presentation / artist talk
Ljubezen brez milosti
Predstavitev dela intimnega mobilnega komunikatorja, intermedijskega umetnika Igorja Štromajerja
Trubarjeva hiša literature, Ljubljana (vhod: Stritarjeva 7)
Torek, 8. marca 2011 ob 18h
Category: EXHIBITIONS
2-3-1 Assimil
2-3-1 Assimil – on/offline performance
Stuttgarter Filmwinter Festival / Wand 5
Saturday, 22 January 2011 at 5:30 PM
Author: Annie Abrahams
Performers: Annie Abrahams, Nicolas Frespech, Igor Štromajer
ON-LINE: Live Internet broadcast at bram.org/huisclos/salon.html
OFF-LINE: Filmhaus, Friedrichstrasse 23a, Stuttgart, Germany
Screenshots: Cyril Thomas
# reference: Huis Clos / No Exit – On Translation by Annie Abrahams (24th Stuttgarter Filmwinter Festival winner; Expanded Media Award “Online/Offline”, January 2011, Stuttgart, Germany)
Ballettikka Internettikka in Skopje
“Love Without Mercy”
Public presentation / Artist talk
Saturday, 11 December 2010 at 8 pm
Venue: Cultural Center CK, Skopje
Presenting the project Ballettikka Internettikka (2001-2011) by Igor Štromajer & Brane Zorman.
In collaboration with Kontrapunkt, Skopje; deschooling.classroom(o^o) and TkH – Centre for Performing Arts Theory and Practice, Belgrade.
“We shall fight them on the beaches. We shall fight them on the landing grounds. We shall fight in the fields and in the streets, we shall fight in the hills. We shall never surrender.”
(W. Churchill)
BI in Maribor – 16th IFCA/MFRU
16th International Festival of Computer Arts (IFCA/MFRU)
Maribor, Slovenia
18 – 28 November 2010
Ballettikka Internettikka – Internet Ballet
www.intima.org/bi
Presentation / Artist Talk ; Location: Cinema Udarnik, 24 November 2010 at 6 PM
EPK 12 – Mobile Showcase (Region: Novo Mesto / APT)
Artists: Igor Štromajer + Brane Zorman
English: www.mfru.org/index.php?id=294&L=1
Slovensko: www.mfru.org/index.php?id=294
“We shall fight them on the beaches. We shall fight them on the landing grounds. We shall fight in the fields and in the streets, we shall fight in the hills. We shall never surrender.”
(W. Churchill)
Ballettikka Internettikka is a series of tactical art projects which began in 2001 with the exploration of Internet ballet. It explores wireless Internet ballet performances combined with guerrilla tactics and mobile live Internet broadcasting strategies.
Omissive Art
OMISSIVE ART by Igor Štromajer
Reality is not given. It has to be constructed.
Project Room: The Black Box Museum Project / Memoria
Artists: Katarina Zdjelar, Zoran Todorović, Bojan Fajfrić, Igor Štromajer | Curated by Milan Tutunović
Venue: Centre Régional d’Art Contemporain à Sète – Occitanie / Pyrénées-Méditerranée / CRAC – Centre Régional d’Art Contemporain Languedoc-Roussillon
In collaboration with: Kawenga Espace Culture Multimédia, Montpellier, France
5 November 2010 – 30 January 2011
Project Room: The Black Box Museum Project / Memoria
Project Room: The Black Box Museum Project / Memoria
Curated by Milan Tutunović
Centre Régional d’Art Contemporain à Sète – Occitanie / Pyrénées-Méditerranée / CRAC – Centre Régional d’Art Contemporain Languedoc-Roussillon, France
5 November 2010 – 30 January 2011
Expositions 5 novembre – 30 janvier 2011
vernissage : vendredi 5 novembre à 18h30
PROJECT-ROOM
The Black Box Museum Project / Memoria
KATARINA ZDJELAR
ZORAN TODOROVIĆ
BOJAN FAJFRIĆ
IGOR ŠTROMAJER – OMISSIVE ART – www.intima.org/blackboxmemo
+ Flickr Photo Documentation (preparations + opening of the exhibition)
Commissariat : Milan TUTUNOVIĆ
VIDEO: www.dailymotion.com/video/xhabbf_project-room-the-black-box-museum-project-memoria_creation
Continue reading “Project Room: The Black Box Museum Project / Memoria”
Project Room: The Black Box Museum Project
Project Room: The Black Box Museum Project / Memoria
Curated by Milan Tutunović
Centre Régional d’Art Contemporain à Sète – Occitanie / Pyrénées-Méditerranée / CRAC – Centre Régional d’Art Contemporain Languedoc-Roussillon, France
5 November 2010 – 30 January 2011
Designed by MaLa MҼLi
Igor Štromajer: OMISSIVE ART – www.intima.org/blackboxmemo
Continue reading “Project Room: The Black Box Museum Project”
Poбo:свадба (Robo:Wedding)
Oppera Internettikka – Poбo:свадба (Robo:Wedding)
Robotic Wedding
Project by Igor Štromajer
Part of the 5th AKTO Festival for Contemporary Arts
11-15 August 2010, Bitola, MK
Curated by Filip Jovanovski
↓
Poбo:свадба – Video Installation
This video represents a part of the Poбo:свадба installation, exhibited in the House of Officers (Oficerski dom) in Bitola, MK, during the 5th AKTO Festival for Contemporary Arts.
Video by Igor Štromajer
Audio by The Conet Project
“Bourgeois marriage is, in reality, a system of wives in common and thus, at the most, what the Communists might possibly be reproached with is that they desire to introduce, in substitution for a hypocritically concealed, an openly legalized system of free love. For the rest, it is self-evident that the abolition of the present system of production must bring with it the abolition of free love springing from that system, i.e., of prostitution both public and private.”
(Karl Marx and Frederick Engels: Manifesto of the Communist Party, 1848)
Poбo:свадба (Robo:Wedding) Video Installation in Bitola (Photo: AKTO)
PERFORMMIKKA INTERNETTIKKA
PERFORMANCE
PERFORMMIKKA INTERNETTIKKA
nimk.nl/eng/calendar/performmikka-internettikka
29 May 2010
The Netherlands Media Art Institute / Nederlands Instituut voor Mediakunst (NIMk)
doors open 20:00, program begins 20:30
Entrance 5,- (students 3,50)
Please make reservations
An evening with internet/teleperformances by Annie Abrahams, Christophe Bruno, Constant Dullaart, Igor Stromajer and Brane Zorman, focused on the relations between contemporary performance practice and the internet.
With performances by:
Annie Abrahams, Huis Clos : No Exit – On Translation (20:00)
Christophe Bruno, Human Browser
Constant Dullaart, Arranged online moments
Igor Stromajer & Brane Zorman, Ballettikka Internettikka Insecttikka (22:00)
Performmikka Internettikka focuses on recent new possibilities surrounding tele- or internet performance. With the increased speed of internet connections in recent years and the omnipresence of the net, it has not only provided these media artists with inspiration, but also with a platform and a medium. In their work the participating artists respond in various ways to the technical possibilities and limitations of the internet, and to the implications the medium has for content. How does a simultaneous and collective performance being carried out at different places around the world look? What does the delay and distance contribute to the chances and limitations? How does an audience deal with viewing a live ‘event’ with illegal recorded images that are being made at that moment somewhere else in the world? In addition, the artists respond with irony to the Internet as a source of entertainment, and as a capitalist instrument. In short, what does the internet contribute to contemporary performance art practice in terms of inspiration, mediation and as a platform?
intima • Igor Štromajer 