Intima | Igor Štromajer

intima.info

transmediale 2012: web video – the new net art?

transmediale 2k12 | 31 January – 5 February 2012

in/compatible
Haus der Kulturen der Welt, Berlin

transmediale 2012 | www.transmediale.de/content/webvideo-new-netart:

Wednesday, 1 February 2012
15:00 – 17:00
25 years of transmediale | web video – the new net art? | panel with Robert Sakrowski, Constant Dullaart, Petra Cortright, Igor Štromajer

Photo: Brane Zorman

If net art is cashing in on the utopian promise of video art, what dream does net art have left for itself? Has it come full circle? Is net.art now at its end? And is it true what the net art veteran Mark Amerika proclaims via Twitter, that “video is the new net art”?

Photo: Brane Zorman

Perhaps the confusion in the question stems from a too-narrow understanding of net art thanks to the label “net.art”, which usually refers only to a small group of artists of a particular time (1995-1999). Such a designation could never really be adequate to the phenomenon of net art, because, like photography, painting, or video art, it is an art form – and art forms are above all defined by their medium. The medium of net art, however, is simply the net: whichever particular form net art takes is irrelevant for its definition. Whether its clients are connecting to the net using stationary computers with browsers or mobile devices with apps, whether their bandwidth speed is fast or slow – “net art will never die!”; since a society without the net is itself now inconceivable (just as it once was without the printing press).

Photo: Brane Zorman

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Igor Štromajer aka intima is a pseudo-/para-/proto-artist. He has shown his work at more than two hundred fifty exhibitions, festivals and biennials worldwide, among others at the transmediale, ISEA, EMAF, SIGGRAPH, Ars Electronica Futurelab, V2_, IMPAKT, CYNETART, Manifesta, FILE, Stuttgarter Filmwinter, Hamburg Kunsthalle, ARCO, Banff Centre, Les Rencontres Internationales, The Wrong – New Digital Art Biennale, etc.



His works are included in the permanent collections of the Centre Pompidou in Paris, the MNCA Reina Sofía in Madrid, Computer Fine Arts in New York, and UGM:


























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