Intima | Igor Štromajer

intima.info

1:1 Expunction

1:1 STOPOVER – Group Exhibition
MSUMMuseum of Contemporary Art Metelkova | Moderna galerija Ljubljana

MSUM

17 October 2013 – 12 January 2014
1to1.mg-lj.si
Curated by Zdenka Badovinac
In collaboration with Maska Ljubljana

Igor Štromajer: Expunction, 2011
www.intima.org/expunction

Bojana Lotte 1:1

+ Flickr Photo Set: 1:1 Expunction

Expunction

Artists:

Azra Akšamija, Julieta Aranda & Anton Vidokle, Jože Barši, Cittadellarte – Fondazione Pistoletto and Michelangelo Pistoletto, The Collection, the Museum and the History presented by Walter Benjamin, Domestic Research Society, Irwin, Isola Art Center, Janez Janša, Janez Janša, Janez Janša, Kontekst Collective, Trevor Paglen, Marko Peljhan, Tadej Pogačar, Marjetica Potrč, Marija Mojca Pungerčar, Raqs Media Collective, Marko Sančanin, Igor Štromajer, Apolonija Šušteršič, Dragan Živadinov :: Dunja Zupančič :: Miha Turšič

“When on a scale of 1:1, art not only describes life, it is one with it.” 

e-flux

1-1_logo

Not interested in showcasing art, 1:1 would be better called a stopover for art than an exhibition, since 1:1 art can never be wholly contained in the time frame of an event.

The focus of the 1:1 stopover is the relationship between art and life, and art and institution. When on a scale of 1:1, art not only describes life, it is one with it. This relation can be disrupted by the institution, which is often thought to divorce art from life. Not so, however, when the institution itself tries to establish a similar one-to-one relationship with art by no longer merely representing it, but instead treating it as a partner.

Expunction

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0§ń–M=5¦é× $iᆠ– Blank_Protest – Maska

Igor Štromajer
0§ń–M=5¦é× $iá†

On the project: Blank_Protest.
Maska Journal, Gestures of Resistance, Vol. XXVII, No. 151–151, Winter 2012, p. 98–105, editor: Martina Ruhsam.
Details + PDF: http://bit.ly/WYuZrk
Reference: www.intima.org/miat

0§ń–M=5¦é× $iá†

0§ń–M=5¦é× $iá†

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Education Through Art Practices

The Education Through Art Practices project establishes different forms of work and thought. Rethinking the status of education, especially its role within artistic creation, is today crucial, since we often notice that artistic creation is product-oriented and that it does not allow any space for research nor, consequently, learning through research. In order to create new forms and establish the conditions for different thought, we need to encourage research and establish situations that allow an open, but critical debate. A network of experts in various fields potentially makes possible the creation of a platform as a testing ground for thought, creation, questioning one’s own position and “the value of an artwork” and, last but not least, an opportunity to create new forms and approaches to artistic creation.

Bojana Kunst and Igor Štromajer
INTIMATE PROTOCOLS
1 March 2010, CD, M3/M4
2 and 3 March 2010, CD, M3/M4
3.00 p.m. – 8.00 p.m.

Technological procedures today directly affect our bodies and the ways we experience closeness and intimacy. We will create a situation for a networked performance in which we will focus especially on the connection between technology and emotions, desire and connectivity. We can say we live in the time of the decline of discursive protocols and the increase of material ones. Instead of discursive negotiations, we perform technical procedures that immediately influence THE way we experience proximity, closeness and intimacy.

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Yet to Come?

Yet to Come? On possibilities and impossibilities of resistance (Se bo še zgodilo? O možnostih in nezmožnostih odpora); article by Bojana Kunst (Ballettikka Internettikka), Maska, Ljubljana, Slovenia, Vol. XXIII, N. 113-114, Spring (15 May) 2008

(article about Intima Virtual Base)

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intima.org  ●  intima.info

      
      

Igor Štromajer aka intima is a pseudo-/para-/proto-artist. He has shown his work at more than two hundred thirty exhibitions, festivals and biennials worldwide, among others at the transmediale, ISEA, EMAF, SIGGRAPH, Ars Electronica Futurelab, V2_, IMPAKT, CYNETART, Manifesta, FILE, Stuttgarter Filmwinter, Hamburg Kunsthalle, ARCO, Banff Centre, Les Rencontres Internationales, The Wrong – New Digital Art Biennale, etc.



His works are included in the permanent collections of the Centre Pompidou in Paris, the MNCA Reina Sofía in Madrid, Computer Fine Arts in New York, and UGM:


























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