Emobot / Robot Museum

Igor Štromajer: Emobot, 2011
(Wax 69, Set.3, E-Basic ZX-S 2000+, 8-bit Mono Q Sil)

Maribor Art Gallery: Robot Museum; group exhibition
29 September – 6 November 2011

Štromajer has placed Emobot, an emotional robot, in the gallery. Emobot is not a work of art nor does it produce art. Its only artistic value is absence (of production) of art. Emobot produces art by not producing it, by active omission of production. It is (and it isn’t) an artistic action, performed by not being performed. In other words – it is created by not being created. Emobot is an art work actively absent from the exhibition: the most radical artistic action is the one performed by not performing it. Emobot functions by not functioning, by omitting its functioning. And when it is active, we are not aware how it functions, and actually we don’t want to know. Emobot is omissive art: “Philosophers have so far only changed the world, this is about interpreting the world!”
The work was created in the context of exploring omissive art, the status of art in contemporary society as well as of the value and impact of an artistic action.

Concept of the exhibition: Jože Slaček, Curator: Meta Kordiš
Authors at the exhibition: Srečo Dragan, Stefan Doepner, Luka Drinovec, Luka Frelih, Sanela Jahić, Zoran Srdić Janežič, Boštjan Kavčič, Nika Oblak & Primož Novak, Borut Savski, Sašo Sedlaček, Maja Smrekar, son:DA, Robertina Šebjanič, Igor Štromajer, Branko Zupan

Opening: Thursday, 29 September 2011

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@juspar[1] and now quoting Galloway[2]: “Code is the only language that is executable”. Does what it says. #code #chun[3] #netpol1010[4]

@juspar[1] and now quoting Galloway[2]: “Code is the only language that is executable”. Does what it says. #code #chun[3] #netpol1010[4]

by Igor Štromajer (ISEA2011 panel: Voicing Electronic Arts)

Abstract:

0 html – 0 head – 0 title – 3 0 /title – 0 meta http-equiv=”Content-Type” content =”text/html; charset=iso-8859-1″ – 0 meta http-equiv= “Pragma” content=”no-cache” / – 0 meta name=”robots” content=”index,follow” – 0 script – function clearText (thefield) { if  (thefield.default Value==thefield.value) thefield.value = “” } 0 /script – 0 /head – 0 body – 3 0 /body – 0 /html –

Continue reading “@juspar[1] and now quoting Galloway[2]: “Code is the only language that is executable”. Does what it says. #code #chun[3] #netpol1010[4]”

Expunction – Deleting www.intima.org Net Art Works

ExpunctionDeleting www.intima.org Net Art Works

If one can create art, one can also delete it.
Memory is there to deceive.

www.intima.org/expunction

Number of deleted art works: 37
Number of deleted files: 3.288
Amount of deleted files: 101.72 MB

– Deletion frequency: one (1) net art work per day
– Started: 11 May 2011
– Duration: 37 days (last project deleted on 16 June 2011)
– Subject: net art works by Igor Štromajer, created from 2007 to 1996, were being deleted, erased from the original www.intima.org server, forever

[Flickr] Expunction DEL NET ART Screenshots

Deleted Net Art Works:

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BI Antarcttikka – A1

Ballettikka Internettikka: Antarcttikka [Preparations]

The ultimate Ballettikka Internettikka
by Igor Štromajer & Brane Zorman

November 2011
www.intima.org/bi/a
[10 years: 2001-2011]

Official proposal for the Ballettikka Internettikka Antarcttikka Mission Patch.


Our robot spent the whole night (12 hours) in a small freezing compartment (set on -17°C) of the refrigerator – and survived!


Testing our robot in a refrigerator.

+ Flickr Photo Set
+ Recent/updated info/studies on preparations: Facebook Photo Album

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2-3-1 Assimil

2-3-1 Assimil – on/offline performance

Stuttgarter Filmwinter Festival /  Wand 5
Saturday, 22 January 2011 at 5:30 PM

Author: Annie Abrahams
Performers: Annie Abrahams, Nicolas Frespech, Igor Štromajer

ON-LINE: Live Internet broadcast at bram.org/huisclos/salon.html
OFF-LINE: Filmhaus, Friedrichstrasse 23a, Stuttgart, Germany

Screenshots: Cyril Thomas

# reference: Huis Clos / No Exit – On Translation by Annie Abrahams (24th Stuttgarter Filmwinter Festival winner; Expanded Media Award “Online/Offline”, January 2011, Stuttgart, Germany)