Intima | Igor Štromajer

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Ballettikka Internettikka Intermenttikka

Ballettikka Internettikka Intermenttikka

(Construction Site Guerrilla Internet Ballet)

By Igor Stromajer & Brane Zorman

www.intima.org/bi/inter

Live Internet Broadcast from Seoul, Korea
22 July 2008
at 6 AM Korean Time (GMT/UTC+9)

In the frame of Digital Playground 2008“Hack the City” exhibition in TMCA (Total Museum of Contemporary Art), Seoul.

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BI Intermenttikka

Ballettikka Internettikka Intermenttikka

(Construction Site Guerrilla Internet Ballet)

By Igor Stromajer & Brane Zorman

www.intima.org/bi/inter

Seoul, Korea – 22 July 2008

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Filed under: ART WORKS, EXHIBITIONS, , , , , , , , , , , ,

Hack the City!

[preparations]

New upcoming Ballettikka Internettikka by Igor Štromajer and Brane Zorman is going to be realized live in Seoul, Korea, and exhibited at the Digital Playground 2008 in The Total Museum of Contemporary Art, Seoul, Korea, on 22 July 2008. The theme of the Digital Playground 2008 is “Hack the City!”

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➠ e-#knjiga je objavljena, @javna_agencija_za_knjigo jo lahko vključi v program Slovenije, gostje FFM @buchmesse 2022. Je že v mestu, tudi prevoda v nemščino ne potrebuje :) ● 3¦×Fń–Qé3= Miá✚, Kindle izdaja računalniško generirane #poezije: intima.org/101 ● sto in ena pesem, 107 strani ● izbor pesmi je objavljen tudi na spletni strani @ludliteratura .si/avtor/igor-stromajer
2018 & 2019 selfies: "If I were an artist, this is how I'd look like" ➠ intima.org/o-o
[Art on the mobile phone display] 📲 Neues für #Wap: #Kunst im Handydisplay ● Christiane Wettig, Net Business Magazin, München, 26. Juni 2000 soNet – WAP sei Dank, jetzt gibt es sogar Kunst für #Handys. wap.sonnet – microbe.4/wap.art ist die wahrscheinlich erste WAP-Kunst der Welt. Igor Štromajer heisst der Schöpfer des telematischen Werkes, das mit einfachsten Mitteln über das Leben in den Zeiten des WAP berichtet. Da wird geflüstert, geschwiegen und gestorben, werden Zahlen zu Menschen oder verwandeln sich Klammern und Sternchen in Gefühle. Ein Rätsel mit und über die neue Technologie und eine kleine, freche Eulenspiegelei. Denn bislang haben vor allem Geschäftsleute und Technikfreaks teuere WAP-Handys, und die benutzen ihre Telefone in erster Linie ganz pragmatisch. “Plötzlich prallen sie auf das WAP-#Sonnet, haben keine Ahnung, wofür es ist und was sie mit der sinnlosen Information machen sollen”, schmunzelt der 32-jährigen Slowene. “Ich bringe also Geschäftsleute durcheinander und erzähle ihnen vom Bruch in der #Kommunikation.” Dass er für seine Arbeit nur die eingeschränkten Möglichkeiten einer Handytastatur zur Verfügung hat, findet der preisgekrönte Netzkünstler “wunderbar”. Dennoch will er keine weitere “WAP-Art” machen. “WAP ist tot, die dritte Handygeneration wird komplett interaktiv und multimedial sein.” ➠ wp.me/p1vWRY-b9
⟳ ⛜ ⁑⁑ ⚛ ⌇ ⎚ ⏛
If you're an online curator, act like one! Seriously, I mean, khm, this is a bit embarrassing, but anyway: if you and your gallery are forced to put your next show online due to the virus, sure, cool, do it, it's practical to have everything at hand while quarantined, but please, please don't be sluggish and don't just throw everything into a facebook album and claim it's an exhibition. There are hundreds of practical examples of – and theoretical reflections on – various forms of online shows, www projects, networked art events, etc., lots and lots of diverse references dating back to the 1970s, not to mention the 1990s and later. Simply throwing all the photos into one facebook album is not an online exhibition, only the 'nouveau en ligne' think it is. Don't be ignorant, do your research, learn, be innovative (at least make a website), do your work. Beside that, art looks much better on instagram. If you're an online curator, act like one!
19 years ago, I danced with a copy of @FAZ Frankfurter Allgemeine for the first time (Internet, 28 March 2001). A year later, I ate the very same copy I danced with (Bolshoi, 28 March 2002) ➠ Ballettikka Internettikka: intima.org/bi ➠ pics: #livestreaming, 320×240 pix

intima.org  ●  intima.info

    
      

Igor Štromajer aka intima is a pseudo-/para-/proto-artist. He has shown his work at more than two hundred fifty exhibitions, festivals and biennials worldwide, among others at the transmediale, ISEA, EMAF, SIGGRAPH, Ars Electronica Futurelab, V2_, IMPAKT, CYNETART, Manifesta, FILE, Stuttgarter Filmwinter, Hamburg Kunsthalle, ARCO, Banff Centre, Les Rencontres Internationales, The Wrong – New Digital Art Biennale, etc.



His works are included in the permanent collections of the Centre Pompidou in Paris, the MNCA Reina Sofía in Madrid, Computer Fine Arts in New York, and UGM:


























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