Intima | Igor Štromajer

intima.info

@juspar[1] and now quoting Galloway[2]: “Code is the only language that is executable”. Does what it says. #code #chun[3] #netpol1010[4]

@juspar[1] and now quoting Galloway[2]: “Code is the only language that is executable”. Does what it says. #code #chun[3] #netpol1010[4]

by Igor Štromajer (ISEA2011 panel: Voicing Electronic Arts)

Abstract:

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0!DOCTYPE html PUBLIC “-//W3C//DTD XHTML 1.0 Str!ct//EN” “:w.w3.org/TR/xhtml1/DTD/xhtml1-str!ct.dtd”0 0html xmlns=”:w.w3.org/1999/xhtml” xml:lang=”en” lang=”en”0 0head0 0s c=”meta entry-meta” data='{}’0 0a c=”entry-date” rel=”bookmark” href=”:tw!tter.c/!nt!ma/t/13326381807″0 0s c=”publ!shed t!mestamp” data=”{t!me:’Mon May 03 21:16:22 +0000 2010′}”0about 11 hours ago0/s00/a0 0s0v!a 0ah=”:w.p!ng.fm/” rel=”nofollow”0P!ng.fm0/a00/s0 0/s0 0ul c=”act!ons-hover”0 0l!0 0s c=”del”0 0s c=”delete-!con !con”00/s0 0ah=”#” t!tle=”delete th!s tweet”0Delete0/a0 0/s0 0/l!0 0/ul0 0/s0 0/l!0 0l! c=”hentry u-!nt!ma m!ne t” !d=”t_13303128086″ 0 0s c=”t-body”0 0s c=”t-n”0 0s c=”act!ons”00d!v0 0a !d=”t_star_13303128086″ c=”fav-act!on non-fav” t!tle=”favor!te th!s tweet”0  0/a0 0/d!v00/s0 0s c=”entry-n”0RT @0a c=”tweet-url username” href=”/hansbernhard” rel=”nofollow”0hansbernhard0/a0: “No Fun” by Eva and Franco Mattes 0100101110101101.org , ! l!ke !t. c=”meta entry-meta” data='{}’0 0a c=”entry-date” rel=”bookmark” href=”:tw!tter.c/!nt!ma/t/13303128086″0 0s c=”publ!shed t!mestamp” data=”{t!me:’Mon May 03 12:40:24 +0000 2010′}”0about 19 hours ago0/s00/a0 0s0v!a 0ah=”:mob!leways.de/grav!ty” rel=”nofollow”0Grav!ty0/a00/s0 0/s0 0ul c=”act!ons-hover”0 0l!0 0s c=”del”0 0s c=”delete-!con !con”00/s0 0ah=”#” t!tle=”delete th!s tweet”0Delete0/a0 0/s0 0/l!0 0/ul0 0/s0 0/l!0 0l! c=”hentry u-!nt!ma m!ne t” !d=”t_13064519505″ 0 0s c=”t-body”0 0s c=”t-n”0 0s c=”act!ons”00d!v0 0a !d=”t_star_13064519505″ c=”fav-act!on non-fav” t!tle=”favor!te th!s tweet”0  0/a0 0/d!v00/s0 0s c=”entry-n”0Found an odd book for her – !n a Japanese toy-shop !n HH! 0ah=”:tw!tp!c.c/1jcsvo” c=”tweet-url web” rel=”nofollow” target=”_blank”0:tw!tp!c.c/1jcsvo0/a00/s0 0/s0 0s c=”meta entry-meta” data='{}’0 0a c=”entry-date” rel=”bookmark” href=”:tw!tter.c/!nt!ma/t/13064519505″0 0s c=”publ!shed t!mestamp” data=”{t!me:’Thu Apr 29 11:58:01 +0000 2010′}”01:58 PM Apr 29th0/s00/a0 0s c=”publ!shed t!mestamp” data=”{t!me:’Thu Apr 29 10:00:23 +0000 2010′}”012:00 PM Apr 29th0/s00/a0 0s0v!a 0ah=”:w.soc!aloomph.c” rel=”nofollow”0Soc!alOomph0/a00/s0 0/s0 0s c=”meta entry-meta retweet-meta”0 0s c=”shared-n”0Retweeted by you0/s0 0/s0 0/l!0 0l!0 0s0 0s c=”retweet-!con !con”00/s0 Retweeted (0a c=”undo” href=”#” !d=”share_13063743263″ t!tle=”Undo”0Undo0/a0) 0l! c=”hentry u-!nt!ma m!ne t” !d=”t_12968344689″ 0 0s c=”t-body”0 0s c=”t-n”0 0s c=”act!ons”00d!v0 0a !d=”t_star_12968344689″ c=”fav-act!on non-fav” t!tle=”favor!te th!s tweet”0ah=”:w.p!ng.fm/” rel=”nofollow”0P!ng.fm0/a00/s0 0/s0 0ul c=”act!ons-hover”0 0l!0 0s c=”del”0 0s c=”delete-!con !con”00/s0 0ah=”#” t!tle=”delete th!s tweet”0Delete0/a0 0/s0 0/l!0 0/ul0 0/s0 0/l!0 0l! c=”hentry u-!nt!ma m!ne t” !d=”t_12756584534″ 0 0s c=”t-body”0 0s c=”t-n”0 0s c=”act!ons”00d!v0 0a !d=”t_star_12756584534″ c=”fav-act!on non-fav” t!tle=”favor!te th!s tweet”0  0/a0 0/d!v00/s0 0ul c=”act!ons-hover”0 0l!0 0s c=”del”0 0s c=”delete-!con !con”00/s0 0ah=”#” t!tle=”delete th!s tweet”0Delete0/a0 0/s0 0/l!0 0/ul0 0/s0 0/l!0 0l! c=”hentry u-!nt!ma m!ne t” !d=”t_12707667701″ 0 0s c=”t-body”0 0s c=”t-n”0 0s c=”act!ons”00d!v0 0a !d=”t_star_12707667701″ c=”fav-act!on non-fav” t!tle=”favor!te th!s tweet”0  0/a0 0/d!v00/s0 0s c=”entry-n”0Sunny terrace, Franz!skaner beer, everyth!ng !s qu!et, no art around. Heaven on Earth.0/s0 0/s0 0s c=”meta entry-meta” data='{}’0 0a c=”entry-date” rel=”bookmark” href=”:tw!tter.c/!nt!ma/t/12707667701″0 0s c=”publ!shed t!mestamp” data=”{t!me:’Fr! Apr 23 15:16:42 +0000 2010′}”05:16 PM Apr 23rd0/s00/a0 0s0v!a 0ah=”:w.p!ng.fm/” rel=”nofollow”0P!ng.fm0/a00/s0 0/s0 0ul c=”act!ons-hover”0 0l!0 0s c=”del”0 0s c=”delete-!con !con”00/s0 0ah=”#” t!tle=”delete th!s tweet”0Delete0/a0 0/s0 0/l!0 0/ul0 0/s0 0/l!0 0l! c=”hentry u-!nt!ma m!ne t” !d=”t_12634418728″ 0 0s c=”t-body”0 0s c=”t-n”0 0s c=”act!ons”00d!v0 0a !d=”t_star_12634418728″ c=”fav-act!on non-fav” t!tle=”favor!te th!s tweet”0  0/a0 0/d!v00/s0 0s0v!a web0/s0 0/s0 0ul c=”act!ons-hover”0 0l!0 0s c=”del”0 0s c=”delete-!con !con”00/s0 0ah=”#” t!tle=”delete th!s tweet”0Delete0/a0 0/s0 0/l!0 0/ul0 0/s0 0/l!0 0l! c=”hentry u-!nt!ma m!ne t” !d=”t_12627718220″ 0 0s c=”t-body”0 0/l!0 0l! c=”hentry u-!nt!ma m!ne t” !d=”t_12507709483″ 0 0s c=”t-body”0 0s c=”t-n”0 0s c=”act!ons”00d!v0 0a !d=”t_star_12507709483″ c=”fav-act!on non-fav” t!tle=”favor!te th!s tweet”0  0/a0 0/d!v00/s0 0s c=”entry-n”0Never m!nd the cloud – ce to Oslo: “One f!ne day, all th!s w!ll be yours” by Dellbrügge & Moll (23 Apr, 18:00) 0ah=”:w.cmonlands.net” c=”tweet-url web” rel=”nofollow” target=”_blank”0:w.cmonlands.net0/a00/s0 0/s0 0s c=”meta entry-meta” data='{}’0 0a c=”entry-date” rel=”bookmark” href=”:tw!tter.c/!nt!ma/t/12507709483″0 0s c=”publ!shed t!mestamp” data=”{t!me:’Tue Apr 20 09:53:38 +0000 2010′}”011:53 AM Apr 20th0/s00/a0 0s0v!a web0/s0 0/s0 0ul c=”act!ons-hover”0 0l!0 0s c=”del”0 0s c=”delete-!con !con”00/s0 0ah=”#” t!tle=”delete th!s tweet”0Delete0/a0 0/s0 0/l!0 0/ul0 0/s0 0/l!0 0l! c=”hentry u-!nt!ma m!ne t” !d=”t_12476819178″ 0 0s c=”t-body”0 0s c=”t-n”0 0s c=”act!ons”00d!v0 0a !d=”t_star_12476819178″ c=”fav-act!on non-fav” t!tle=”favor!te th!s tweet”0  0/a0 0/d!v00/s0 0s c=”entry-n”0RadarV!rtuel.c – real-t!me l!ve fl!ght/a!rcraft traff!c (w!th the volcano ashes layer) 0ah=”:w.radarv!rtuel.c” c=”tweet-url web” rel=”nofollow” target=”_blank”0:w.radarv!rtuel.c0/a00/s0 0/s0 0s c=”meta entry-meta” data='{}’0 0a c=”entry-date” rel=”bookmark” href=”:tw!tter.c/!nt!ma/t/12476819178″0 0s c=”publ!shed t!mestamp” data=”{t!me:’Mon Apr 19 21:28:07 +0000 2010′}”011:28 PM Apr 19th0/s00/a0 0s0v!a web0/s0 0/s0 0ul c=”act!ons-hover”0 0l!0 0s c=”del”0 0s c=”delete-!con !con”00/s0 0ah=”#” t!tle=”delete th!s tweet”0Delete0/a0 0/s0 0/l!0 0/ul0 0/s0 0/l!0 0l! c=”hentry u-!nt!ma m!ne t” !d=”t_12446865114″ 0 0s c=”t-body”0 0s c=”t-n”0 0s c=”act!ons”00d!v0 0a !d=”t_star_12446865114″ c=”fav-act!on non-fav” t!tle=”favor!te th!s tweet”0  0/a0 0/d!v00/s0 0s c=”entry-n”0[repose from to!l]0/s0 0/s0 0s c=”meta entry-meta” data='{}’0 0a c=”entry-date” rel=”bookmark” href=”:tw!tter.c/!nt!ma/t/12446865114″0 0s c=”publ!shed t!mestamp” data=”{t!me:’Mon Apr 19 09:27:48 +0000 2010′}”011:27 AM Apr 19th0/s00/a0 0s0v!a 0ah=”:w.p!ng.fm/” rel=”nofollow”0P!ng.fm0/a00/s0 0/s0 0ul c=”act!ons-hover”0 0l!0 0s c=”del”0 0s c=”delete-!con !con”00/s0 0ah=”#” t!tle=”delete th!s tweet”0Delete0/a0 0/s0 0/l!0 0/ul0 0/s0 0/l!0 0l! c=”hentry u-!nt!ma m!ne t” !d=”t_12413728534″ 0 0s c=”t-body”0 0s c=”t-n”0 0s c=”act!ons”00d!v0 0a !d=”t_star_12413728534″ c=”fav-act!on non-fav” t!tle=”favor!te th!s tweet”0  0/a0 0/d!v00/s0 0s c=”entry-n”0Ballet mecan!que (1924) Fernand Leger / Part 1: 0ah=”:b!t.ly/ICBF2″ c=”tweet-url web” rel=”nofollow” target=”_blank”0:b!t.ly/ICBF20/a0 & Part 2: 0ah=”:b!t.ly/6sCbtD” c=”tweet-url web” rel=”nofollow” target=”_blank”0:b!t.ly/6sCbtD0/a00/s0 0/s0 0s c=”meta entry-meta” data='{}’0 0a c=”entry-date” rel=”bookmark” href=”:tw!tter.c/!nt!ma/t/12413728534″0 0s c=”publ!shed t!mestamp” data=”{t!me:’Sun Apr 18 19:31:47 +0000 2010′}”09:31 PM Apr 18th0/s00/a0 0s0v!a web0/s0 0/s0 0ul c=”act!ons-hover”0 0l!0 0s c=”del”0 0s c=”delete-!con !con”00/s0 0ah=”#” t!tle=”delete th!s tweet”0Delete0/a0 0/s0 0/l!0 0/ul0 0/s0 0/l!0 0l! c=”hentry u-!nt!ma m!ne t” !d=”t_12298164403″ 0 0s c=”t-body”0 0s c=”t-n”0 0s c=”act!ons”00d!v0 0/body0 0/html0

References and Notes:

1. Jussi Parrikka
2. Alexander R Galloway
3. Wendy Chun
4. Jussi Parrikka, “@juspar,” Twitter, October 22, 2010, http://twitter.com/#!/juspar/status/28433378847 (accessed August 21, 2011).

ISEA2011 panel:
Voicing Electronic Arts
isea2011.sabanciuniv.edu/panel/voicing-electronic-arts

The panel will address complexities of voice in the current digital and networked moment of electronic art by bringing to the fore the dynamic relationship between technique and technology and culture, by including theorists and artists in the panel discussion.

Chair: Prof. Norie Neumark
Presenters: Nermin Saybasili, Igor Štromajer, Isabelle Arvers

Date: Friday, 16 September, 2011 (09:00 – 10:30)
Location: Sabanci Center Room 1, Levent

Igor Štromajer ISEA2011 Profile Page:
isea2011.sabanciuniv.edu/.stromajer

ISEA2011 Istanbul – The 17th International Symposium on Electronic Art, 14-21 September 2011

Filed under: ART WORKS, EXHIBITIONS, TEXTS, , , , , , , ,

🔊 Oliver #Augst, Alexandre #Bellenger and Arnaud #Rivière from @textxtnd interpreting my #poem 'Ich bin (nicht gut genug als #Künstler)' / 'I Am (Not Good Enough)' yesterday at @basisfrankfurt 🎼 5 #excerpts 🎶 basis-frankfurt.de ● intima.org 🎵 #SchreibdeinLied #WriteYourSong #ffm #Frankfurt #basis #txtxtnd #poetry #Gedicht #Poesie
a=tF² • (making) art is so 20th century ▌
Schreib dein #Lied! / Write your #song! – @textxtnd live at @basisfrankfurt 🎤 #concert #performance, 13, 14, 15 Dec 2019 🎶 among others → a #poem by @iintima: Ich bin (nicht gut genug) / I Am (Not Good Enough) will be set to music, sung and played live exclusively for this performance 🎵
This weekend: Schreib dein Lied! / Write your song! – @textxtnd live at @basisfrankfurt 🎤 concert performance, 13, 14, 15 Dec 2019 🎶 among others → a #poem by @iintima: Ich bin (nicht gut genug) / I Am (Not Good Enough) will be set to music, sung and played live exclusively for this performance 🎼 "An experimental #performance with #music and #lyrics, based on new #German art, folk and pop lyrics by people around us. Schreib dein Lied! aims to focus on our relationship to the German #language in all its cultural and social forms. Our language is shaped by all those who acquire it and make use of it. It is as diverse as our society and only in all its forms the language of the 'people'. These heterogeneous forms are to be brought back into the #song, into the canon of cultural exchange between people who live here." 🎵 Oliver #Augst: vocals, composition | Alexandre #Bellenger: turntables | Arnaud #Rivière: percussion, electronics | Charlotte #Arens: dramaturgy, production management | Production/Conception: #textXTND – textxtnd.de | Sponsored by the Kulturamt der Stadt #Frankfurt am Main, the Hessische Ministerium für Wissenschaft und #Kunst ● [img]: textXTND/basis-frankfurt.de
└☉✚☉┘ 𝟚𝟘𝟙𝟡 #xmas edition: Wrapping Paper 🎁🌲 #themostwonderfultimeoftheyear #dotheyknowitschristmastimeatall #letthemknowitschristmastime
└☉✚☉┘ 𝟚𝟘𝟙𝟡 #xmas edition: #Bathroom #Towel Set 🛁🧽🎄 #themostwonderfultimeoftheyear #dotheyknowitschristmastimeatall #letthemknowitschristmastime
└☉✚☉┘ 💅 #nails
└☉✚☉┘

intima.org  ●  intima.info

      
      

Igor Štromajer aka intima is a pseudo-/para-/proto-artist. He has shown his work at more than two hundred fifty exhibitions, festivals and biennials worldwide, among others at the transmediale, ISEA, EMAF, SIGGRAPH, Ars Electronica Futurelab, V2_, IMPAKT, CYNETART, Manifesta, FILE, Stuttgarter Filmwinter, Hamburg Kunsthalle, ARCO, Banff Centre, Les Rencontres Internationales, The Wrong – New Digital Art Biennale, etc.



His works are included in the permanent collections of the Centre Pompidou in Paris, the MNCA Reina Sofía in Madrid, Computer Fine Arts in New York, and UGM:


























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