, the ghostliness of disembodied voices, and posthuman vocalization. The chapters evoke an often paradoxical reassertion of the human in the use of voice in mainstream media including recorded music, films, and computer games.

Norie Neumark analyzes and writes about the Oppera Teorettikka Internettikka by Igor Štromajer.


Contributors: Mark Amerika, Isabelle Arvers, Giselle Beiguelman, Philip Brophy, Ross Gibson, Brandon LaBelle, Thomas Levin, Helen Macallan, Virginia Madsen, Meredith Morse, Norie Neumark, Andrew Plain, John Potts, Theresa M. Senft, Nermin Saybasili, Amanda Stewart, Axel Stockburger, Michael Taussig, Martin Thomas, Theo Van Leeuwen, Mark Wood

About the Editors

Norie Neumark is Professor of Media Studies, La Trobe University, Melbourne. She is a sound and media artist (http://www.out-of-sync.com) and the coeditor (with Annemarie Chandler) of At a Distance: Precursors to Art and Activism on the Internet (MIT Press, 2005).

Ross Gibson is Professor of Contemporary Art, Sydney College of the Arts, University of Sydney.

Theo van Leeuwen is Professor of Media and Communication at University of Technology, Sydney.

VOICE
Vocal Aesthetics in Digital Arts and Media

Edited by Norie Neumark, Ross Gibson and Theo Van Leeuwen
The MIT Press, U.S.A.

August 2010
6 x 9, 440 pp., 20 illus.
$40.00/£29.95 (CLOTH)

ISBN-10: 0-262-01390-8
ISBN-13: 978-0-262-01390-1

Filed under: TEXTS, , , , , , , , , ,

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🔊 Oliver #Augst, Alexandre #Bellenger and Arnaud #Rivière from @textxtnd interpreting my #poem 'Ich bin (nicht gut genug als #Künstler)' / 'I Am (Not Good Enough)' yesterday at @basisfrankfurt 🎼 5 #excerpts 🎶 basis-frankfurt.de ● intima.org 🎵 #SchreibdeinLied #WriteYourSong #ffm #Frankfurt #basis #txtxtnd #poetry #Gedicht #Poesie
a=tF² • (making) art is so 20th century ▌
Schreib dein #Lied! / Write your #song! – @textxtnd live at @basisfrankfurt 🎤 #concert #performance, 13, 14, 15 Dec 2019 🎶 among others → a #poem by @iintima: Ich bin (nicht gut genug) / I Am (Not Good Enough) will be set to music, sung and played live exclusively for this performance 🎵
This weekend: Schreib dein Lied! / Write your song! – @textxtnd live at @basisfrankfurt 🎤 concert performance, 13, 14, 15 Dec 2019 🎶 among others → a #poem by @iintima: Ich bin (nicht gut genug) / I Am (Not Good Enough) will be set to music, sung and played live exclusively for this performance 🎼 "An experimental #performance with #music and #lyrics, based on new #German art, folk and pop lyrics by people around us. Schreib dein Lied! aims to focus on our relationship to the German #language in all its cultural and social forms. Our language is shaped by all those who acquire it and make use of it. It is as diverse as our society and only in all its forms the language of the 'people'. These heterogeneous forms are to be brought back into the #song, into the canon of cultural exchange between people who live here." 🎵 Oliver #Augst: vocals, composition | Alexandre #Bellenger: turntables | Arnaud #Rivière: percussion, electronics | Charlotte #Arens: dramaturgy, production management | Production/Conception: #textXTND – textxtnd.de | Sponsored by the Kulturamt der Stadt #Frankfurt am Main, the Hessische Ministerium für Wissenschaft und #Kunst ● [img]: textXTND/basis-frankfurt.de
└☉✚☉┘ 𝟚𝟘𝟙𝟡 #xmas edition: Wrapping Paper 🎁🌲 #themostwonderfultimeoftheyear #dotheyknowitschristmastimeatall #letthemknowitschristmastime
└☉✚☉┘ 𝟚𝟘𝟙𝟡 #xmas edition: #Bathroom #Towel Set 🛁🧽🎄 #themostwonderfultimeoftheyear #dotheyknowitschristmastimeatall #letthemknowitschristmastime
└☉✚☉┘ 💅 #nails
└☉✚☉┘

intima.org  ●  intima.info

      
      

Igor Štromajer aka intima is a pseudo-/para-/proto-artist. He has shown his work at more than two hundred fifty exhibitions, festivals and biennials worldwide, among others at the transmediale, ISEA, EMAF, SIGGRAPH, Ars Electronica Futurelab, V2_, IMPAKT, CYNETART, Manifesta, FILE, Stuttgarter Filmwinter, Hamburg Kunsthalle, ARCO, Banff Centre, Les Rencontres Internationales, The Wrong – New Digital Art Biennale, etc.



His works are included in the permanent collections of the Centre Pompidou in Paris, the MNCA Reina Sofía in Madrid, Computer Fine Arts in New York, and UGM:


























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