intima • Igor Štromajer

Omissive Art

OMISSIVE ART by Igor Štromajer

www.intima.org/blackboxmemo

Reality is not given. It has to be constructed.

Project Room: The Black Box Museum Project / Memoria
Artists: Katarina Zdjelar, Zoran Todorović, Bojan Fajfrić, Igor Štromajer | Curated by Milan Tutunović
Venue: Centre Régional d’Art Contemporain à Sète – Occitanie / Pyrénées-Méditerranée / CRAC – Centre Régional d’Art Contemporain Languedoc-Roussillon
In collaboration with: Kawenga Espace Culture Multimédia, Montpellier, France
5 November 2010 – 30 January 2011

+ FB Photos

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Project Room: The Black Box Museum Project / Memoria

Project Room: The Black Box Museum Project / Memoria
Curated by Milan Tutunović
Centre Régional d’Art Contemporain à Sète – Occitanie / Pyrénées-Méditerranée / CRAC – Centre Régional d’Art Contemporain Languedoc-Roussillon, France
5 November 2010 – 30 January 2011

Expositions 5 novembre – 30 janvier 2011
vernissage : vendredi 5 novembre à 18h30

PROJECT-ROOM
The Black Box Museum Project / Memoria

KATARINA ZDJELAR
ZORAN TODOROVIĆ
BOJAN FAJFRIĆ
IGOR ŠTROMAJER – OMISSIVE ART – www.intima.org/blackboxmemo

+ Flickr Photo Documentation (preparations + opening of the exhibition)

+ FB Photo Set

Commissariat : Milan TUTUNOVIĆ

VIDEO: www.dailymotion.com/video/xhabbf_project-room-the-black-box-museum-project-memoria_creation

Continue reading “Project Room: The Black Box Museum Project / Memoria”

Stealth Stories

Stealth Stories

www.historiaclandestina.com

A collaborative technological performance initiated by Eunice Gonçalves Duarte. First performed in Lisbon, Portugal, 28 October 2010.

“How, after all, do you write a history of a ‘consciousness’? How do you write a history for something that escapes easy definition, has no discernable boundaries, and operates on the principle of reflection (how, for example, do you separate a photograph from what it’s of or from the unfolding context of its reception)? How do you invent a voice (or voices) for this history that can speak to photography’s emotional effects as well as its physical and formal characteristics and economic and political ramifications?”
Geoffrey Batchen

Stealth Stories photograph by Igor Štromajer