Intima | Igor Štromajer

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Huis Clos / No Exit – On Translation

Huis Clos / No Exit – On Translation
Telematic performance with 6 performers

May 29th 2010 8.30 pm

NIMk – Netherlands Media Art Institute, Amsterdam

www.vimeo.com/12736847

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Ballettikka Internettikka Insecttikka

Ballettikka Internettikka Insecttikka, 29 May 2010
(C3K44XE, Amsterdam, Hamburg)

Ballettikka Internettikka Insecttikka
(Internet Ballet)
www.intima.org/bi/ins
by Igor Štromajer and Brane Zorman

Saturday, 29 May 2010 at 22:00 (Amsterdam/Berlin/Paris Local Time)
Netherlands Media Art Institute, Amsterdam
Live Internet Broadcast

– authors and performers: Igor Štromajer & Brane Zorman
– theoretical adviser: Bojana Kunst
– live sound (manipulated and performed) by MC Brane Vs BeitThron
– live video edited by Igor Štromajer

Co-produced by the Netherlands Media Art Institute (Nederlands Instituut Voor Mediakunst), Amsterdam (www.nimk.nl), Intima Virtual Base – Institute for Contemporary Arts (www.intima.org) and Cona Institute, Ljubljana, Slovenia (www.cona.si), May 2010.

Ballettikka Internettikka is a series of tactical art projects which began in 2001. It explores wireless Internet ballet performances combined with guerrilla tactics and mobile live Internet broadcasting strategies. After invading the Bolshoi Theatre in Moscow (2002), La Scala in Milan (2004), the National Theatre in Belgrade (2005), Volksbühne in Berlin (2006), the City Hall and Lippo Centre in Hong Kong (2007), a construction site in Seoul (2008), the Norwegian island Svalbard in the Arctic Ocean (2008), the Japanese island Minami Torishima in the Pacific Ocean (2009) and other institutions, places and their concepts. Štromajer and Zorman are now preparing a new Internet ballet – Ballettikka Internettikka Insecttikka, performing and broadcasting live from the coded location C3K44XE in Hamburg. The live event will be broadcast to the public at the Netherlands Media Art Institute, Amsterdam, and on the Internet at:
www.intima.org/bi/ins

In the Port of Hamburg, at the micro location C3K44XE, Stromajer and Zorman will release two micro robotic bugs: two artificial autonomous robotic toy insects (based on the HexBug Alpha and HexBug Bravo platforms), equipped with mechanical and electronic sensors and with two wireless waterproof night vision micro spy-cameras, let loose to commit a parallel suicide (the third, invisible micro robotic bug, equipped with the same camera, will observe the situation from a distance).

Both of the robotic bugs are programmed only to commit suicide – at the same time (with up to +/- 5 seconds time tolerance) – but not how to do it. Their intelligent decision-making electronic system will allow them to select the method of their simultaneous death.

Visitors of the Performmikka Internettikka event in Amsterdam and visitors on-line will be able to monitor the robotic bugs’ path to death, and their final decision.

How will the robotic insects decide? Autonomously or politically?

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PERFORMMIKKA INTERNETTIKKA

PERFORMANCE
PERFORMMIKKA INTERNETTIKKA

nimk.nl/eng/calendar/performmikka-internettikka

29 May 2010

The Netherlands Media Art Institute / Nederlands Instituut voor Mediakunst (NIMk)

doors open 20:00, program begins 20:30
Entrance 5,- (students 3,50)
Please make reservations

An evening with internet/teleperformances by Annie Abrahams, Christophe Bruno, Constant Dullaart, Igor Stromajer and Brane Zorman, focused on the relations between contemporary performance practice and the internet.

With performances by:
Annie Abrahams, Huis Clos : No Exit – On Translation (20:00)
Christophe Bruno, Human Browser
Constant Dullaart, Arranged online moments
Igor Stromajer & Brane Zorman, Ballettikka Internettikka Insecttikka (22:00)

Performmikka Internettikka focuses on recent new possibilities surrounding tele- or internet performance. With the increased speed of internet connections in recent years and the omnipresence of the net, it has not only provided these media artists with inspiration, but also with a platform and a medium. In their work the participating artists respond in various ways to the technical possibilities and limitations of the internet, and to the implications the medium has for content. How does a simultaneous and collective performance being carried out at different places around the world look? What does the delay and distance contribute to the chances and limitations? How does an audience deal with viewing a live ‘event’ with illegal recorded images that are being made at that moment somewhere else in the world? In addition, the artists respond with irony to the Internet as a source of entertainment, and as a capitalist instrument. In short, what does the internet contribute to contemporary performance art practice in terms of inspiration, mediation and as a platform?

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BI Insecttikka Photos

Ballettikka Internettikka Insecttikka
Internet Ballet
www.intima.org/bi/ins

Authors: Igor Štromajer & Brane Zorman
Theoretical adviser: Bojana Kunst
Sound manipulated and performed live by MC Brane Vs BeitThron
Video edited and manipulated live by Igor Štromajer

Performed live from Hamburg, Germany. Live Internet Broadcast to the Netherlands Media Art Institute, Amsterdam.
29 May 2010, 22:00

Ballettikka Internettikka Insecttikka is a part of the Performmikka Internettikka event, curated by Petra Heck.

Co-produced by Netherlands Media Art Institute, Amsterdam (www.nimk.nl); Intima Virtual Base (www.intima.org), Cona Institute, Ljubljana (www.cona.si).

+ see also: BI Insecttikka Test


The robo-bug and the wireless mini-cam / their size, compared to a standard AA battery.

Details of the remodeled robo-bugs Hexbug Alpha and Hexbug Bravo:

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➠ e-#knjiga je objavljena, @javna_agencija_za_knjigo jo lahko vključi v program Slovenije, gostje FFM @buchmesse 2022. Je že v mestu, tudi prevoda v nemščino ne potrebuje :) ● 3¦×Fń–Qé3= Miá✚, Kindle izdaja računalniško generirane #poezije: intima.org/101 ● sto in ena pesem, 107 strani ● izbor pesmi je objavljen tudi na spletni strani @ludliteratura .si/avtor/igor-stromajer
2018 & 2019 selfies: "If I were an artist, this is how I'd look like" ➠ intima.org/o-o
[Art on the mobile phone display] 📲 Neues für #Wap: #Kunst im Handydisplay ● Christiane Wettig, Net Business Magazin, München, 26. Juni 2000 soNet – WAP sei Dank, jetzt gibt es sogar Kunst für #Handys. wap.sonnet – microbe.4/wap.art ist die wahrscheinlich erste WAP-Kunst der Welt. Igor Štromajer heisst der Schöpfer des telematischen Werkes, das mit einfachsten Mitteln über das Leben in den Zeiten des WAP berichtet. Da wird geflüstert, geschwiegen und gestorben, werden Zahlen zu Menschen oder verwandeln sich Klammern und Sternchen in Gefühle. Ein Rätsel mit und über die neue Technologie und eine kleine, freche Eulenspiegelei. Denn bislang haben vor allem Geschäftsleute und Technikfreaks teuere WAP-Handys, und die benutzen ihre Telefone in erster Linie ganz pragmatisch. “Plötzlich prallen sie auf das WAP-#Sonnet, haben keine Ahnung, wofür es ist und was sie mit der sinnlosen Information machen sollen”, schmunzelt der 32-jährigen Slowene. “Ich bringe also Geschäftsleute durcheinander und erzähle ihnen vom Bruch in der #Kommunikation.” Dass er für seine Arbeit nur die eingeschränkten Möglichkeiten einer Handytastatur zur Verfügung hat, findet der preisgekrönte Netzkünstler “wunderbar”. Dennoch will er keine weitere “WAP-Art” machen. “WAP ist tot, die dritte Handygeneration wird komplett interaktiv und multimedial sein.” ➠ wp.me/p1vWRY-b9
⟳ ⛜ ⁑⁑ ⚛ ⌇ ⎚ ⏛
If you're an online curator, act like one! Seriously, I mean, khm, this is a bit embarrassing, but anyway: if you and your gallery are forced to put your next show online due to the virus, sure, cool, do it, it's practical to have everything at hand while quarantined, but please, please don't be sluggish and don't just throw everything into a facebook album and claim it's an exhibition. There are hundreds of practical examples of – and theoretical reflections on – various forms of online shows, www projects, networked art events, etc., lots and lots of diverse references dating back to the 1970s, not to mention the 1990s and later. Simply throwing all the photos into one facebook album is not an online exhibition, only the 'nouveau en ligne' think it is. Don't be ignorant, do your research, learn, be innovative (at least make a website), do your work. Beside that, art looks much better on instagram. If you're an online curator, act like one!
19 years ago, I danced with a copy of @FAZ Frankfurter Allgemeine for the first time (Internet, 28 March 2001). A year later, I ate the very same copy I danced with (Bolshoi, 28 March 2002) ➠ Ballettikka Internettikka: intima.org/bi ➠ pics: #livestreaming, 320×240 pix

intima.org  ●  intima.info

    
      

Igor Štromajer aka intima is a pseudo-/para-/proto-artist. He has shown his work at more than two hundred fifty exhibitions, festivals and biennials worldwide, among others at the transmediale, ISEA, EMAF, SIGGRAPH, Ars Electronica Futurelab, V2_, IMPAKT, CYNETART, Manifesta, FILE, Stuttgarter Filmwinter, Hamburg Kunsthalle, ARCO, Banff Centre, Les Rencontres Internationales, The Wrong – New Digital Art Biennale, etc.



His works are included in the permanent collections of the Centre Pompidou in Paris, the MNCA Reina Sofía in Madrid, Computer Fine Arts in New York, and UGM:


























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