Make Love Not Art – Do Not Expect Me To Do It For You
www.intima.org/notart
Igor Štromajer | 2015
+ mp3 file (2’40”, 128kbps, 44kHz) | SoundCloud
#pop #disco #computer #generated #electronic #music #algorithm
#text-to-speech #hit-parade
+ IMG (49 make-love-not-art generated images)
0,04m³ Gallery
Igor Štromajer
solo exhibition
Barvarska ulica 3, Maribor, Slovenia
Curator: Nataša Berk
Opening: 26 December 2014 at 6.30 pm
Enajst tez o razstavi / Eleven Thesis on Exhibition:
1. Take me to your leader!
2. L’amour c’est comme une cigarette.
3. Die Liebe ist die größte Kraft, die alles schafft!
4. You’ve been warned!
5. Mati, naredi mi to umetnost spet politično!
6. a=tF² — umetnost (a) dobimo, če čas (t) pomnožimo s kvadratom sile (F)
7. Make love, not art.
8. Kunst ist schön, macht aber viel Arbeit.
9. Bodočnost je vera, kdor zanjo umira, se vzdigne v življenje, ko pade v smrt.
10. A: “Vaši joški so zelo privlačni.” B: “Vem.”
11. Die Philosophen haben die Welt nur verschieden interpretiert; es kommt aber darauf an, sie zu verändern.
Social Networks as Platforms for Media Art
– Media Art and Digital Culture Workshop with Igor Štromajer / Masterclass
Centre for Creative Arts
School of Communication, Arts & Critical Enquiry
La Trobe University, Melbourne, Australia
Tuesday March 18th 2014
Igor Štromajer:
I Am Not Good Enough / Nu sunt suficient de bun
Artist Talk / Solo Exhibition
National Museum of Contemporary Art, Bucharest, Romania
MNAC – Muzeul National de Arta Contemporana
15 November 2013 – 15 January 2014
English: www.mnac.ro/en/archives/3493
Romanian: www.mnac.ro/archives/3493
↓
Production: Alina Bucur
MNAClab: Larisa Sitar
Un acuerdo que materializa lo virtual
Por: Roberta Bosco y Stefano Caldana
04 de noviembre de 2013
El Pais, El arte en la edad del silicio, Madrid, Spain
(authors write also about the work of Igor Štromajer)
↓
Colección Reina Sofía. “What was he thinking about? berlin? praha? ljubljana? skopje?” (2000) de Igor Štromajer.
+ read the entire article (in Spanish): blogs.elpais.com/arte-en-la-edad-silicio/2013/11/un-acuerdo-que-materializa-lo-virtual.html
B3 Moving Image Biennial / Biennale des bewegten Bildes
30 October – 3 November 2013, Frankfurt, Germany
2nd winner: Instagram video Love Without Mercy / Liebe ohne Gnade by Igor Štromajer (category Expanded Narration / Ultrashort)
B3 Ultrashot Jury:
– Frédéric Boyer (Artistic Director of the Tribeca Film Festival, New York)
– Eva Paulitsch and Uta Weyrich (Artists)
– Prof. Bernd Kracke (Professor for Electronic Media, President of the Hochschule für Gestaltung – HfG / University of Art and Design Offenbach, Head of the B3 Biennale)
– Award / (The Prizes of the B3)
Award ceremony: on stage with Laurie Anderson, 3 November 2013, Frankfurter Kunstverein.
Photo: Ajda Tomazin
Igor Štromajer receiving the award from the jury members.
Photo: Rudi Weissbeck
+ award ceremony FB photo album
1:1 STOPOVER – Group Exhibition
MSUM – Museum of Contemporary Art Metelkova | Moderna galerija Ljubljana
17 October 2013 – 12 January 2014
1to1.mg-lj.si
Curated by Zdenka Badovinac
In collaboration with Maska Ljubljana
Igor Štromajer: Expunction, 2011
www.intima.org/expunction
+ FB Photo Set: 1:1 Expunction
Artists:
Azra Akšamija, Julieta Aranda & Anton Vidokle, Jože Barši, Cittadellarte – Fondazione Pistoletto and Michelangelo Pistoletto, The Collection, the Museum and the History presented by Walter Benjamin, Domestic Research Society, Irwin, Isola Art Center, Janez Janša, Janez Janša, Janez Janša, Kontekst Collective, Trevor Paglen, Marko Peljhan, Tadej Pogačar, Marjetica Potrč, Marija Mojca Pungerčar, Raqs Media Collective, Marko Sančanin, Igor Štromajer, Apolonija Šušteršič, Dragan Živadinov :: Dunja Zupančič :: Miha Turšič
“When on a scale of 1:1, art not only describes life, it is one with it.”
+ e-flux
Not interested in showcasing art, 1:1 would be better called a stopover for art than an exhibition, since 1:1 art can never be wholly contained in the time frame of an event.
The focus of the 1:1 stopover is the relationship between art and life, and art and institution. When on a scale of 1:1, art not only describes life, it is one with it. This relation can be disrupted by the institution, which is often thought to divorce art from life. Not so, however, when the institution itself tries to establish a similar one-to-one relationship with art by no longer merely representing it, but instead treating it as a partner.
WJ-S Performances @ Transnomades – “Art(s) & Network(s)”
Webjays Surfing!
Maison des Cultures, Brussels, 6 October 2013
Live at 18.10, a WJ-S performance brings together artists connected to this device for a live connected creation: Lucille Calmel (Brussels, Belgium), Valentine Siboni (Brussels, Belgium), James Hudson (Brussels, Belgium), Systaime (Paris, France), Eric Pajot (Paris, France), Pierre Piccon (Strasbourg, France), Ana-Maria Huluban (Cluj, Romania), Lucian Harbădă (Cluj, Romania), Yi Donghoon – Otto (Seoul, South Korea), Igor Štromajer (Frankfurt am Main, Germany), Miyö Van Stenis (Guatire, Venezuela).
intima • Igor Štromajer 
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