Today is the 28th of March, 2011, exactly 10 years after the very first Ballettikka Internettikka live Internet performance by Igor Štromajer & Brane Zorman.
Photo: BI Part One, Kapelica Gallery, Ljubljana, 28 March 2001.
Today is the 28th of March, 2011, exactly 10 years after the very first Ballettikka Internettikka live Internet performance by Igor Štromajer & Brane Zorman.
Photo: BI Part One, Kapelica Gallery, Ljubljana, 28 March 2001.
Ballettikka Internettikka: Antarcttikka [Preparations]
The ultimate Ballettikka Internettikka
by Igor Štromajer & Brane Zorman
November 2011
www.intima.org/bi/a
[10 years: 2001-2011]
Official proposal for the Ballettikka Internettikka Antarcttikka Mission Patch.

Our robot spent the whole night (12 hours) in a small freezing compartment (set on -17°C) of the refrigerator – and survived!

Testing our robot in a refrigerator.
+ Flickr Photo Set
+ Recent/updated info/studies on preparations: Facebook Photo Album
presentation / artist talk
Ljubezen brez milosti
Predstavitev dela intimnega mobilnega komunikatorja, intermedijskega umetnika Igorja Štromajerja
Trubarjeva hiša literature, Ljubljana (vhod: Stritarjeva 7)
Torek, 8. marca 2011 ob 18h
Le Net Art au musée
Anne Laforet
L>P – Collection : L>P – 1ère édition – janvier 2011
Questions Théoriques, Paris, France
[comprend: Igor Štromajer]
Le net art − la création artistique par et pour Internet − rejoint depuis quelques années les collections des musées, posant de nouvelles et complexes questions de conservation et d’exposition. D’une part, les matériaux numériques de ces oeuvres sont fragiles ; d’autre part, le déploiement complet de leur dispositif suppose qu’elles soient en ligne et activées par leurs visiteurs.
Il faut donc tenir compte à la fois de la matérialité particulière des oeuvres et de la façon dont la conservation dialogue avec les autres fonctions du musée. Anne Laforet présente et interroge les différentes stratégies de conservation expérimentées par les musées, les archives, les artistes, etc.: documentation, émulation, migration, partition, ré-interprétation, auto-archivage, archivage automatique… et en tire la proposition d’une conservation hybride, celle du «musée archéologique».
On Friday, 4 February 2011 at 8 pm, Igor Štromajer performed a single artistic action entitled Does what it says. The action was performed in the Haus der Kulturen der Welt in Berlin during the transmediale.11 festival.
2-3-1 Assimil – on/offline performance
Stuttgarter Filmwinter Festival / Wand 5
Saturday, 22 January 2011 at 5:30 PM
Author: Annie Abrahams
Performers: Annie Abrahams, Nicolas Frespech, Igor Štromajer
ON-LINE: Live Internet broadcast at bram.org/huisclos/salon.html
OFF-LINE: Filmhaus, Friedrichstrasse 23a, Stuttgart, Germany


Screenshots: Cyril Thomas
# reference: Huis Clos / No Exit – On Translation by Annie Abrahams (24th Stuttgarter Filmwinter Festival winner; Expanded Media Award “Online/Offline”, January 2011, Stuttgart, Germany)
Entrevista a Igor Štromajer
Por Jorge Martins Rosa e Margarida Carvalho
1 de janeiro de 2011
Interact
Revista online de arte, cultura e tecnologia, Lisboa, Portugal
# 17 (Secção: Entrevista)
Em Outubro de 2010, o artista esloveno Igor Štromajer esteve em Portugal para colaborar enquanto artista e consultor no projecto “A História é Clandestina”. Aproveitando a sua presença, Jorge Martins Rosa e Margarida Carvalho entrevistaram-no para a Interact.
© Centro de Estudos de Comunicação e Linguagens, Lisboa, Portugal
Igor Štromajer
ZRENJE2912967500190
EYE2912967500190
Live Internet Broadcast
10 – 30 December 2010
Enter here: www.2912967500190.net
“Love Without Mercy”
Public presentation / Artist talk
Saturday, 11 December 2010 at 8 pm
Venue: Cultural Center CK, Skopje
Presenting the project Ballettikka Internettikka (2001-2011) by Igor Štromajer & Brane Zorman.
In collaboration with Kontrapunkt, Skopje; deschooling.classroom(o^o) and TkH – Centre for Performing Arts Theory and Practice, Belgrade.
“We shall fight them on the beaches. We shall fight them on the landing grounds. We shall fight in the fields and in the streets, we shall fight in the hills. We shall never surrender.”
(W. Churchill)