Intima | Igor Štromajer

intima.info

This Book Is Made for Readin’

This Book Is Made for Readin’!
No time to read it by yourself? Don’t worry, the computer can read it for you:

24 Hours Live TTS eReading – 24 Hours Live Internet AudioTXT Broadcast:
www.intima.org/0sn-3iexfemiat
START: 5 November 2012 at 00:01 GMT/UTC
END: 6 November 2012 at 00:01 GMT/UTC

[+] computer reads 0§ñ–3¦é×F= Miá†, [+] new ebook by Igor Štromajer: live, using TTS (Text-to-Speech) software

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Working on my ┗(◯⚙️◯)┛ #xmas 2019 Collection ● a=tF² ● #uglychristmassweater #themostwonderfultimeoftheyear #dotheyknowitschristmastimeatall #letthemknowitschristmastime
┗(◯⚙️◯)┛ a=tF²
No #algorithms were harmed in the making of this #embroidery
┗(◯⚙️◯)┛ ● "Not everything everywhere is for us." — Stanisław Lem
┗(◯⚙️◯)┛ ● all the exhibitions I never had
GFEST 2002 – 🔉 five more excerpts from my part of the collaborative #performance: The Štromy's Room, September 2002 🔌 Štromy's Room #performers: Pika Klančnik, @cloeana, @lanavangot, @eusouosaavedra, Neda Hafner 🖥️ GFEST – a project by Vlado G. Repnik + Robert Klančnik + @iintima 🔋 produced by GVR babaLAN, #Velenje 2002 ⚙️ #computer #animation #projection #graphics #live #video #audio #mixing #sampling #theater #theatre #gallery #installation
GFEST 2002 – 🔉 five excerpts from my part of the collaborative #performance: The Štromy's Room, September 2002 🔌 Štromy's Room #performers: Pika Klančnik, @cloeana, @lanavangot, @eusouosaavedra, Neda Hafner 🖥️ GFEST – a project by Vlado G. Repnik + Robert Klančnik + @iintima 🔋 produced by GVR babaLAN, #Velenje 2002 ⚙️ #computer #animation #projection #graphics #live #video #audio #mixing #sampling #theater #theatre #gallery #installation
┗(◯⚙️◯)┛ FB face tracking effect oo¹ ● try it (mobile FB app): link in my FB profile ● Effect Name: oo¹ ● Effect ID: 713503482501522 ● will be available on Instagram soon!

intima.org  ●  intima.info

      
      

Igor Štromajer aka intima is a pseudo-/para-/proto-artist. He has shown his work at more than two hundred fifty exhibitions, festivals and biennials worldwide, among others at the transmediale, ISEA, EMAF, SIGGRAPH, Ars Electronica Futurelab, V2_, IMPAKT, CYNETART, Manifesta, FILE, Stuttgarter Filmwinter, Hamburg Kunsthalle, ARCO, Banff Centre, Les Rencontres Internationales, The Wrong – New Digital Art Biennale, etc.



His works are included in the permanent collections of the Centre Pompidou in Paris, the MNCA Reina Sofía in Madrid, Computer Fine Arts in New York, and UGM:


























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