Intima | Igor Štromajer

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WJ-S Performances at Transnomades

WJ-S Performances @ Transnomades – “Art(s) & Network(s)”

Webjays Surfing!

Maison des Cultures, Brussels, 6 October 2013

Live at 18.10, a WJ-S performance brings together artists connected to this device for a live connected creation: Lucille Calmel (Brussels, Belgium), Valentine Siboni (Brussels, Belgium), James Hudson (Brussels, Belgium), Systaime (Paris, France), Eric Pajot (Paris, France), Pierre Piccon (Strasbourg, France), Ana-Maria Huluban (Cluj, Romania), Lucian Harbădă (Cluj, Romania), Yi Donghoon – Otto (Seoul, South Korea), Igor Štromajer (Frankfurt am Main, Germany), Miyö Van Stenis (Guatire, Venezuela).

WJ-S by Anne Roquigny

wjsb1

wjsb2

 

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Make Love, Not Art [www]

Make Love, Not Art!
by Igor Štromajer

www.intima.org/makelovenotart

Make Love Not Art - www

www.intima.org/makelovenotart

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Make Love³, Not Art²

Make Love, Not Art!
by Igor Štromajer

www.intima.org/makelovenotart

Make Love Not Art

Make Love Not Art

Make Love, Not Art

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M=5¦é×–0§ń $iá†

Igor Štromajer
M=5¦é×–0§ń $iá†

Published in: Theory and Practice in the Conservation of Digital Art (2013)

dac_katalog

– reference: ExpunctionDeleting http://www.intima.org Net Art Works
2011–1996
#

I. ĆÓI#

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Theory and Practice in the Conservation of Digital Art

Theory and Practice in the Conservation of Digital Art.
The Project digital art conservation

dac_katalog

ZKM | Museum of Contemporary Art,
Espace Multimédia Gantner, Bourogne
CEAAC, Straßburg
House of Electronic Arts Basel

ISBN: 978-3-7091-1469-8
2013

Editor: Bernhard Serexhe
Publisher: Ambra |V, Vienna
665 pages, 174 images in color, 30 images b/w

Available via www.shop.zkm.de in English, German and French.

Includes contribution by Igor Štromajer, based on Expunction / symposium: zkm.de/digitalartconservation/[…]/symposium/igor-stromajer.html

– read the complete text by Igor Štromajer: M=5¦é×–0§ń $iá†:

zkm-exp

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I Am Not Good Enough

I Am Not Good Enough
by Igor Štromajer, 2013


I Am Not Good Enough

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“If I had more time, I would be a better artist.”

“If I were rich, I would be a better artist.”

“If I were a woman, I would be a better artist.”

“If I worked harder, I’d be a better artist.”

#
+ new statements added regularly

 

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Die Liebe

Title: Die Liebe [Love]
Author: Igor Štromajer
Year: 2013
Type: non-interactive image without sound
URL: www.intima.org/dieliebe

Die Liebe

+

24 hrs live streaming – still image (static JPEG) without sound
START: Wednesday, 24 April 2013 at 7 PM Paris/Berlin time
END: Thursday, 25 April 2013 at 7 PM Paris/Berlin time

Die Liebe LIVE

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EMAF 2013

Igor Štromajer at EMAF 2013 (European Media Art Festival) in Osnabrück:
Saturday, 27 April 2013

talk/presentation

Omissive Art
a=tF²
by Igor Štromajer

1. Statement:

Omissive Art (Unterlassungskunst) is an active creative process of being passive. The most radical artistic action an artist can do today, is the one he/she does not do. Therefore, my basic mission is not to do art. That is, to do art, by not doing it. The only artistic value of my art is the absence of art. Therefore I call: Make love, not art!

2. Equation:

a=tF²

To find the art, you multiply the time by the square of the force.

3. Related Quotations:

“I don’t want it to be essentially the same – I want it to be exactly the same. Because the more you look at the same exact thing, the more the meaning goes away, and the better and emptier you feel.” Andy Warhol

“I have nothing to say and I’m saying it. The highest purpose is to have no purpose at all.” John Cage

“I have no special message. I wish I did. It would be great if I had one.” Andy Warhol

4. False Examples:

Expunction – deleting net art works: www.intima.org/expunction

Ego Massage: www.intima.org/ego-massage

0§n 3Šé×F= Miá: www.intima.org/miat

EMAF 2013

EMAF 2013 App

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WJ-S Performances @ Galerie des Ecluses, Paris

WJ-S PERFOMANCES
Galerie des Ecluses, Paris
13 Rue des Ecluses-Saint-Martin, Paris 75010, France
Tuesday, 19 March 2013, 19:00-21:00

WJ-S Paris

For one week, artists from around the world have been testing the new REMOTE WJ-S MIXER. They have been taking over our computers in Paris. Join us for a DEMO to discover this new project, projected on the three windows of the Gallery des Ecluses in Paris.
The REMOTE WJ-S MIXER is a virtual platform, developed by James Hudson, running as a cloud service, allowing an international online community of artists to control screens at a distance, and create web performances which are projected into the public space.

WJ-S Author: Anne Roquigny

With:

Maia Grotepass – Cape Town, ZA
Michaël Borras a.k.a Systaime – Limoges, FR
Chloé Desmoineaux – Bourges, FR
Ivan Vollet – Strasbourg, FR
Maja Kalogera – Zagreb, CRO
Ana-Maria Huluban – Cluj, CRO
Caroline Delieutraz – Paris, FR
Sakrowski – Berlin, DE
Faith Holland – New York, USA
Paula Vélez – London, UK
Harbada Lucian – Cluj, RO
Isabelle Arvers – Marseille, FR
Igor Štromajer – Frankfurt, DE
Pierre Piccon – Strasbourg, FR

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Unsitely Aesthetics

Surface Tension Supplement No. 6
Unsitely Aesthetics: Uncertain Practices in Contemporary Art

Edited and with text by Maria Miranda.

Unsitely Aesthetics seeks to address the unconventional ways in which contemporary art is made and engaged with across the vastly expanded networks of new media culture, arguing–counterintuitively–that network culture not only embodies its own version of “situatedness” but can also lead to the creation of a more democratic art, with the Internet acting as a far broader public space than the traditional site-specificity of old, a space in which artists can encounter and perhaps even engender new publics for their work. The book aims to theorize current dynamics in media and sound art practice, and includes interviews and conversations with Barbara Campbell, Linda Carroli, Hugh Davies, Bec Dean, Renate Ferro, John Craig Freeman, Jo-Anne Green, Teri Hoskin, Lucas Ihlein, Yao Jui-Chung, kanarinka (a.k.a. Catherine D’Ignazio), Scott Kildall, Deborah Kelly, Natalie Loveless, Michael Takeo Magruder, Timothy Conway Murray, Norie Neumark, Victoria Scott, Brooke Singer, Igor Štromajer, Helen Thorington and Darren Tofts.

www.unsitelyaesthetics.com

Ballettikka Internettikka @ unsitelyaesthetics.com

Publisher: Errant Bodies Press, Berlin
Spring 2013
Pages: 292
ISBN-13: 9780982743980

Igor Štromajer interviewed by Dr Norie Neumark.

– barnesandnoble.com
– artbook.com
– amazon.com

Unsitely Aesthetics

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Ego Massage (Ceci n’est pas de l’art)

Ego Massage
(Ceci n’est pas de l’art)

Ego Massage

Images, automatically (and fast: max 30 sec per image) created by Igor Štromajer.

Ego Massage

“I don’t want it to be essentially the same – I want it to be exactly the same. Because the more you look at the same exact thing, the more the meaning goes away, and the better and emptier you feel.” Andy Warhol

“I have nothing to say and I’m saying it. The highest purpose is to have no purpose at all.” John Cage

“I have no special message. I wish I did. It would be great if I had one.” Andy Warhol

“Make love, not art.” Igor Štromajer

Ego Massage

www.intima.org/ego-massage

2012–2013

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0§ń–M=5¦é× $iᆠ– Blank_Protest – Maska

Igor Štromajer
0§ń–M=5¦é× $iá†

On the project: Blank_Protest.
Maska Journal, Gestures of Resistance, Vol. XXVII, No. 151–151, Winter 2012, p. 98–105, editor: Martina Ruhsam.
Details + PDF: http://bit.ly/WYuZrk
Reference: www.intima.org/miat

0§ń–M=5¦é× $iá†

0§ń–M=5¦é× $iá†

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infoMAMA – Almost Spring

Almost Spring / 100 Years of Slovene Art
Group Exhibition | Major overview of Slovene art of the XX and XXI centuries
Maribor Art Gallery UGM l Umetnostna galerija Maribor
30 November 2012 – 24 February 2013

Curators: Breda Kolar Sluga and Simona Vidmar

Igor Štromajer participating with infoMAMA, inter-media installation, 2004

im1

im2

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0§ń–3¦é×F= MiᆠInternational

0§ń–3¦é×F=Miá†
TTS – Text to Speech {8 Machine-Reading Files}

DEUTSCH, ENGLISH, ESPAÑOL, FRANÇAIS, PORTUGUÊS, РУССКИЙ,
汉语, 日本語

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BELA TEHNIKA : ČRNA MAGIJA

BELA TEHNIKA : ČRNA MAGIJA | WHITE GOODS : BLACK MAGIC

Dom kulture Velenje, 24. November 2012, 8 pm

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This Book Is Made for Readin’

This Book Is Made for Readin’!
No time to read it by yourself? Don’t worry, the computer can read it for you:

24 Hours Live TTS eReading – 24 Hours Live Internet AudioTXT Broadcast:
www.intima.org/0sn-3iexfemiat
START: 5 November 2012 at 00:01 GMT/UTC
END: 6 November 2012 at 00:01 GMT/UTC

[+] computer reads 0§ñ–3¦é×F= Miá†, [+] new ebook by Igor Štromajer: live, using TTS (Text-to-Speech) software

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BEYOND (spectacle) – Episode I

Beyond (spectacle) Episode I

Author: Annie Abrahams
Performers: Annie Abrahams & Igor Štromajer
Curator: Madeleine Filippi
Streaming: Ivan Chabanaud Mosaika.tv
Technical assistance: Jan de Weille
Readers: Marie Lavoquet, Thomas Roussel
Screencapture: Francesco Buonaiuto

Show Off Art Fair, 19 October 2012, Paris

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0§ń–3¦é×F= Miᆠat Kobo

0§ń–3¦é×F= Miᆠ– a book by Igor Štromajer is now available at the Kobo online bookstore (and other partner retailer stores):

0§ń–3¦é×F= Miᆠ– öix°ß%ľX.ě kĂ’Í7Ő×

By: Igor Štromajer
Intima, September 2012
ISBN: 1230000018818

Categories:

Religion & Spirituality > Philosophy > Aesthetics
Social & Cultural Studies > Social Science > Pornography
Art & Architecture > General Art > Individual Artist


0§ń–3¦é×F= Miᆠcover / Kobo Touch

Synopsis

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Flickr Photo Set

+ further details about 0§ń–3¦é×F= Miá†

Igor Štromajer | http://www.intima.org
0§ń–3¦é×F= Miá†, Hamburg, September 2012

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0§ń–3¦é×F= Miá†

!gor Štromajer
0§ń–3¦é×F= Miá†
öix°ß%ľX.ě kĂ’Í7Ő×

Available as: PDF file 0sn-3iexfemiat.pdf (2.7 MB, 206 A4 pages)

Audio file (excerpt, 22 min, SoundCloud | Play)
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Available as: PDF file 0sn-3iexfemiat.pdf (2.7 MB, 206 A4 pages)

Audio file (excerpt, 22 min, SoundCloud | Play)

#

Igor Štromajer | www.intima.org

0§ń–3¦é×F= Miá†, Hamburg, September 2012

This work is licensed under a Creative Commons Attribution-NonCommercial 3.0 Unported License (CC BY-NC 3.0)

Filed under: ART WORKS, TEXTS, , ,

intima.org  ●  intima.info

      
      

Igor Štromajer aka intima is a pseudo-/para-/proto-artist. He has shown his work at more than two hundred fifty exhibitions, festivals and biennials worldwide, among others at the transmediale, ISEA, EMAF, SIGGRAPH, Ars Electronica Futurelab, V2_, IMPAKT, CYNETART, Manifesta, FILE, Stuttgarter Filmwinter, Hamburg Kunsthalle, ARCO, Banff Centre, Les Rencontres Internationales, The Wrong – New Digital Art Biennale, etc.



His works are included in the permanent collections of the Centre Pompidou in Paris, the MNCA Reina Sofía in Madrid, Computer Fine Arts in New York, and UGM:


























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