Make Love, Not Art!
by Igor Štromajer
Author: intima.org
M=5¦é×–0§ń $iá†
Igor Štromajer
M=5¦é×–0§ń $iá†
Published in: Theory and Practice in the Conservation of Digital Art (2013)
– reference: Expunction – Deleting http://www.intima.org Net Art Works
2011–1996
↓
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Theory and Practice in the Conservation of Digital Art
Theory and Practice in the Conservation of Digital Art.
The Project digital art conservation
ZKM | Museum of Contemporary Art,
Espace Multimédia Gantner, Bourogne
CEAAC, Straßburg
House of Electronic Arts Basel
ISBN: 978-3-7091-1469-8
2013
Editor: Bernhard Serexhe
Publisher: Ambra |V, Vienna
665 pages, 174 images in color, 30 images b/w
Available at ZKM in English, German and French.
Includes contribution by Igor Štromajer, based on Expunction
– read the complete text by Igor Štromajer: M=5¦é×–0§ń $iá†:
Continue reading “Theory and Practice in the Conservation of Digital Art”
0XX
0XX by Igor Štromajer, 2013
I Am Not Good Enough
I Am Not Good Enough
by Igor Štromajer, 2013
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“If I had more time, I would be a better artist.”
“If I were rich, I would be a better artist.”
“If I were a woman, I would be a better artist.”
“If I worked harder, I’d be a better artist.”
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Die Liebe
Title: Die Liebe [Love]
Author: Igor Štromajer
Year: 2013
Type: non-interactive image without sound
URL: www.intima.org/dieliebe
+
24 hrs live streaming – still image (static JPEG) without sound
START: Wednesday, 24 April 2013 at 7 PM Paris/Berlin time
END: Thursday, 25 April 2013 at 7 PM Paris/Berlin time
EMAF 2013
Igor Štromajer at EMAF 2013 (European Media Art Festival) in Osnabrück:
Saturday, 27 April 2013
talk/presentation
Omissive Art
a=tF²
by Igor Štromajer
1. Statement:
Omissive Art (Unterlassungskunst) is an active creative process of being passive. The most radical artistic action an artist can do today, is the one he/she does not do. Therefore, my basic mission is not to do art. That is, to do art, by not doing it. The only artistic value of my art is the absence of art. Therefore I call: Make love, not art!
2. Equation:
a=tF²
To find the art, you multiply the time by the square of the force.
3. Related Quotations:
“I don’t want it to be essentially the same – I want it to be exactly the same. Because the more you look at the same exact thing, the more the meaning goes away, and the better and emptier you feel.” Andy Warhol
“I have nothing to say and I’m saying it. The highest purpose is to have no purpose at all.” John Cage
“I have no special message. I wish I did. It would be great if I had one.” Andy Warhol
4. False Examples:
Expunction – deleting net art works: www.intima.org/expunction
Ego Massage: www.intima.org/ego-massage
0§n 3Šé×F= Miá: www.intima.org/miat


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WJ-S Performances @ Galerie des Ecluses, Paris
WJ-S PERFOMANCES
Galerie des Ecluses, Paris
13 Rue des Ecluses-Saint-Martin, Paris 75010, France
Tuesday, 19 March 2013, 19:00-21:00

For one week, artists from around the world have been testing the new REMOTE WJ-S MIXER. They have been taking over our computers in Paris. Join us for a DEMO to discover this new project, projected on the three windows of the Gallery des Ecluses in Paris.
The REMOTE WJ-S MIXER is a virtual platform, developed by James Hudson, running as a cloud service, allowing an international online community of artists to control screens at a distance, and create web performances which are projected into the public space.
WJ-S Author: Anne Roquigny
With:
Maia Grotepass – Cape Town, ZA
Michaël Borras a.k.a Systaime – Limoges, FR
Chloé Desmoineaux – Bourges, FR
Ivan Vollet – Strasbourg, FR
Maja Kalogera – Zagreb, CRO
Ana-Maria Huluban – Cluj, CRO
Caroline Delieutraz – Paris, FR
Sakrowski – Berlin, DE
Faith Holland – New York, USA
Paula Vélez – London, UK
Harbada Lucian – Cluj, RO
Isabelle Arvers – Marseille, FR
Igor Štromajer – Frankfurt, DE
Pierre Piccon – Strasbourg, FR
Unsitely Aesthetics
Surface Tension Supplement No. 6
Unsitely Aesthetics: Uncertain Practices in Contemporary Art
Edited and with text by Maria Miranda.
Unsitely Aesthetics seeks to address the unconventional ways in which contemporary art is made and engaged with across the vastly expanded networks of new media culture, arguing–counterintuitively–that network culture not only embodies its own version of “situatedness” but can also lead to the creation of a more democratic art, with the Internet acting as a far broader public space than the traditional site-specificity of old, a space in which artists can encounter and perhaps even engender new publics for their work. The book aims to theorize current dynamics in media and sound art practice, and includes interviews and conversations with Barbara Campbell, Linda Carroli, Hugh Davies, Bec Dean, Renate Ferro, John Craig Freeman, Jo-Anne Green, Teri Hoskin, Lucas Ihlein, Yao Jui-Chung, kanarinka (a.k.a. Catherine D’Ignazio), Scott Kildall, Deborah Kelly, Natalie Loveless, Michael Takeo Magruder, Timothy Conway Murray, Norie Neumark, Victoria Scott, Brooke Singer, Igor Štromajer, Helen Thorington and Darren Tofts.
Ballettikka Internettikka @ unsitelyaesthetics.com
Publisher: Errant Bodies Press, Berlin
Spring 2013
Pages: 292
ISBN-13: 9780982743980
Igor Štromajer interviewed by Dr Norie Neumark.












