Intima | Igor Štromajer

intima.info

Stealth Stories

Stealth Stories

www.historiaclandestina.com

A collaborative technological performance initiated by Eunice Gonçalves Duarte. First performed in Lisbon, Portugal, 28 October 2010.

“How, after all, do you write a history of a ‘consciousness’? How do you write a history for something that escapes easy definition, has no discernable boundaries, and operates on the principle of reflection (how, for example, do you separate a photograph from what it’s of or from the unfolding context of its reception)? How do you invent a voice (or voices) for this history that can speak to photography’s emotional effects as well as its physical and formal characteristics and economic and political ramifications?”
Geoffrey Batchen


Stealth Stories photograph by Igor Štromajer

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A História é Clandestina

A História é Clandestina
(Stealth Stories)

www.historiaclandestina.com

A collaborative technological performance initiated by Eunice Gonçalves Duarte. Will be first performed in Lisbon, Portugal, 28 October 2010.

“How, after all, do you write a history of a ‘consciousness’? How do you write a history for something that escapes easy definition, has no discernable boundaries, and operates on the principle of reflection (how, for example, do you separate a photograph from what it’s of or from the unfolding context of its reception)? How do you invent a voice (or voices) for this history that can speak to photography’s emotional effects as well as its physical and formal characteristics and economic and political ramifications?”
Geoffrey Batchen



Image designed by VEL Z

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The Performativity of Technology

Ballettikka Internettikka: The Performativity of Technology
by Eunice Gonçalves Duarte

Paper presented at the 6th SOPCOM Congress – Portuguese Association of Communication Sciences, 14–18 April 2009, Lisbon, Portugal.
VI Congresso da SOPCOM (Associação Portuguesa de Ciências da Comunicação), Universidade Lusófona, Lisboa, 14 a 18 de Abril de 2009.

bi-m3-egd
Ballettikka Internettikka

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🖥️🖨️⌨️🖱️
┗(◯⚙️◯)┛ a=tF²
┗(◯⚙️◯)┛ "I don't want it to be essentially the same – I want it to be exactly the same. Because the more you look at the same exact thing, the more the meaning goes away, and the better and emptier you feel."
zero/0 tolerance ● intima.org/zt
Residence | @arselectronica Center / Future Lab, Linz: http://residence.aec.at. It's a bit hard to access this old, hidden — and certainly completely forgotten — URL in a desktop browser (privacy error, but you can overpass it), I had more luck on the phone (screenshots). It's certainly an amazing find: it contains some of the rare online works before the year 2000 which I was unable to find at the current AE Future Lab website https://ars.electronica.art/futurelab/en. It's a pity that they don't take proper care of the past and older works they have on their servers. It also says a lot about how much new and recent works are actually worth and what fate awaits them in a few years.
Still in the basement, reorganizing my archive. Today's find: @artpress.revue, November 1999, Annick Bureaud, Utopies distribuées; and my 'e/motion HELP – is there anybody out there?'
The days are hot, so I'm cooling down in the basement while reorganizing my archive: @beauxarts_magazin, November 2003 – Sprinkling Menstrual Navigator becoming part of the @centrepompidou permanent collection
Tidying and reorganizing my archive, because it's too messy and I can't find things. The 1999 COMTECart (@cynetart today) Festival catalog had a cover with a graphic from my work b.ALT.ica. The poster as well, but I can't find it.

intima.org  ●  intima.info

      
      

Igor Štromajer aka intima is a pseudo-/para-/proto-artist. He has shown his work at more than two hundred fifty exhibitions, festivals and biennials worldwide, among others at the transmediale, ISEA, EMAF, SIGGRAPH, Ars Electronica Futurelab, V2_, IMPAKT, CYNETART, Manifesta, FILE, Stuttgarter Filmwinter, Hamburg Kunsthalle, ARCO, Banff Centre, Les Rencontres Internationales, The Wrong – New Digital Art Biennale, etc.



His works are included in the permanent collections of the Centre Pompidou in Paris, the MNCA Reina Sofía in Madrid, Computer Fine Arts in New York, and UGM:


























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