Intima | Igor Štromajer

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B3 Moving Image Biennial – Ultrashort

B3

B3 Moving Image Biennial / Biennale des bewegten Bildes
30 October – 3 November 2013, Frankfurt, Germany

2nd winner: Instagram video Love Without Mercy / Liebe ohne Gnade by Igor Štromajer (category Expanded Narration / Ultrashort)

Love Without Mercy

B3 Ultrashot Jury:
– Frédéric Boyer (Artistic Director of the Tribeca Film Festival, New York)
– Eva Paulitsch and Uta Weyrich (Artists)
– Prof. Bernd Kracke (Professor for Electronic Media, President of the Hochschule für Gestaltung – HfG / University of Art and Design Offenbach, Head of the B3 Biennale)

b3b-WP

Award / (The Prizes of the B3)

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Award ceremony: on stage with Laurie Anderson, 3 November 2013, Frankfurter Kunstverein.
Photo: Ajda Tomazin

b3-4

Igor Štromajer receiving the award from the jury members.
Photo: Rudi Weissbeck
+ award ceremony photo album: on.fb.me/1b4W6tz

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The Last Territory – On Solitude

The Last Territory – On Solitude
by Igor Štromajer, 2011

VIDEO: www.intima.org/os

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BI Vimeo TV Channel

New Ballettikka Internettikka Vimeo – TV Channel
vimeo.com/channels/tvbi

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Intima | Vimeo

Intima | Vimeo
growing collection of videos

Intima Virtual Base – Vimeo videos:
vimeo.com/intima

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Radiator 2009

Radiator Festival 2009
Exploits in the Wireless City
Nottingham, United Kingdom

r8r-1

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-5 minutes

2008 exhibition / video screening

12 selected short video works (less than 5 minutes long) presented in KAPSULA Gallery, Ljubljana, Slovenia; 23-27 June 2008 (opening: 23 June 2008 at 9 PM).

Exhibiting: Ballettikka Internettikka Olymppikka; video by Igor Štromajer & Brane Zorman (produced by Intima Virtual Base, 2008)

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VFC – Interview

The Netherlands is respectful.
Russia is corrupt.

Interview with Igor Stromajer
by Annet Dekker
– for Visual Foreign Correspondents
(originally / first published at www.visualcorrespondents.com)
Amsterdam, The Netherlands, February 2008

# project: The Netherlands is respectful. Russia is corrupt. (video)

Igor Stromajer describes himself on his website as an ‘intimate mobile communicator’. He continues: “- researches tactical emotional states and traumatic low-tech strategies. He has shown his work at more than a hundred exhibitions in forty-two countries and received a number of awards. As artist in residence he lectures at universities and contemporary art institutes. His works are included in the permanent collections of various international museums”. However impressive the list is that follows more interesting is his statement: “I believe in intimacy, individualism, emotions, frustrations, traumas, artificial, communication, impossibility, mobility, montage, radicality, sensibility, silence, strategy, tactics, tears, orgasm, concept, pleasure, fantasies, philosophy, transfer, utopia and angels. I do not believe in media, tourism and the end. [Art is a dirty job, but somebody’s got to do it]”

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Visual Foreign Correspondents

Visual Foreign Correspondents in cooperation with De Balie Centre for Culture and Politics and De Volkskrant (Oog), Amsterdam, The Netherlands, February 2008

— Exhibiting: The Netherlands is respectful. Russia is corrupt. by Igor Stromajer

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The NL is respectful. RUS is corrupt.

The Netherlands is respectful. Russia is corrupt.

Visual Foreign Correspondents

Urban Video
by Igor Stromajer

Amsterdam, The Netherlands, February 2008

Co-produced by Intima Virtual Base (Slovenia), De Balie Centre for Culture and Politics, De Volkskrant (Oog) and The Netherlands Institute for Media Art

In his work The Netherlands is respectful. Russia is corrupt. Štromajer is in search of current verdicts about the different countries from Eastern and Western Europe. They take the form of stereotypical sentences and surprising quotes and run parallel across the screen. The hierarchical devide between East and West changes once you try to read the sentences. The speed of the sentences makes the words tumble and meanings become interchangeable.

Visual Foreign Corespondents is a monthly series of audiovisual artworks for the public screen and online related to The Globalised Crystal Ball, an international debating program in De Balie. Distinguished artists from around the world are invited each month to give their personal visual commentary on events and situations from their local perspective.

Curated by Nanette Hoogslag, David Garcia, Petra Heck, Nat Muller, Eric Kluitenberg.

– Annet Dekker: Interview with Igor Stromajer (for VFC)

– video:

+ YouTube version

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┗(◯⚙️◯)┛ Museum Shop: High Tops
┗(◯⚙️◯)┛#puzzle v @ugm_maribor ● Tako, dva paketa sta prodana, eden je še na voljo. Ne bodo menda tega zadnjega zdaj nazaj pošiljali, ne? Praznijo police, alles muss raus. ● Paket puzzlov je podpisan, zapakiran v škatlo in ima certifikat avtentičnosti. Papirnato škatlo reciklirate za star papir, puzzle – imajo 266 delov – pa sestavite in okvirite. Sestavljeni so veliki 30 x 45 cm. Sestavite jih lahko po priloženem vzorcu (pravilno) ali poljubno (nepravilno), oboje je (ne)pravilno. Na voljo je še zadnja škatla z naslovom: &#×2517;#×28;⚙️◯)┛ za 85€. ● Več na intima.org ● Art for Sale / sodobna umetnost na prodaj v vaši omiljeni galeriji v mestu. #tojetozatotidnar #artforsale #artisaninvestment#papermatters #buyart
┗(◯⚙️◯)┛ Museum Shop: #Socks
┗(◯⚙️◯)┛ 🏖️ beach craft beer
"My core goal as an #artist is to deconstruct the idea of working, of effort, because we are raised to believe that great works of #art require #suffering. I want to show that, no, the opposite is true. The best art is made while eating cookies or drinking chocolate. What I did was, I put no thought and no time into it. I waited until opening night, and, uh, I went to the store right to the left around the corner. I bought a bunch of — come si dice la cosa merde? — crap!" ◾ #Dimo Van #Omen
┗(◯⚙️◯)┛ Museum Shop: Tie
Summer 2019 ⛱️ ┗(◯⚙️◯)┛ Museum Shop: Flip Flops
#Frankfurt am #Main #ffm

intima.org  ●  intima.info

      
      

Igor Štromajer aka intima is a pseudo-/para-/proto-artist. He has shown his work at more than two hundred fifty exhibitions, festivals and biennials worldwide, among others at the transmediale, ISEA, EMAF, SIGGRAPH, Ars Electronica Futurelab, V2_, IMPAKT, CYNETART, Manifesta, FILE, Stuttgarter Filmwinter, Hamburg Kunsthalle, ARCO, Banff Centre, Les Rencontres Internationales, The Wrong – New Digital Art Biennale, etc.



His works are included in the permanent collections of the Centre Pompidou in Paris, the MNCA Reina Sofía in Madrid, Computer Fine Arts in New York, and UGM:


























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