Intima | Igor Štromajer

intima.info

Revista Select, N. 26, Oct/Nov 2015

Ballettikka Internettikka in the new issue of Revista Select (N. 26, Oct/Nov 2015), Sao Paulo, Brazil.

rs-bi-wp

— Guilherme Kujawski: Ação e procedimento, page 36

O íntimo, o global e o performático —
Dedicada à performance, a seLecT 26 apresenta artistas que utilizam essa linguagem para moldar identidades e afirmar atitudes políticas; confira o editorial da edição.

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Ballettikka Internettikka Antarcttikka

Ballettikka Internettikka Antarcttikka
by Igor Štromajer & Brane Zorman
14 – 20 November 2011
www.intima.org/bi
bi-antarcttikka.tumblr.com

+ Action [Flick Photo Set]
+ Preparations [Flick Photo Set]

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Ballettikka Internettikka – 10 years

Today is the 28th of March, 2011, exactly 10 years after the very first Ballettikka Internettikka live Internet performance by Igor Štromajer & Brane Zorman.

Photo: BI Part One, Kapelica Gallery, Ljubljana, 28 March 2001.

www.intima.org/bi

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Ballettikka Internettikka in Skopje

“Love Without Mercy”
Public presentation / Artist talk

Saturday, 11 December 2010 at 8 pm
Venue: Cultural Center CK, Skopje

Presenting the project Ballettikka Internettikka (2001-2011) by Igor Štromajer & Brane Zorman.

In collaboration with Kontrapunkt, Skopje; deschooling.classroom(o^o) and TkH – Centre for Performing Arts Theory and Practice, Belgrade.

We shall fight them on the beaches. We shall fight them on the landing grounds. We shall fight in the fields and in the streets, we shall fight in the hills. We shall never surrender.”
(W. Churchill)

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BI in Maribor – 16th IFCA/MFRU

16th International Festival of Computer Arts (IFCA/MFRU)
Maribor, Slovenia
18 – 28 November 2010

Ballettikka Internettikka – Internet Ballet
www.intima.org/bi

Presentation / Artist Talk ; Location: Cinema Udarnik, 24 November 2010 at 6 PM
EPK 12 – Mobile Showcase (Region: Novo Mesto / APT)
Artists: Igor Štromajer + Brane Zorman

English: www.mfru.org/index.php?id=294&L=1
Slovensko: www.mfru.org/index.php?id=294

“We shall fight them on the beaches. We shall fight them on the landing grounds. We shall fight in the fields and in the streets, we shall fight in the hills. We shall never surrender.”
(W. Churchill)

Ballettikka Internettikka is a series of tactical art projects which began in 2001 with the exploration of Internet ballet. It explores wireless Internet ballet performances combined with guerrilla tactics and mobile live Internet broadcasting strategies.

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Pixel Tattoos

Pixel Tattoos & Ballettikka Internettikka
29 May 2009, Kunsthaus Graz, Austria / Aksioma, Slovenia

Project N.1 – intervention

The Condition of the Working Class in England?
(Die Lage der arbeitenden Klasse in England?)

A project by Igor Štromajer

The Condition of the Working Class in England

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Become An Artist Yourself

on.dis.play: Become An Artist Yourself

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Photo: BI Exodos 2009

Exodos: Ballettikka Internettikka
Internet Ballet by Igor Štromajer and Brane Zorman
www.intima.org/bi

Presentation: Exodos Festival, 7 May 2009, Dance Theatre Ljubljana
Photo: Nada Žgank (copyrighted material)

+ FB Photo Album

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BI Škuc/Exodos SLO Press

… izbor

Pia Brezavšček
Ballettikka Internettikka 2001-2009: We shall never surrender
Radio Študent, 28. april 2009

Ida Hiršenfelder
Pasti spletnih vozlišč in umetniške taktike
Dnevnik, 12. maj 2009

Zala Dobovšek
Festival EXODOS 2: Tehnološke okupacije
Radio Študent, 8. maj 2009

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➠ e-#knjiga je objavljena, @javna_agencija_za_knjigo jo lahko vključi v program Slovenije, gostje FFM @buchmesse 2022. Je že v mestu, tudi prevoda v nemščino ne potrebuje :) ● 3¦×Fń–Qé3= Miá✚, Kindle izdaja računalniško generirane #poezije: intima.org/101 ● sto in ena pesem, 107 strani ● izbor pesmi je objavljen tudi na spletni strani @ludliteratura .si/avtor/igor-stromajer
2018 & 2019 selfies: "If I were an artist, this is how I'd look like" ➠ intima.org/o-o
[Art on the mobile phone display] 📲 Neues für #Wap: #Kunst im Handydisplay ● Christiane Wettig, Net Business Magazin, München, 26. Juni 2000 soNet – WAP sei Dank, jetzt gibt es sogar Kunst für #Handys. wap.sonnet – microbe.4/wap.art ist die wahrscheinlich erste WAP-Kunst der Welt. Igor Štromajer heisst der Schöpfer des telematischen Werkes, das mit einfachsten Mitteln über das Leben in den Zeiten des WAP berichtet. Da wird geflüstert, geschwiegen und gestorben, werden Zahlen zu Menschen oder verwandeln sich Klammern und Sternchen in Gefühle. Ein Rätsel mit und über die neue Technologie und eine kleine, freche Eulenspiegelei. Denn bislang haben vor allem Geschäftsleute und Technikfreaks teuere WAP-Handys, und die benutzen ihre Telefone in erster Linie ganz pragmatisch. “Plötzlich prallen sie auf das WAP-#Sonnet, haben keine Ahnung, wofür es ist und was sie mit der sinnlosen Information machen sollen”, schmunzelt der 32-jährigen Slowene. “Ich bringe also Geschäftsleute durcheinander und erzähle ihnen vom Bruch in der #Kommunikation.” Dass er für seine Arbeit nur die eingeschränkten Möglichkeiten einer Handytastatur zur Verfügung hat, findet der preisgekrönte Netzkünstler “wunderbar”. Dennoch will er keine weitere “WAP-Art” machen. “WAP ist tot, die dritte Handygeneration wird komplett interaktiv und multimedial sein.” ➠ wp.me/p1vWRY-b9
⟳ ⛜ ⁑⁑ ⚛ ⌇ ⎚ ⏛
If you're an online curator, act like one! Seriously, I mean, khm, this is a bit embarrassing, but anyway: if you and your gallery are forced to put your next show online due to the virus, sure, cool, do it, it's practical to have everything at hand while quarantined, but please, please don't be sluggish and don't just throw everything into a facebook album and claim it's an exhibition. There are hundreds of practical examples of – and theoretical reflections on – various forms of online shows, www projects, networked art events, etc., lots and lots of diverse references dating back to the 1970s, not to mention the 1990s and later. Simply throwing all the photos into one facebook album is not an online exhibition, only the 'nouveau en ligne' think it is. Don't be ignorant, do your research, learn, be innovative (at least make a website), do your work. Beside that, art looks much better on instagram. If you're an online curator, act like one!
19 years ago, I danced with a copy of @FAZ Frankfurter Allgemeine for the first time (Internet, 28 March 2001). A year later, I ate the very same copy I danced with (Bolshoi, 28 March 2002) ➠ Ballettikka Internettikka: intima.org/bi ➠ pics: #livestreaming, 320×240 pix

intima.org  ●  intima.info

    
      

Igor Štromajer aka intima is a pseudo-/para-/proto-artist. He has shown his work at more than two hundred fifty exhibitions, festivals and biennials worldwide, among others at the transmediale, ISEA, EMAF, SIGGRAPH, Ars Electronica Futurelab, V2_, IMPAKT, CYNETART, Manifesta, FILE, Stuttgarter Filmwinter, Hamburg Kunsthalle, ARCO, Banff Centre, Les Rencontres Internationales, The Wrong – New Digital Art Biennale, etc.



His works are included in the permanent collections of the Centre Pompidou in Paris, the MNCA Reina Sofía in Madrid, Computer Fine Arts in New York, and UGM:


























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