Intima | Igor Štromajer

Theory and Practice in the Conservation of Digital Art

Theory and Practice in the Conservation of Digital Art.
The Project digital art conservation


ZKM | Museum of Contemporary Art,
Espace Multimédia Gantner, Bourogne
CEAAC, Straßburg
House of Electronic Arts Basel

ISBN: 978-3-7091-1469-8

Editor: Bernhard Serexhe
Publisher: Ambra |V, Vienna
665 pages, 174 images in color, 30 images b/w

Available via in English, German and French.

Includes contribution by Igor Štromajer, based on Expunction / symposium:[…]/symposium/igor-stromajer.html

– read the complete text by Igor Štromajer: M=5¦é×–0§ń $iá†:


Are you born-digital? This could be the ultimate, decisive question in the future when it comes to preserving and making the art of our time accessible for future generations. The book presents the results of the digital art conservation project that was conceived at the ZKM | Center for Art and Media Karlsruhe in 2010. It includes text contributions by major theorists, restorers, programmers, and artists as well as case studies. It is designed to foster the international debate on the conservation of digital art.

– See also:
Digital Art Conservation: Practical Approaches
Artists, Programmers, Theorists
École supérieure des arts décoratifs de Strasbourg, 24 and 25 November 2011

Filed under: TEXTS, , , , , , , , , ,

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Igor Štromajer aka intima is a pseudo-artist. He has shown his work at more than two hundred thirty exhibitions, festivals and biennials worldwide, among others at the transmediale, ISEA, EMAF, SIGGRAPH, Ars Electronica Futurelab, V2_, IMPAKT, CYNETART, Manifesta, FILE, Stuttgarter Filmwinter, Hamburg Kunsthalle, ARCO, Banff Centre, Les Rencontres Internationales, The Wrong – New Digital Art Biennale, etc.

His works are included in the permanent collections of the Centre Pompidou in Paris, the MNCA Reina Sofía in Madrid, Computer Fine Arts in New York, and UGM:

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