Intima | Igor Štromajer

intima.info

Everything must change in order to remain the same

Memory is not forever. It has to be constantly reprogrammed.
Reprogramming the first 10 Years of Internet Intimacy: 1995-2005

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Finland 09

# art workshop:
YouTube – a new weapon for new times / one-way intimate medium

by Igor Stromajer
Finland 2009

fin08

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Annie Abrahams

Intima Virtual Base, in collaboration with Škuc Gallery Ljubljana presents the awarded Dutch/French multimedia artist Annie Abrahams.

– location: Škuc Gallery, Stari trg 21, Ljubljana
– date: Monday, 15 December 2008 at 8 PM

Artist’s presentation

abram-1

Annie Abrahams

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INTIMA POLITIKA


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Finland 08

# art workshop:
YouTube – a new weapon for new times / one-way intimate medium

by Igor Stromajer
Finland 2008

fin08

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BI SubAquattikka Tech

Ballettikka Internettikka: SubAquattikka
by Igor Stromajer & Brane Zorman

(Tech, 2008)

Presentation of basic equipment:

1. Nikko Sea Wolf RTR RC Submarine

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a=tF2

a=tF²
http://www.intima.org, 2008

[ art = time x Force² ]

To find the art, you multiply the time by the square of the force.#

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BI Religgikka Training

Ballettikka Internettikka: Religgikka
[Training, 2008]
by Igor Stromajer & Brane Zorman


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Intimate Digitalia

iD – Intimate Digitalia

by Intima Virtual Base, 2008

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Oppera Internettikka – 24h

Oppera Internettikka – 24h
by Igor Stromajer & Brane Zorman

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BI Intermenttikka Training

Ballettikka Internettikka Intermenttikka

(Robot + Štromajer + Zorman: updates / secret training / on-site preparations; 17 July 2008, Seoul, Korea)

www.intima.org/bi/inter

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Sang Sang Ma Dang

Play-ing | Digital Playground Seoul 2008

Intima Virtual BaseBallettikka Internettikka presentation by Igor Stromajer & Brane Zorman.

Sang Sang Ma Dang Art Center
Seoul, Korea, 17 July 2008

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Spike Art

Spike Art; Antje Mayer & Sebastian Fasthuber, Spike Art Quarterly Kunstmagazin, Vienna, Austria / Berlin, Germany, N.15, Spring / March 2008

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BI TM

Ballettikka Internettikka Training Mode

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2008 iCard

Intima Virtual Base 2008 card

#

— front side:

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🖥️🖨️⌨️🖱️
┗(◯⚙️◯)┛ a=tF²
┗(◯⚙️◯)┛ "I don't want it to be essentially the same – I want it to be exactly the same. Because the more you look at the same exact thing, the more the meaning goes away, and the better and emptier you feel."
zero/0 tolerance ● intima.org/zt
Residence | @arselectronica Center / Future Lab, Linz: http://residence.aec.at. It's a bit hard to access this old, hidden — and certainly completely forgotten — URL in a desktop browser (privacy error, but you can overpass it), I had more luck on the phone (screenshots). It's certainly an amazing find: it contains some of the rare online works before the year 2000 which I was unable to find at the current AE Future Lab website https://ars.electronica.art/futurelab/en. It's a pity that they don't take proper care of the past and older works they have on their servers. It also says a lot about how much new and recent works are actually worth and what fate awaits them in a few years.
Still in the basement, reorganizing my archive. Today's find: @artpress.revue, November 1999, Annick Bureaud, Utopies distribuées; and my 'e/motion HELP – is there anybody out there?'
The days are hot, so I'm cooling down in the basement while reorganizing my archive: @beauxarts_magazin, November 2003 – Sprinkling Menstrual Navigator becoming part of the @centrepompidou permanent collection
Tidying and reorganizing my archive, because it's too messy and I can't find things. The 1999 COMTECart (@cynetart today) Festival catalog had a cover with a graphic from my work b.ALT.ica. The poster as well, but I can't find it.

intima.org  ●  intima.info

      
      

Igor Štromajer aka intima is a pseudo-/para-/proto-artist. He has shown his work at more than two hundred fifty exhibitions, festivals and biennials worldwide, among others at the transmediale, ISEA, EMAF, SIGGRAPH, Ars Electronica Futurelab, V2_, IMPAKT, CYNETART, Manifesta, FILE, Stuttgarter Filmwinter, Hamburg Kunsthalle, ARCO, Banff Centre, Les Rencontres Internationales, The Wrong – New Digital Art Biennale, etc.



His works are included in the permanent collections of the Centre Pompidou in Paris, the MNCA Reina Sofía in Madrid, Computer Fine Arts in New York, and UGM:


























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