3 hours in 1 second
or “What can I say with one Playlist?”
Exhibition | ON-LINE Exhibition
# exhibition opening:
Basso Berlin, 5 February 2010 at 7pm
Köpenickerstrasse 187/189, Berlin Kreuzberg
Meta-curator: Sakrowski – curatingyoutube.net

3 hours in 1 second
or “What can I say with one Playlist?”
Exhibition | ON-LINE Exhibition
# exhibition opening:
Basso Berlin, 5 February 2010 at 7pm
Köpenickerstrasse 187/189, Berlin Kreuzberg
Meta-curator: Sakrowski – curatingyoutube.net

radioCona 88.8 MHz – Sweet Nowhere
www.cona.si/radio
Live Internet and radio stream (from the City Art Museum Ljubljana):
www.ustream.tv/channel/radiocona—nikjer-je-najlepse-sweet-nowhere
Wednesday, 27 January 2009
at 17:15 GTM/UTC+1 (Ljubljana/Berlin/Paris CET – Central European Time):
Oppera Teorettikka Internettikka
by Igor Štromajer, 1998/99
[13 minutes audio remix]
“Le Pavarotti du HTML” – Le Slovene Stromajer crée des opéras en code web; par Marie Lechner (Libération, Paris)
NIE.III (YouTube video)
by Igor Štromajer, Intima Virtual Base
Rauma 2003 – Antwerp 2004 – Hamburg 2010
Soundtrack: OH1AK FIN
↓
DAS SYSTEM (YouTube video)
by Intima Virtual Base & netart-datenbank.org
Igor Štromajer, Anna Kohler, Sakrowski, Tilman Linden, Thomas No:sler
Performed in Berlin 2003 – Remixed in Hamburg 2010
Pleasure Measure: Orgasmus Datenbank Berlin 2.0
New Intima Virtual Base YouTube Channel
youtube.com/intima2
EVERGREEN
Comments on media
22 and 23 September 2009 at 10.10 PM in the Old Power Station in Ljubljana (Ex Ponto, Slovenia). Live Internet broadcast also in Kanuti Gildi SAAL in Tallinn (Estonia; local time: 11.10 PM) and the TPN / Auditório de Alfornelos (The Intensive Art Care Proto) in Amadora (Portugal; local time: 9.10 PM).
The Big Kiss
Live Internet Broadcast Performance by Annie Abrahams (Ljubljana)

“Machine mediated kissing in a performance = drawing with your tongue = taking pleasure, while constructing an image = a way to be superaware of the other = never totally abandoning yourself = ???????? = not at all like real kissing, it is better! This might be a female point of view.”
Annie Abrahams